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The art and chaos of negotiating the Glasgow Climate Pact – Climate Fight podcast part 5 – The Conversation UK

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A good negotiation is supposed to leave everyone feeling a little unsatisfied. The US presidential envoy on climate, John Kerry, said as much when the latest UN climate change conference – COP26 in Glasgow – drew to a close. The Glasgow Climate Pact it produced will have disappointed most countries for one reason or another. But the delegates who arrived in Glasgow hoping for a new financial settlement between rich and poor countries, to help the latter weather the climate crisis, will feel most let down of all.

This is part five and the final episode of Climate fight: the world’s biggest negotiations, a series on COP26 from The Anthill podcast. In this episode we reported from Glasgow where we spoke with academics who have been researching the UN climate negotiations for decades, and some of the people representing their countries in the talks.

As we heard in the first episode, developed countries promised to pay the developing world US$100 billion (£75 billion) a year by 2020, but fell short by about US$20 billion. Climate finance is supposed to help some of the world’s poorest people survive a crisis they didn’t create and develop economies which are green and resilient.

But there’s something else developing countries argue affluent countries owe them for: loss and damage. Lisa Vanhala, professor of political science at UCL, explains that this refers to the irreversible impacts of climate change which countries cannot adapt to, like sea level rise. Compensation for loss and damage was “really the big thing that developing countries came into [COP26] united in asking for,” Vanhala says. But the result was “no cash on the table”, as the EU and US blocked the creation of a facility for delivering loss and damage finance.

The fortnight in Glasgow passed with a flurry of pre-arranged deals and speeches by world leaders. In the negotiating rooms, delegates from 197 countries gathered to grind out an agreement, often haggling over lines in the draft text long into the night. COP26 was labelled the least accessible UN climate change summit yet, as COVID-19 vaccine hoarding and price gouging for accommodation in Glasgow limited attendance by poorer nations, and rules set by the UK presidency kept civil society groups at bay.

In the first days of the summit, long lines kept delegates and observers waiting outside in the rain for hours. So how did all of this affect the eventual agreement?

“I think a mistake that is commonly made is to assume that all these negotiation outcomes are rational,” says François Gemenne, director of the Hugo Observatory at the University of Liège in Belgium. Gemenne has studied the UN climate negotiation process for a long time, and saw how administrative blunders helped derail an agreement at COP15 in Copenhagen in 2009.

While he says the UK’s handling of the talks and the position of other rich countries on loss and damage will have sowed resentment among developing nations which came to hammer out a deal, “COP is not a one-shot event. It’s a continuous process … and it’s important for countries of the global outh [especially] to keep the process rolling.”

Abhinay Muthoo, a professor of economics and expert in negotiating at the University of Warwick, says “trust is very important… in enriching deals.” The Glasgow Climate Pact reaffirmed the desire of all countries to limit global warming to 1.5°C. But the discord of COP26, which included a last-minute intervention by India and China to water down a resolution on coal power, showed how much work is still needed to bridge the divide between developed and developing countries.

In this episode, we also speak to Hadeel Hisham Ikhmais, a climate negotiator from Palestine, who explains what it’s like to be a negotiator behind closed doors at COP26.

The Climate Fight podcast series is produced by Tiffany Cassidy. Sound design by Eloise Stevens and the theme tune is by Neeta Sarl. The series editor is Gemma Ware.

A transcript of this episode will be available soon.

You can find us on Twitter @TC_Audio, on Instagram at theconversationdotcom or via email. You can also sign up to The Conversation’s free daily email here. You can listen to The Anthill podcast via any of the apps listed above, download it directly via our RSS feed, or find out how else to listen here.


UK Research and Innovation (UKRI)

Climate Fight: the world’s biggest negotiation is a podcast series supported by UK Research and Innovation, the UK’s largest public funder of research and innovation.


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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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