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The 2023 Sobey Art Award shortlist is here

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Photo composite of the 2023 Sobey Art Award finalists presented in a square grid of purple and teal squares. Text reads: "sobey art award 2023."
Left to right from top, the shortlist finalists for the 2023 Sobey Art Award are Kablusiak, Anahita Norouzi, Séamus Gallagher, Michèle Pearson Clarke and Gabrielle L’Hirondelle Hill. (Sobey Art Award)

Five artists from across Canada are now one step closer to winning the Sobey Art Award, a $100,000 prize and one of the most prestigious accolades an artist can achieve in this country.

The shortlist was revealed Monday morning by the National Gallery of Canada and the Sobey Art Foundation, and per tradition, each nominee represents a different home region.

The finalists are:

Photo of a person wearing a costume of folded paper, posing at the centre of the frame in a constructed backdrop of greenery and rocks. The costume is in primary colours and resembles a toddler-toy of stackign rings. the model's face is a painted mask, suggesting glam drag makeup. They hold a stack of primary coloured paper balls on their head.
Seamus Gallagher. A Slippery Place 3, 2019. Inkjet print. 101.6 x 152.4 cm. © Seamus Gallagher (Seamus Gallagher)
Photo of 11 sculptures installed on a white plinth. the sculptures are iris flowers made of black glass.
Anahita Norouzi. What It Is in a Name, 2022. Eleven glass sculptures of mutated irises, each approximately 12.7 x 25.4 x 45.7 cm. © Anahita Norouzi (Paul Litherland)
Composite photo. Four photo portraits edited side by side. Each is a medium shot depicting a different person standing in front of a floral backdrop. They each face the camera and appear to be singing.
Michèle Pearson Clarke. Still from Quantum Choir, 2022. Four-channel 4K video (12 min., 46 sec.) installation with soccer balls and training cones. 4.8 x 4.8 metres. © Michèle Pearson Clarke (Michèle Pearson Clarke)

Kablusiak (Prairies and North)

Photo of various objects on a white backdrop: roll of candies made of soapstone, colourful poster with illustration of broken pinata, buttplug-shaped keychain, temporary tattoos of hearts, smiley faces and balloons.
Kablusiak. Surprise Bag|Party City (where you belong), 2022. Soapstone candies, miniature wall hanging, keychain, stickers, temporary tattoos and archivally printed bag. Dimensions variable. © Kablusiak (Philip Kanwischer/Norberg Hall)
Photo of a bulbous tube-like sculpture made of brown panthose stuffed with tobacco, sitting on a white plinth.
Gabrielle L’Hirondelle Hill. Exchange, 2019. Pantyhose, tobacco, cigarettes, thread, tobacco flowers, soft-drink tabs, spider charm and hair clip. 16 x 33 x 55 cm. © Gabrielle L’Hirondelle Hill (Gabrielle L’Hirondelle Hill/Unit 17/Cooper Cole)

Before the winner is announced in November, the NGC will open a group exhibition featuring work by this year’s shortlisted artists. That show will appear in Ottawa Oct. 13 through March 3, 2024. In addition to the exhibition, the five finalists will also receive $25,000.

“The breadth of practices this year represents the multifaceted texture and strength of contemporary artistic talent in this country,” said Jonathan Shaughnessy, NGC’s director, curatorial initiatives, who is also the chair of the 2023 Sobey Award Jury. (That independent jury, which is comprised of six curators, will ultimately select this year’s winner.)

“From the longlist to the short, each of this year’s artists are deserving national and international recognition,” Shaughnessy continued. “The work of the five finalists present views on many urgent matters of our time, including 2SLGBTQ+ solidarities and representation, as well as critical questions regarding diasporic experience and Canadian identity.”

“We all stand to gain from their perspectives that are propelled through a lens attuned to creativity, aesthetics and innovation.”

Founded in 2002, the Sobey Art Award was previously reserved to Canadian artists under 40, a rule that was abandoned in 2021.

In 2022, the prize went to Winnipeg artist Divya Mehra, and previous winners include Laakkuluk Williamson Bathory (2021), Kapwani Kiwanga (2018) and Brian Jungen (2002).

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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