For some — the chance to see a banana duct-taped to a wall is to be within touching distance of a sensational moment in recent art history. For others, it’s an enticing snack.
On Thursday, an art student from Seoul National University found it to be the latter, when he removed the fruit — an iconic work by Italian artist Maurizio Cattelan — from off a wall at the Leeum Museum of Art in Seoul, South Korea where it was displayed. Then he proceeded to devour it.
“The student told the museum he ate it because he was hungry,” a museum spokesperson told CNN in a phone call.
Entitled “Comedian,” the work became one of the art world’s biggest viral moments when it sold for $120,000 at Art Basel Miami Beach in December 2019. Two other editions of the piece also sold at the fair.
After chomping down the fruit, the South Korean student taped the peel back on to the wall. The peel was later replaced by the museum with a fresh banana.
The aftermath of the incident.
shwan.han/Instagram
“It happened suddenly, so no special action was taken. The artist (Cattelan) was informed of the incident but he didn’t have any reaction to it,” the museum spokesperson added.
The work is part of Cattelan’s solo exhibition WE that is currently running at the Seoul-based museum until July 16. The banana itself is regularly swapped out every two to three days, and is not for sale.
Cattelan is known for satirical pieces that challenge popular culture, often provoking debates around conceptual art.
“Comedian” by Italian artist Maurizio Cattelan, is on display in Leeum Museum of Art until July 16 in Seoul, South Korea
Kim Kyoungtae/Maurizio Cattelan/Leeum Museum of Art
This wasn’t the first time someone thought the artwork was ripe for picking.
After the first edition of “Comedian” sold back in 2019, performance artist David Datuna unceremoniously plucked the banana on display at the Perrotin gallery at Art Basel in Miami and gobbled it up as stunned onlookers watched.
Datuna relished in the stunt, posting to Instagram at the time saying “I really love this installation. It’s very delicious.” Later he defended the act, calling it an art performance at a press conference and not an act of vandalism.
Prior to the headline-making sale of artwork, Perrotin told CNN the bananas are “a symbol of global trade, a double entendre, as well as a classic device for humor,” adding that Cattelan turns mundane objects into “vehicles of both delight and critique.” The artist did not provide potential buyers with instructions on what to do when the artwork starts to decompose.
Someone ate a $120,000 banana that an artist had taped to a wall
The artwork is also embroiled in a copyright battle. In 2022, Joe Morford, an artist from Glendale, California, alleged that Cattelan plagiarized his own 2000 artwork titled “Banana & Orange” — which sees the titular fruits affixed with duct tape onto painted green backgrounds on a wall.
According to court documents, Morford, who is representing himself, had registered the artwork with the US Copyright Office and posted the work on his website, Facebook and YouTube accounts long before Cattelan created “Comedian.”
Cattelan’s lawyers have argued that Morford has “no valid copyright,” to the elements of the artwork — the banana and the duct tape stuck against a wall.
Another one of Cattelan’s viral artworks was a solid 18-carat-gold toilet “entitled” America, valued at around $6 million. It had been first installed at New York’s Guggenheim in 2016 and was open to use by visitors. Later in 2019, it was stolen from the birthplace of Winston Churchill at Bleinheim Palace in England where it was being exhibited. It has never been found.
Top image caption: “Comedian,” a 2019 artwork by Italian artist Maurizio Cattelan, is seen in Seoul, South Korea.
CNN’s Rob Picheta and Jacqui Palumbo contributed to this report.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
