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Tara Henley: The media must start listening to the public it serves

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The news media in Canada is in crisis. Policy responses to date are failing to solve for the information that citizens need to make informed decisions about important issues and debates. The Future of News series brings together leading practitioners, scholars, and thinkers to imagine new business models, policy responses, and journalistic content that can support a dynamic future for news in Canada.

Trust in media is low these days. So low, in fact, that leadership has been forced to contemplate why. And the reasons that Canadian media executives come up with are manifold. The problem is an overall decline in trust in public institutions. Or it’s fractured attention online. Or news fatigue and avoidance. Or misinformation and disinformation. Or political polarization, populism, politicians antagonizing the press. Or else, it’s social media. It’s Big Tech’s fault.

But it’s really not that complicated. The problem is us.

As reporter Matt Taibbi said at the 2022 Munk Debate, “When you’re a journalist and people don’t trust you, it’s always your fault.”

The media has been busy blaming everyone but the media itself. But in the meantime, the public has been sending us a clear message: they don’t trust us because they think we’re biased. When I left the CBC, citing a lack of viewpoint diversity, I received a deluge of comments from the public. Overwhelmingly, people told me that they’d lost faith in the media because we no longer seemed politically neutral. Their ask was simple: gather the facts, to the best of our ability, and report that information. And then trust people to make up their own minds about what, if any, action should be taken.

In other words, stop trying to influence public opinion.

This sentiment is a relatively recent one—and it helps explain why we’ve seen trust fall over the past few years in particular. According to the 2023 Reuters Institute for the Study of Journalism, just 40 percent of Canadians trust most news most of the time, down from 58 percent in 2018.

So, what’s changed during that time period?

Here’s what happened: in 2016, American mainstream media experienced an existential crisis. It did not predict the election of Donald Trump, could not comprehend how it had happened, and viewed the presidency as a threat to democracy. Journalists began to re-evaluate our role in society, starting with a 2016 editorial in The New York Times, “Trump Is Testing the Norms of Objectivity in Journalism.” In it, Jim Rutenberg argues that if journalists believe Trump is a dangerous demagogue, they will have to “throw out the textbook American journalism has been using for the better part of the past half-century, if not longer, and approach it in a way you’ve never approached anything in your career.” It was a call to arms, an explicit call to take up an activist role—and many newsrooms heeded it, including here in Canada.

It’s common knowledge that media staffers tend to lean Left, and so it should come as little surprise that the activism taken up by our press corps aligned with leftist politics. And with the specific brand of identity-focused, progressive politics that’s popular on the Left right now. This influenced everything from story selection and angles, to the guests we interviewed and the jargon-heavy vocabulary we adopted.

But of course, the general public is not made up solely of progressive activists. And so, large swaths of our population—of all identity groups—were underrepresented by the media that’s supposed to serve them. We were not covering the stories that mattered to them. We did not reflect the plurality of perspectives they hold, and encounter, in their own communities. And we were often either ignorant of, or openly hostile to, their experiences, values, and opinions.

And when that same public told us—in comments sections, on social media, during call-in radio shows, in complaints to the CBC’s Ombudsman, at public panels, on the street—that it wanted more politically neutral news, the response has often been that we journalists know better. That, in fact, what they’re asking for doesn’t exist. That the public’s desire for more balanced, factual, and objective news is antiquated. And that we will drag them into the 21st century, kicking and screaming if we must.

As such, our editorial ethos has become one of condescension. And of distrust towards the public.

Can it be any wonder, then, that they don’t trust us?

Operating from such a blinkered mind frame obviously makes it harder to follow the facts wherever they lead, to sit with complexity and contradictions and unresolved tensions, and to treat all views—even those we, as individual journalists, vehemently disagree with—with a baseline level of curiosity, fairness, and respect.

It also makes it much harder to admit the mistakes that are an inevitable part of the job, especially in an accelerated news cycle. And especially in a once-in-a-century crisis like a pandemic.

The path forward

Winning back the public’s trust will require a change in perspective. It will require surrendering the goal of social change and instead prioritizing public service. This priority should then drive reforms, in newsrooms, in media organizations, and in governmental policy.

There’s no reason why we can’t do this while also embracing the diversity of our country, as well as innovation and technology.

We can take the best from journalism’s past, as we keep our eyes firmly focused on the future.

This would mean taking the public’s concerns about bias on board and working to represent multiple perspectives on any given issue (a practice now derided as “bothsidesism”). As well as recommitting to the aspiration of objectivity (now often dismissed in favour of “moral clarity”).

This would mean rigorously resisting editorialization in news coverage. And enforcing policies against newsgathering journalists commenting online about controversial issues, which decimates credibility.

It would mean acknowledging that identity politics is in fact politics, and it would mean thinking carefully before adopting activists’ claims, jargon, and framing of issues.

It would mean hiring more ideologically diverse staff, paying more attention to political and regional and religious diversity. And, crucially, class diversity. One way to immediately expand our pool of talent would be to stop hiring university graduates. (You don’t need higher education for journalism, which is not rocket science. You can, and should, learn it on the job.)

Adopting such a strategy would also mean fostering newsroom environments that encourage dissent, and that welcome journalists from all of the aforementioned groups. It would mean, too, discouraging staffers from participating in online pile-ons that fuel fear and conformity, and stifle debate—and standing up to mobs when such firestorms do occur.

Critically, it would mean publicly admitting past mistakes, especially during the past five years when trust declined, including coverage of the pandemic and the protests in Ottawa.

And it would mean taking cues from independent media, which is already doing much of this work, instead of ignoring, disparaging, or lobbying against the start-ups.

At a governmental level, it would mean, as past CRTC vice-chair Peter Menzies has suggested, phasing out press subsidies. Which, Blacklock’s Reporter has noted, have coincided with plummeting confidence in our industry.

It would also mean a full mandate review for the CBC, as The Line editor Jen Gerson has suggested, to refocus our national public broadcaster, and its budget, on the kind of journalism that the public actually wants and needs. (It goes without saying that the CBC, as it lays off hundreds, should rethink awarding millions in bonuses.)

But none of what I’ve just outlined can be accomplished without every single journalist across the country making a concerted effort to talk to the public we serve. To really listen to them. And to be open-minded about their concerns, views, and experiences.

The Canadian media is currently making the argument that our existence is crucial for democracy. But democracy, at heart, rests on the public’s right to have a say. You can’t claim to defend democracy if you don’t believe in listening to your fellow citizens.

The Future of News series is supported by The Hub’s foundation donors and Meta.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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