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The steps taken to turn an arena into a one-night arts centre

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Voters will go to the polls on April 4 in a referendum to determine whether they will give the city permission to borrow up to $45 million toward the cost of proposed Kamloops Centre for the Arts, estimated to be $70 million.

The remainder of the budget for the three-theatre facility is expected to come from grants from senior levels of government and from fundraising efforts by arts groups.

KTW delves into how Sandman Centre is transformed into a venue for the performing arts — and the challenges a hockey arena poses for productions.

FROM ARENA TO ARTS

Celtic Illusion — a show that combines Irish dance with magic — was performed last week at Sandman Centre, but the show’s promoter said the touring act would have been better suited for the 1,200-seat main theatre in the proposed Kamloops Centre for the Arts.

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“The experience for the customer or the consumer is you’re in a hockey arena,” Jelly Events promoter Bill Jaswal said, as crews were setting up.

“Listen. There’s background noises, there’s different pumps running, there’s lots of reflective material for audio to bounce off of. It’s not a perfect world. But we make do with what we have. As you know, if you had a theatre, you’d have perfectly set-up seats. You wouldn’t have to pay to set up a stage and cover ice and pull glass and do all that. Your sightlines are better. Acoustically, it’s better. All those reasons.”

Jaswal has been behind major events in Kamloops for a number of years, booking acts and putting bums in seats, which is part of how he gets paid.

Overlooking a flurry of activity in the home of the Kamloops Blazers, Jaswal gave his take on the arts centre debate. If Kamloops had a major theatre space, he said, time and money would be saved, quality of shows would improve and more acts would come to town.

Sandman Centre Bill Jaswal
Jelly Events promoter Bill Jaswal regularly books shows into Sandman Centre, the city-owned, 5-500 hockey arena in downtown Kamloops. He said many acts, such as last week’s Celtic Illusion troupe, would have been better suited for the 1,200-seat main theatre in the proposed Kamloops Centre for the Arts. “The experience for the customer or the consumer is you’re in a hockey arena,” he said. – Dave Eagles/KTW

TIME, MONEY TO TRANSFORM ARENA

Due to limited performance space in Kamloops, Sandman Centre is regularly transformed from an arena into an arts space.

Jaswal said he contacts Sagebrush Theatre regularly to book events, but noted last year he was only able to book one show at the venue because it’s “always booked” between Western Canada Theatre, Kamloops Symphony Orchestra, School District 73 and other uses. Mid-sized events that can’t be booked at Sagebrush end up at Sandman Centre, where hockey games may bookend a performance and crews work through the night to transform the building.

City of Kamloops arena supervisor Francois Chasse explained the ice sheet upon which the Blazers skate must be covered piece by piece in flooring — 520 composite boards, to be exact.

In addition, glass is removed from the boards, protective netting is rolled up to the ceiling, bleachers are retracted, fire escapes are altered, seating, handrails, lighting and audio are set up and a stage is built.

Chasse said a 10-person city crew began transforming Sandman Centre at 11 p.m. the previous night, working into the morning before Jaswal and Celtic Illusion’s crew took over to tailor the space.

KTW watched as chains were hung from the ceiling and two semi-trucks worth of gear was unloaded, leaving limited rehearsal time for the evening show.

The next day, the crews did it all again in reverse and it’s the same routine each time a new act comes to town.

“At the end of the day, for what it takes to set up for a show, it’d be better to have a theatre,” Chasse said.

And all of that work comes with extra costs, which Jaswal called “significant” (estimated at $20,000 for the Celtic Illusion show). The cost is charged to the act, but ultimately passed onto consumers at the box office.

“It makes the ticket price higher,” Jaswal said.

SHOW QUALITY IMPACTED

The arena setting impacts the quality of a show like Celtic Illusion, Jaswal said.

Based on the area market and seating and view limitations, the show was determined to be ideally suited for 1,500 people in Kamloops. With no performance space that size, it was held in a large, mostly vacant (much of Sandman Centre was closed off) 5,500-seat arena — the only performance space in Kamloops that could accommodate the show.

(For this reason, when small shows set up in the arena, people may be given the impression it did not sell well, even though it may be sold out.) In the arena setting, however, the seats aren’t as comfortable, ambiance is colder and acoustics are lacking.

“If you look [points up toward the ceiling and around the arena], you have some glass with the suites, but you have a lot of reflective metals and materials,” Jaswal said.

“When sound comes, it’s not absorbed by that. It just bounces around. When you have a loud rock and roll show or a loud country show, the P.A. is going to overpower that. But when you have a quieter show, you will have more issues that you have to deal with.

“Acoustically, an arena is an arena, it’s meant for those type of loud performances. It’s when you get into a show that goes from 100 decimals, down to 60 or 70 and goes back up. That’s where a theatre is so much better for the audio experience of a consumer.”

Sandman Centre Bill Jaswal
Based on the area market and seating and view limitations, the recent Celtic Illusion show was determined to be ideally suited for 1,500 people in Kamloops. With no performance space that size, it was held in a large, mostly vacant (much of Sandman Centre was closed off) 5,500-seat arena — the only performance space in Kamloops that could accommodate the event.

MISSED OPPORTUNITIES

Celtic Illusion has since taken its show from Kamloops to the Lower Mainland, where it performed this week in theatres. It is unclear how many acts have opted against performing in Sandman Centre.

However, Jaswal said he knows of acts that travel through Kamloops — even staying overnight if they need a break for drivers — without performing.

Therein lies the opportunity for the proposed Kamloops Centre for the Arts, he said. Outside of Vancouver, Calgary and Edmonton, Jaswal said no theatre space accommodates 1,200 to 1,500 people. He said the arts centre would be a novel performance space (1,200 seats) in the B.C. Interior.

“I know shows that are coming through, just stopping, staying in hotels for their bus drivers and then leaving eight hours later — without doing a show,” Jaswal said.

“Because it could have fallen on a hockey game night and the Sagebrush is next to impossible to book. Just because of our traffic, how people from the Lower Mainland get to Alberta, they come right through Kamloops.”

The promoter envisions booking up-and-coming artists, golden oldies, speakers and comedians in the arts centre, if it proceeds. For a sample of potential offerings, Jaswal said one need only check on which shows are being booked at the Orpheum Theatre in Vancouver. Celtic Illusion performed there this week.

Jaswal said performers who have bypassed Kamloops in the past due to venue concerns include Dallas Green, Diana Krall and Sarah McLaughlin’s solo act.

Big arena names would continue to perform at Sandman Centre, he said, though smaller rock shows could be held at the arts centre.

Smaller rock shows have been performed at Sagebrush Theatre in the past and Jaswal said the 1,200-seat arts centre theatre would be adaptable for such shows, with the hiring of increased security.

“It works currently in Vancouver, Calgary, Edmonton and Toronto,” he said.

“All of those shows are adaptable to go in. But, yes, there are certain shows, like electronic shows, or EDM shows, it’s not going to happen. It’s more of a performing arts, a public speaking, comedian, contemporary music type of venue.”

Sandman Centre Bill Jaswal crews
Transforming Sandman Centre from a hockey arena to a performing-arts venue involves covering the ice with 520 composite boards, removing glass from the boards, rolling up protective netting, retracting bleachers, setting up handrails, lighting and audio and building a stage. – Dave Eagles/KTW

THE KELOWNA FACTOR

In addition to being booked up, the 690-seat school district-owned Sagebrush Theatre isn’t always as attractive as the Little Apple’s 853-seat Kelowna Community Theatre.

But if the Kamloops Centre for the Arts is built, it would trump Kelowna’s mid-sized performance venue.

River City residents may recall when Riverside Coliseum was built in the early 1990s, only to see Kelowna erect the slightly larger Prospera Place a few years later. Sandman seats 5,500, while Prospera has a seating capacity of up to 8,000 for various concerts.

Prospera Place has been known to draw acts like Elton John and Jerry Seinfeld, performers who did not come to Kamloops. Jaswal said the reason is those 1,200 extra seats. Still, a smaller community like Penticton sometimes draws acts that do not come to Kamloops.

“Just do simple math — 1,200 times $100 per ticket [$120,000],” Jaswal said.

“That money is not going to the artist. They have more capacity and you have one night you can spend in the Okanagan. Aren’t you going to go where you can maximize your return?” he said.

“The other thing is, at the end of the day, the more successful shows you have, the easier it is to land shows. If you’re selling out shows and you’re doing well in bringing the right shows and you get momentum going, people say, ‘Hey, I want to stop and do that.’”

Would Kelowna build a facility to render Kamloops Centre for the Arts inferior? Not likely, according to Jaswal.

“They’ve been talking about it for a number of years, but it’s not gotten anywhere,” he said.

(In November, Kelowna council looked at a report on city land downtown, with a new arts centre mentioned as a possibility, perhaps in the next five to 10 years.)

“The problem is, they’re at 860 and they don’t have an active symphony and theatre group, so they have a lot more avails,” Jaswal said. “They can fit in a lot more shows. Kamloops has so many user groups. I think when the trussing issue happened and Sagebrush was closed, I think every dance group in Kamloops had their performance in here [Sandman Centre].”

COULD ARTS CENTRE FREE UP ICE TIME?

As for what would happen to Sandman Centre should shows like Celtic Illusion be redirected to an arts centre, Jaswal pointed to a shortage of ice in the city following the 2015 closure of the privately owned Ice Box Arena.

Freeing up some space in Sandman Centre could have a ripple effect, he said.

“Think about this, all of the user groups who would have been using the ice today are not,” Jaswal said.

“They have to find space elsewhere because the ice won’t be turned around until 10 a.m., 9 a.m. tomorrow [day after show] morning. There’s always those people, but then there’s other things going on that could make use of this facility.

“I’m not saying Sandman Centre doesn’t have its place for live shows.

“You will not be able to put Cirque du Soleil in an arts centre. You will not be able to put those big, 5,000-capacity rock concerts in that.

“But you will be able to take a lot of shows that are being done, like tonight’s show [Celtic Illusion] or shows that have been done in the past, where we’ve tried to compromise to put them in here, but they’d be better suited in a performing-arts centre.”

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The Ultimate Recap of Sea Otter 2024 – Pinkbike.com

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Vittoria Releases New Peyote & Mezcal XC Race Tires
Maxxis Team Spec Aspen ST Tire
New DT Swiss 240 DEG Hubs
Kali Protectives’ New Full Face Helmets
Industry Nine’s SOLiX M Hubs & Wheelsets
Michelin’s Aggressive New Wild Enduro Tires
Praxis’ New Flat Pedals, Stem, & Carbon Bottle Cage
Transmission Cage Upgrades from Kogel, Ceramicspeed, and Cascade Components
Randoms Round 1 – Sea Otter 2024
Madrone Cycles’ SRAM Eagle Repair Kits & Prototype Derailleur
Vorsprung’s New Telum Coil Shock
EXT’s Vaia Inverted DH Fork & Updated Coil Shocks
Randoms Round 2: New Tools, Goggles, Grips, Racks, & More – Sea Otter 2024
What’s New in Women’s MTB Apparel at Sea Otter 2024
Even More Randoms – Sea Otter 2024
Randoms Round 3: Dario’s Treasures
What’s New for the Kids at Sea Otter 2024
Deity Releases New Stems, Grips, & Pedals
Dario’s Final Sea Otter Randoms
Brian’s Randoms from Sea Otter 2024

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With roots dating back to 1991, the Sea Otter Classic is one of the biggest biking events and tradeshows each year and brings together all sides of the biking industry from athletes to brands, spectators and consumers. Taking place in April in the sunny hills of Monterey, California, that means this event really feels like the official start to the biking season in North America. Christina Chappetta covers why it’s much different to an indoor European biking tradeshow, a World Cup racing weekend or even Crankworx mountain bike festival, in that it encompasses nearly ALL of the biking disciplines, including road cycling, enduro, downhill, dual slalom, XC, trials riding and more.

In the past fortnight, we have seen large amount of new tech releases. However, Sea Otter 2024 represents some of the first opportunities for many riders to see these things in the flesh, as well as take a deeper dive into what the product aims to do.
Welcome to a video summary from Day 2 of the Sea Otter Classic.
There are so many giveaways, interesting new products and colourful characters at Sea Otter Classic that it’s hard to stand out from the crowd. Ben Cathro takes a lap of the venue to find his favourites.



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Apple iPad Air 2024: Insider Makes Hasty U-Turn On New Feature – Forbes

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Well, that was quick. On May 18, a respected industry insider predicted a new display technology for the iPad Air that’s expected in the coming days—Apple just announced its latest special event.

The new 12.9-inch iPad Air, the report claimed, would have the same miniLED backlighting currently found on the larger iPad Pro, using the leftover inventory from the current Pro as that model switches to OLED. That was exciting news.

But now, Ross Young, the analyst who made the claim, has changed his mind. The new prediction, shared with paid subscribers only, is that the miniLED technology won’t be coming to the iPad Air, in either size.

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While it made sense that the inventory could be maximized in this way, it now “makes sense” that it won’t.

Young says that while he’d heard from supply chain sources that it would, he’d now had contact from “even more supply chain sources” that it won’t.

And the reason this change of heart now makes sense is that this miniLED technology is expensive, so it would be surprising if it made it to the iPad Air, which is more affordable than the Pro.

That’s not quite all the analyst shared. He also said that there are now reports of a new iPad coming later in the year. This is a 12.9-inch iPad, with miniLED backlighting and it could arrive between October and December this year.

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This is intriguing. What could it be? Assuming that the iPad Pro and iPad Air are released in May, it’s extremely unlikely either will be updated later in the year. And if the iPad Air isn’t pricey enough for miniLED to be included, what tablet could Apple be introducing that is the same size as the bigger Pro, with a pricey screen tech, which would sit between the Air and the Pro, it seems?

Young is highly reliable, but this seems slightly preposterous to me. The only other iPad in the range due a refresh is the regular iPad (at 12.9-inches, the iPad mini is clearly out of the picture) and that doesn’t seem likely either.

It seems to me that any regular iPad will almost certainly have the same screen size as now, 10.9 inches. The regular iPad only grew to this size screen in the current generation, and Apple almost never changes designs after one iteration.

Perhaps things will become clearer as the year goes on.

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Woman who left beaten dad on floor for 2 days was 'overwhelmed' with his care, judge told – CBC.ca

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A Calgary woman who abused her sick, 77-year-old father was “overwhelmed” at the task of caring for him, a judge heard Wednesday at a sentencing hearing. 

In January, Tara Picard, 52, pleaded guilty to charges of assault and failing to provide the necessaries of life after her father (whom CBC News is not naming) was found injured on a basement floor, where he’d been lying for two days. 

On Wednesday, prosecutor Donna Spaner and defence lawyer Shaun Leochko asked the judge to allow Picard to serve her sentence in the community under conditions as part of a conditional sentence order.

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Justice Indra Maharaj agreed to a two-year conditional sentence for Picard followed by a year of probation. 

“There is no doubt she became overwhelmed,” said Spaner in her submissions. “There is no question Ms. Picard has remorse.”

Leochko told the judge that caring for her father “was really more than [Picard] could handle.”

Maharaj heard that Picard is Indigenous and was the victim of abuse growing up. She lives in a sober dorm-style facility and is working with a mental health and addictions navigator, according to Leochko.

A ‘willingness to give back’

As part of the sentence, Picard must complete 300 hours of community service. 

Justice Maharaj commended Picard for “taking that on.”

“That shows me Ms. Picard sincerely does recognize what has happened here,” said the judge. 

“What I interpret from that is Ms. Picard’s willingness to give back to her community.”

During Picard’s plea, court heard that in November 2021, Picard and her father fought over his drinking. 

Nurses discover victim

The victim suffers from a number of medical issues, including diabetes, heart disease, dementia and alcoholism.

At the time, home-care registered nurses were assigned to help provide supplementary care.

Nurses found the victim wearing a soiled adult diaper and suffering from two black eyes with blood on his head. 

He told the nurses who discovered him that he’d been there for two days. 

Picard admitted she knew her father had fallen and she had “administered a number of physical blows.”

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