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Tableau’s Funct Feast exhibition aims to "bridge the gap between furniture and art"

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Copenhagen studio Tableau has curated the Funct Feast exhibition of “functional art” and collectible design at the Älvsjö Gård venue as part of Stockholm Design Week .

The exhibition showcased work by 23 different designers chosen by Tableau, ranging from bulbous stoneware bowls by Swedish designer Anneli Grimwade to sculptural oak chairs by Norwegian designer Henrik Ødegaard.

Colourful chair at Funct Feast exhibitionColourful chair at Funct Feast exhibition
The Funct Feast exhibition was on show as part of Stockholm Design Week

“We chose mostly artists who focus on functional art, so they bridge the gap between furniture and art,” said Boris Peianov, who is responsible for concept development, architecture and installations at Tableau.

“Also, a lot of them focus on sustainability, reuse and waste.”

Interior of Älvsjö Gård in StockholmInterior of Älvsjö Gård in Stockholm
It showcased “functional art” by 23 artists and designers

All the artists showing as part of Funct Feast are European, with many coming from Design Academy Eindhoven in the Netherlands.

“It’s worth mentioning that there are a lot of newcomers and fresh graduate artists, with some established artists as well,” Peianov told Dezeen. “It’s a big, encompassing mix of artists and designers.”

Glass sculpture at Funct Feast exhibitionGlass sculpture at Funct Feast exhibition
Pieces by Nienke Sikkema were on show in Stockholm

The pieces were all commissioned for the exhibition at Älvsjö Gård – a new collectible design venue that launched at Stockholm Design Week this year and sits directly across from the Stockholm Furniture Fair venue.

“It’s the first time that they chose to do a special place for functional art, which is exactly what we do,” Peianov said.

“And as we always fight to bridge this gap between design furniture and art, taking part obviously was a no-brainer. We wanted to be here and it fits us very well.”

Also on show at Funct Feast were glass artist Nienke Sikkema‘s mouth-blown candleholders, as well as stools and shelves by Austrian designer Laurids Gallee that offer a contemporary take on marquetry.

The pattern of the marquetry pieces contrasted with the tiled stoves found in Älvsjö Gård, which is one of the oldest manors to still exist in Stockholm, while wooden furniture by designers including Swedish duo Lab La Bla‘s matched the building’s original parquet floor.

Marquetry furniture at Stockholm Design WeekMarquetry furniture at Stockholm Design Week
Marquetry pieces by Laurids Gallee incorporate colourful prints

“We love the place,” Peianov said of the collectible design venue. “It activated this building that just stood on the ground unused for years. And look at it, it looks amazing.”

Other projects and events at Stockholm Design Week included an exhibition about the carbon emissions of common materials and a sofa reimagined as a reconfigurable hammock.

The photography is by Michael Rygaard.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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