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SFU unveils plan for $26.3M art gallery on Burnaby Mountain

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SFU Gallery is getting a revamp.

Simon Fraser University has announced its campus art gallery on Burnaby Mountain is getting a $26.3-million overhaul, and the school wants its new gallery to be a community living room.

Replacing the old SFU Gallery, the Marianne and Edward Gibson Art Gallery –“the Gibson” – will be 12,000 square feet of free exhibits and programming space for the university and its neighbouring community, according to an SFU press release.

It will include an art studio, courtyard, salon and forum, designed by architect Siamak Hariri.

The gallery’s website describes the space as “SFU’s living room: a warm and welcoming place to find one another and learn together.”

The gallery will host “a range of new artist-led learning and community engagement offerings, such as artist residencies, hands-on sessions for university and K-12 students, and weekend family programs,” according to the release.

Right across from the main transit hub on Burnaby Mountain, the gallery will be located near the First People’s Gathering House and Trottier Observatory.

Construction began in a ground-breaking ceremony on Aug. 1.

Donors including Marianne Gibson, the Djavad Mowafaghian Foundation, the Tuey Charitable Foundation and an anonymous donation in honour of SFU president emeritus Andrew Petter contributed more than $23 million to the project.

The Gibson is expected to open in 2025 and will be home to SFU’s art collection of more than 5,800 modern and contemporary paintings, photographs, sculptures, works on paper and large installations.

south-gallery-image-courtesy-the-mirage-studio-and-sfu-galleries
A rendering of the south gallery in the new SFU art museum, with SFU art collection works hanging. The Mirage Studio/SFU Galleries

Gallery named after donor, former faculty

The late Edward Gibson was the director of SFU Gallery from 1986 to 1997 after joining SFU as a charter faculty member in 1965.

“I’m filled with excitement for this museum to continue to bring British Columbian arts and culture to the faculty, staff and students of SFU, as well as to the community of the Lower Mainland and the province,” said Gibson’s wife Marianne in the release.

SFU Galleries director Kimberly Phillips said the new gallery would become a “new kind of visual arts facility.”

“We are committed to creating a space that will extend the ways we support artists, strengthen the arts ecology of our region, and manifestly reimagine what an art museum can do, and for whom it exists,” Phillips added.

SFU Gallery was established on Burnaby Mountain as a public art gallery in 1970, according to its website, and expanded to Teck Gallery at Harbour Centre in Vancouver in 1989 and the Goldcorp Centre for the Arts in Vancouver in 2010.

You can take a virtual tour of plans for the new space on the Gibson’s website.

Correction: An earlier version of this article stated the cost of the gallery project is $23 million. That is incorrect. The capital project cost is expected to be $26.3 million.

 

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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