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The Rooms receives historic donation of Inuit art from printmaker William Ritchie – CBC.ca

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It’s one of the largest and most significant donations The Rooms has ever received: nearly 400 prints by dozens of Inuit artists, capturing a unique and vital period in Canadian art history. 

The collection is being handed over to The Rooms by artist and master printmaker William Ritchie. Ritchie is a celebrated visual artist in his own right, but these works are drawn from his 30-year career as a printmaker at the historic Kinngait Studios in Kinngait, Nunavut, formerly known as Cape Dorset.

There, Ritchie worked with Inuit artists who would become major names in the art world, including Annie Pootoogook, Tim Pitsouliak, Pudlo Pudlat and Kenojuak Ashevak. But while their prints were flying off the walls at Toronto art galleries, Ritchie got to keep a copy of every print he worked on. 

William Ritchie explains the process of creating the lithographic print My New Accordion by artist Napachie Pootoogook. (Zach Goudie/CBC)

The result is a massive trove that captures a time when Inuit art was moving away from traditional representations of northern life, and beginning to reflect modern social realities and outside influences. As studio manager and master printmaker, Ritchie encouraged this new generation of Inuit artists to follow their creative vision.

“I always said to people, draw what you know,” said Ritchie. “Do what you know, do what’s in your life, do what’s in your mind, do what you’re thinking about. There’s no rules anymore.”

To hear Ritchie’s story and view this incredible collection, watch the video above.

And join us Thursday at 7 p.m. NT on the CBC N.L. Facebook page for a live conversation from The Rooms. We’re diving into the first exhibit drawn from William Ritchie’s collection, called Helping Hands: 30 Years at Kinngait Studios. The exhibition is curated by Nakasuq Alariaq, an Inuk-Finnish graduate student, educator, curator and writer from Kinngait. Alariaq will join Mireille Eagan, curator of contemporary art at The Rooms, for a special look at the featured artworks and to answer questions from our audience.

Read more from CBC Newfoundland and Labrador

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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