“I like to come and make art before I go to my job at the grocery store. It calms me down.”
“I like to work on one piece at a time so that I don’t get confused.”
“I need variety, so I work on several pieces at once so that I feel better.”
Visibility Arts is part of the nonprofit organization Search Inc. For 20 years, Visibility Arts has provided classes focused on art history and creating art. The Evanston branch of the program is at 824 Dempster St.
All artists in the program have some type of developmental challenge or disability. A group of six individuals – John, Katy, Eric, Becky, Pam, and Henry – were kind enough to share with me how they create time and focus for their artistic work. They have been working individually with Visibility Arts from four to as many as 20 years.
Visibility Arts Crew (Submitted photo)
Art is regularly offered in 1- to 2-hour time slots. Attendees get exposure to art history, learn about artists, are introduced to new materials, and use studio time to create their personal art. The six artists I interviewed create their works using a variety of mediums, including acrylics, prints and virtual graphics.
A work is sometimes utilized on products sold by Visibility Arts. such as graphic images on drinking glasses or labels on candle packaging. One such image was of a raccoon. Pam explained that she sees raccoons much like humans: They both need love and food. The final graphic was a result of creating several variants before settling on one that was then printed on drinking glasses. Becky created an image of a musk ox. After creating the image in pencil, it was sent to a printer to print on drinking glasses. She also selected the color and finish for the product.
Jar candle (Submitted photo)
Visibility Arts was awarded a grant from the Evanston Arts Council to publicize the ability of those with disabilities to participate and contribute equally to the Evanston art community. One of the activities supported by the grant was to create a logo that could be used on buttons, stickers, business cards and lapel pins that would be distributed throughout Evanston. The activity was part of an awareness campaign called NeurodiVERSED.
The final logo is reflective of the multiple ways that people process using their brains. It is the shape of the brain with five different colors representing different regions of the brain. The logo was developed by Henry and John. Because of the pandemic restrictions, they had to collaborate remotely. One would gather photos; the other would create a sample. They talked to each other remotely and completed the image.
As with most artists, sharing their finished creations is important to Visibility Arts artists in order to receive recognition. The artists at Visibility Arts have the opportunity to participate in as many as 12 shows each year. Some are in gallery space like the recent show at Three Crowns gallery. Another example is the Evanston Made market on the first Saturday of each month during the summer. Most recently, works by the artists were shown at the Evanston Art Center as part of the Evanston Made show, and theirs were some of the first works sold at that show. Completed art is in the windows every day at their Dempster office. All the art pieces are for sale, and the funds go to the artists.
Glassware (Submitted photo)
As members of the Main-Dempster Mile (MDM) community organization, the Visibility Arts artists created and contributed the drawings for a coloring book that is being sold as a fundraiser for the MDM Festival Fund by some of the merchants. It is Halloween-themed and can be purchased locally. To see it and learn where to purchase it, visit MDM’s website.
Another instance of their artistic accomplishments: John and Katy collaborated to offer a class in portraiture at the Evanston Public Library.
Windows (Submitted photo)
Visibility Arts creates the opportunity for the artists to have control, which for some disabled people is often lacking in other parts of their lives. They use their artistic voice to present a component of their lives that often is not seen or is dismissed. When asked why they do art, the answers sounded very similar to all the artists I am fortunate enough to interview.
“I feel like I created something great.”
“I enjoy being an artist and grateful for this opportunity.”
“I like seeing people look at our work through the window.”
I asked: “And how do you know when a piece is done?”
“I walk away and then come back with fresh eyes another day. But sometimes it is tough to make that decision.“
The response to this question that has stayed with me relates to the subjective aspect of art that is one of the most defining and alluring features of creative work.
“When I think it looks good, then it is done.”
Just like our brains are different, so are our tastes in art. And none of them are wrong.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
