adplus-dvertising
Connect with us

Media

The Media’s Hunter Biden Conundrum – The New York Times

Published

 on


The 2020 presidential contest has been surrounded by dramatic events, by plague, protest and economic collapse, but as a campaign it’s been remarkably devoid of twists and turns. The polling has been mostly stable, the challenger has run the virtual equivalent of a front-porch campaign and mostly suppressed his own pugilistic instincts, and the incumbent has been unsurprisingly himself.

Which makes it fitting, maybe, that the most interesting controversy of the campaign’s final week is a news media meta argument about how a story should be covered. That story is based on the claims of Tony Bobulinski, a former business associate of Hunter Biden and James Biden, respectively Joe Biden’s son and brother, and on a trove of emails and text messages of uncertain provenance. There are new details about the son and brother’s attempts to cut deals in China based on their family brand, but the key allegation is that Joe Biden himself was pulled into his son’s Chinese negotiations.

On Sunday, my colleague Ben Smith produced the fascinating back story on the story: how the scoop was supposed to go to The Wall Street Journal, with Trump allies mediating, but then another Trump ally, Rudy Giuliani, handed some of the same emails to The New York Post, with a strange back story about Hunter Biden’s laptop, which in turn led to a Post story, accusations of Russian disinformation and an attempted social-media blackout of The Post. Meanwhile, Journal reporters were unable to pin down if Joe Biden had any role in the deal, Bobulinski threw the story to the wider press, and only right-wing outlets ran with it. In the end, both the Journal and this newspaper covered the story in a dry and cautious fashion, describing the Bobulinski allegations while also stressing the lack of definite evidence of the former vice president’s involvement in any deal.

If you’re still with me after that tangle, you can see that this isn’t a subject that lends itself to straight-ahead polemics. But let me try to perform punditry and draw out three provisional conclusions.

The first is that the decision by Twitter to attempt to shut down the circulation of the New York Post story, which looked bad when it was made, looks even worse now that we have more of the back story and more evidence in view. At this point we can posit with some certainty that The Post’s story was not some sort of sweeping Russian disinformation plot but a more normal example of late-dropping opposition research, filtered through a partisan lens and a tabloid sensibility, weaving genuine facts into contestable conclusions. It was, in other words, analogous to all kinds of contested anti-Trump stories that various media outlets have run with across the last four crazy years — from the publicity around the Steele dossier’s wilder rumors to the tales of Michael Cohen’s supposed Prague rendezvous to the claims that Russians hacked Vermont’s power grid or even C-SPAN.

In none of these cases did social-media minders step in to protect the public from possible fake news. As Matt Taibbi and other gadfly press critics have pointed out, it’s hard to come up with any reasonable social-media rule that would justify the suppression of The Post’s story that couldn’t just as easily be applied to all the pieces of conspiratorial Trump-Russia reportage that didn’t pan out, or the Julie Swetnick allegations against Brett Kavanaugh, or various scoops based on technically illegal leaks. That capriciousness is a bad sign for the project of harnessing social media giants to filter out disinformation; it suggests that any filter would inevitably feel partisan, partial and obviously reverse-engineered.

In this case the intended reverse-engineering was basically, “don’t let 2016 happen again,” with “2016” being a stand-in for how the media covered the WikiLeaks revelations and the late-October surprise of Jim Comey reopening an F.B.I. investigation into Hillary Clinton based on material from Anthony Weiner’s laptop. But in neither of those cases was Russian “disinformation” crucial: The hindsight critiques revolve around how much play mainstream outlets gave those stories relative to others, and around Comey’s own self-interested and inconsistent decision-making. And there is no clear logical chain that runs from “the F.B.I. director made bad choices because he assumed Clinton would win and The New York Times gave those choices too much front-page space” to “we need to censor late-breaking allegations that appear in right-wing media on the chance that they might have been ginned up by the Russians.”

Especially because of the second conclusion that we can draw from this episode, an insight I’m stealing from Smith’s piece: The power of media gatekeepers (like this newspaper) to shape political coverage is still significant, and just because some charge or scoop circulates in the right-wing ecosystem doesn’t mean that it has any impact beyond the realm of people who are already voting for Donald Trump.

This is an important point because so much liberal analysis of why we might need things like Twitter blackouts assumes that mainstream media institutions have no power anymore — that “the elite level of national news, the places that have traditionally set the agenda,” as Hamilton Nolan wrote recently for The Columbia Journalism Review, have seen their power simply dissolved by technological change.

But that’s not exactly right. The internet has certainly created new spaces for eccentric ideas and conspiratorial narratives to flourish, and the transformation of the Republican Party into a populist formation with its own distinctive media ecosystem has weakened the power of national newspapers to influence Republican politicians. But the G.O.P. speaks for a minority of Americans and fewer and fewer American elites, and the internet has also expanded the audience for certain media institutions at the expense of the rest of the media industry, giving them arguably more influence over the non-Fox News-watching portion of the public than in the recent past. This means institutions like The Times or the Washington Post have a different kind of power than they did 30 years ago, but they have power all the same — including the power to contain almost any story that initially circulates on the right, and to shape the way the non-right-wing portions of the country receive it.

This, in turn, makes it reasonable for conservatives to fear the concentric circles of tech and media power — the possibility that social-media censorship, carried out “neutrally” by companies overwhelmingly staffed by liberals, will expand its reach with the vocal support of an increasingly consolidated and liberal group of mainstream-media gatekeepers.

But it also makes it reasonable for people who are not conservatives to worry about what stories they might be missing, if those same gatekeepers have an incentive to treat anything that originates outside those concentric circles as some combination of disinformation and partisan distraction.

Hence my third conclusion — that for those who feel this worry, the Hunter Biden controversy provides a clarifying case study. On the one hand, the new information is not the Biden-slaying blockbuster suggested by the New York Post headlines and some Trump supporters. But neither does it fit the description offered by NPR’s managing editor for news last week, explaining why they were only covering it as a media story: “We don’t want to waste our time on stores that are not really stories, and we don’t want to waste the listeners’ and readers’ time on stories that are just pure distractions.”

In fact, it’s not a distraction to have new insight into a potential First Son’s business dealings — especially given that the saga of the younger Biden is a prime example in how a milder-than-Trump form of corruption pervaded the American elite long before Trump came along, with important people and their families constantly finding ways to get rich in the shadow of the Pax Americana without ever taking anything so crass as a bribe.

It is not a coincidence, as some of my Times colleagues note in their story, that “the countries that Hunter Biden, James Biden and their associates planned to target for deals overlapped with nations where Joe Biden had previously been involved as vice president.” Nor is it a coincidence that the areas of Hunter Biden’s particular interest, China’s and Russia’s near abroad, were particularly important foreign policy zones under recent Democratic presidents. And given that pre-Trump American foreign policy in these regions was a conspicuous failure — with China tilting totalitarian and Vladimir Putin outmaneuvering the West — the fact that Biden’s nearest relative was trying to influence-peddle in both places is a useful reminder of why the establishment that’s likely to reclaim the White House next week lost power in the first place.

More specifically, Bobulinski’s story and the email evidence both suggest that Joe Biden took at least enough interest in his son’s dealings to have a meeting during the Trump presidency with his business partners. This isn’t proof that he partnered with Hunter or profited in any way, but it seems like evidence that he wasn’t particularly worried about keeping his son’s sketchy salesmanship at arm’s length. That seems like information worth knowing: not a scandal on a par with some of Trump’s, not a front-page bold-type screaming headline, but something that belongs in the pages of a newspaper, because it’s interesting news.

This is the problem with Twitter’s censorious choices, and with an expanding mainstream-press definition of what counts as disinformation and distraction. They compromise the first duty of an independent press, which is to ground any moral crusading in the most capacious possible portrait of the world as it actually exists.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.

Follow The New York Times Opinion section on Facebook, Twitter (@NYTOpinion) and Instagram.

Let’s block ads! (Why?)

728x90x4

Source link

Continue Reading

Media

Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

Published

 on

Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

728x90x4

Source link

Continue Reading

Trending