Ever since armed men from Gaza crossed into Israel and killed some 1,400 people, news organizations have wrestled with how to describe who they were and whom they represented.
Media
The media navigates a war of words for reporting on Gaza and Israel – The Washington Post
Were they “terrorists”? Anchors on CNN and Fox News said they were.
Or were they “militants” (The Washington Post, BBC)?
Or “gunmen” (NPR)? Or “fighters” (Al Jazeera English)?
Were they the foot soldiers of a “terrorist organization” (Business Insider) or of “the governing power in the Gaza Strip” (the New York Times)?
Words matter, particularly to news organizations that try to preserve accuracy and impartiality at moments of great passion and uncertainty. A badly chosen word in a media account — particularly during a bloody conflict involving Israelis and Palestinians — can elicit swift denunciations from readers, listeners and viewers.
As the vice president of standards at the Associated Press, Amanda Barrett sits at the forefront of debates over fair and neutral phrasing within her own news organization and among others. Barrett leads the team that edits the AP Stylebook, on which countless news outlets rely for consistent terminology in their reporting. Since the war began, Barrett and her staff have been fielding calls and emails from reporters and editors about how to render various aspects of the conflict.
“Terrorist” vs. “militant” comes up a lot, Barrett says. (The AP Stylebook advises against “terrorist,” deeming it “politicized” and inconsistently applied, though the U.S. government designated Hamas a terrorist organization in 1997.) “Occupation” is also problematic, Barrett suggests; while Israel controls most of Gaza’s borders and infrastructure, it withdrew its soldiers and settlements in 2005. As an alternative, Barrett recommends describing the situation rather than labeling it.
Another issue: Was Israel’s announcement that residents of northern Gaza move south an “evacuation” order or, as some have claimed, “ethnic cleansing”? (The former, according to the AP Stylebook).
Some journalists aren’t even sure how to refer to the violence. Is it a “war” or merely a “conflict”? And who are the adversaries: Israel and Gaza, Israel and Hamas, or Israel and Palestinians? Barrett acknowledges that each construction conveys a slightly different meaning and point of view, given that the combatants go beyond Hamas to include groups such as the Palestinian Islamic Jihad. For the record, the AP Stylebook gives its blessing to “the latest war between Israel and Hamas” or simply “the Israel-Hamas war,” with a lowercase W.
“We’re very, very busy trying to find the best way forward,” Barrett says.
Other news organizations have their own style guides tailored for the current conflict. The Washington Post’s standards desk decreed last week that Hamas’s attack can be called “terrorism,” ideally in the context of a quotation from an individual. “In the rare cases in which we would use it without attribution, we require approval from a department head” or deputy managing editor, The Post’s guidance says.
Also out, according to The Post: calling Hamas’s initial rampage an “invasion.”
The preferred description: “attack” or “incursion.”
Other hot-button social issues, such as abortion, rate similar debates within newsrooms. Is it “pro-life” or “pro-choice”? “Fetus” or “unborn child”?
Even before his term as president, Donald Trump sparked another discussion of vocabulary: Does he propagate “falsehoods,” “misstatements” or just plain “lies”?
A third one: When is it fair to label someone’s statement as “racist”?
It’s a balancing act between striving for accuracy and inflaming a volatile situation. Users of X (formerly Twitter) reacted with fury Thursday when a photo caption in The Post said Hamas had “detained” the children of an Israeli woman featured in a news story. Editors quickly agreed this was an egregious choice of words and changed the caption to “taken hostage.”
A pro-Israeli watchdog group, the Committee for Accuracy in Middle East Reporting and Analysis, has singled out journalists over the past couple of weeks. The committee criticized Sara Yasin, a managing editor of the Los Angeles Times, for reposting tweets that used the terms “genocide” and “ethnic cleansing” to describe Israel’s military response to Hamas. A Times spokesperson defended Yasin, saying, “Sharing the posts or content of others does not equal an endorsement of it.”
The BBC, meanwhile, said it has launched an investigation of six journalists in its Arab-language service whom the watchdog group accused of anti-Israeli bias for, among other things, tweets comparing Hamas militants to freedom fighters.
The biggest media furor so far involves news coverage of a massive explosion at a Gaza hospital that killed an unknown number of people this week. Several news organizations — Reuters, the Associated Press, MSNBC, Politico, the New York Times, Axios — initially indicated that the blast came from an Israeli airstrike. These reports relied on statements by Hamas’s Health Ministry, a source of questionable credibility, and contributed to violent street protests across the Arab world.
But a few hours later Israeli officials raised doubts about the cause of the explosion, pointing instead to an errant rocket fired from within Gaza. This was buttressed by statements from American officials, including President Biden, and the release of videos and audio recordings supporting the Israeli position.
The evolving story prompted some fancy linguistic footwork. The New York Times’ first headline declared, “Israeli Strike Kills Hundreds in Hospital, Palestinians Say.”
Later came a second version: “At Least 500 Dead in Strike on Gaza Hospital, Palestinians Say.”
This was followed by a more neutral construction: “Hundreds Dead in Blast at Gaza Hospital, Palestinians Say.”
While other news organizations made similar changes, few issued corrections or acknowledged the questionable nature of their initial stories.
“During any breaking news event, we report what we know as we learn it,” says New York Times spokesman Charlie Stadtlander. “We apply rigor and care to what we publish, explicitly citing sources and noting when a piece of news is breaking and likely to be updated. And as the facts on the ground become more clear, we continue reporting.”
Even days after the blast and the questions about its origin, headlines continued to describe it as a “strike,” a word that conveys planning and intention, neither of which has been established.
“Strike”? “Blast”? Or just a ghastly accident amid wider violence? In such a perilous and fraught context, precision is a virtue, a necessity and a challenge.
Media
Sutherland House Experts Book Publishing Launches To Empower Quiet Experts
|
|
|
|
Media
What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’
Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.
Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.
NEW MOVIES TO STREAM SEPT. 9-15
— Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.
— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.
— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”
NEW MUSIC TO STREAM SEPT. 9-15
— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”
— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.
— AP Music Writer Maria Sherman
NEW SHOWS TO STREAM SEPT. 9-15
— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.
— Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.
— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.
— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.
NEW VIDEO GAMES TO PLAY
— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.
— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.
Media
Trump could cash out his DJT stock within weeks. Here’s what happens if he sells
Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.
Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.
Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.
Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.
Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.
Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.
Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.
As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.
-
Business20 hours ago
Netflix’s subscriber growth slows as gains from password-sharing crackdown subside
-
Politics20 hours ago
Bad weather forecast for B.C. election day as record numbers vote in advance polls
-
News23 hours ago
Champlain CBP Officers Recover Stolen Vehicle
-
News14 hours ago
Tobacco giants would pay out $32.5B to provinces, smokers in ‘historic’ proposed deal
-
Politics20 hours ago
Promise tracker: What the Saskatchewan Party and NDP pledge to do if they win Oct. 28
-
News21 hours ago
Toronto FC promises change at the club after missing out on the playoffs yet again
-
News14 hours ago
Here are the key numbers in the deal proposed by three tobacco giants
-
Business22 hours ago
CB Series – Front Office Pro Series Trade Floor Business Analysis