Art
Design challenge brings together art and science to help change how Vancouverites think about sea-level rise – CBC.ca
Our planet is changing. So is our journalism. This story is part of Our Changing Planet, a CBC News initiative to show and explain the effects of climate change and what is being done about it.
During an event earlier this month, writers from four coastal cities — Vancouver, New York, Mumbai and Tokyo — typed out their thoughts about the prospect of rising sea levels.
Their words were projected on a large screen in Vancouver’s Olympic Village, and a youth choir sang them out to the public.
In addition, a photography project on display showed how residents imagine they may be impacted by rising sea levels in and around False Creek.
The choir and photography were part of an event marking the end of the first phase of the Sea2City Design Challenge, a City of Vancouver project that aims to look at how the city can adapt to rising sea levels — particularly in the False Creek floodplain — and address the social, economic and ecological impacts coastal flooding will have in the future.
LISTEN | CBC’s Johanna Wagstaffe on the Sea2City Design Challenge
9:37CLIMATE CHANGERS: A design challenge to help deal with sea level rise
Sea levels are rising in response to climate change. For coastal communities, that means preparing today for what tomorrow could bring. CBC’s Johanna Wagstaffe brings us the story of the Sea2City Design Challenge in Vancouver.
Angela Danyluk, a biologist and senior sustainability officer with the city, says art can be a great way to connect with the public on the issue of climate change.
“You don’t need to know all the stats behind climate change, but you do know how you feel about your relationship with the coast,” Danyluk said.
Danyluk described the Sea2City Design Challenge as a friendly competition between two design teams that began last September.
When it comes to adapting to sea-level rise, Danyluk says, designers often think in one of three ways: resist by keeping water away, accommodate by letting water in according to risk tolerance, and avoid by getting out of water’s way altogether.
But changing the language around sea-level rise can help people think differently about their relationship to the water, she says.
“‘Resist’ became ‘acknowledge’, ‘accommodate’ became ‘host’, ‘move’ and ‘avoid’ became ‘restore’ — restoring our relationship with the water, the land and with each other,” she said.
Chuck McDowell of Mithun+One, one of the groups participating in the challenge, says their designs were deeply influenced by conversations with Indigenous cultural advisers and knowledge keepers, who spoke of how the land was once akin to a “traditional grocery store” filled with plant life and sea life.
He says there are plenty of issues that need to be addressed to bring back that natural plethora, such as watershed issues and the need to implement green infrastructure.
“There’s a lot of work to do to make it happen, but bringing back that idea of natural abundance is really important to us,” McDowell said.
Danyluk says now that the first phase of the design project is complete, they hope to present two to three pilot projects that can be implemented in False Creek over the next four to 10 years.
She says the city can look across Burrard Inlet for inspiration.
“It’s funny, we all go to the North Shore on the weekend to be in the forest and it’s full of cedar trees,” she said. “Why can’t we have cedar trees here in the city?”
LISTEN | How ready is Vancouver’s False Creek for sea-level rise?
On The Coast7:39Sea2City Design Challenge
How ready is False Creek for sea level rise? We’ll hear from two people behind the “Sea2City” Design Challenge. It’s an international team tackling the issue of future flooding. Margaret Gallagher met up with two team members, Begonia Arellano with the Delterra…and Dutch firm that specializes in water management, and Derek Lee is principal at Vancouver’s PWL Landscape Architects and a “Sea2City” team lead.
Climate change is one of the most pressing issues of our time. In B.C. we’ve witnessed its impacts with deadly heat waves, destructive floods and rampant wildfires. But there are people who are committed to taking meaningful strides, both big and small, toward building a better future for our planet. Those people are featured in CBC’s series The Climate Changers, produced by CBC science reporter and meteorologist Johanna Wagstaffe and associate producer Rohit Joseph, which airs Wednesdays on All Points West, On The Coast and Radio West on CBC Radio One and on CBC Vancouver News with features on cbc.ca/bc.
Art
Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
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