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The wild probe into investors of DWAC, Trump Media's proposed merger ally – The Washington Post

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In October 2021, former president Donald Trump announced that his media company, the owner of the platform Truth Social, had sealed an incredible deal: a merger with a “special purpose acquisition company” that would deliver to his firm $300 million toward his promise of giving “a voice to all.”

By then, however, the insider trading by investors in the SPAC, Digital World Acquisition, had already begun, according to documents filed recently in the criminal case against three Digital World investors who’ve been charged with securities fraud in New York federal court.

Digital World’s chief executive, Patrick Orlando, a Miami financier Trump had hosted at his golf clubs, had been telling investors privately for months that he’d been talking with Trump about the deal, the filings assert — a violation of federal securities law, the Securities and Exchange Commission would say later, given his company’s pledge in regulatory filings that its leaders had held no talks with any merger targets.

One investor, the Miami Beach businessman Anton Postolnikov, had amassed a huge stake in Digital World. Postolnikov, who was born in Russia and is the nephew of a longtime Russian government official, sold most of his stake just days after Trump’s announcement sent the stock soaring, according to an FBI agent’s search warrant affidavit. His profit: $22 million.

Another, a Ukraine-born nightclub manager turned private equity investor named Michael Shvartsman, told his business partners and a neighbor about the moneymaking opportunity, according to the affidavit — before securing $18 million in profits for himself.

Those profits caught the attention of federal officials who launched a sprawling investigation into Digital World’s investors, the details of which raise questions about how Trump, who built his political reputation in part on having mastered “the art of the deal,” ended up committed to a business arrangement that federal agents now allege was undermined from its inception by financial fraud.

Trump and Trump Media have not been accused of wrongdoing in the case. But Trump Media has been blocked from accessing the $300 million it expected to receive through the merger — money that it could use to build out Truth Social, Trump’s main online megaphone, ahead of the November election.

Rejected by banks and lenders over the Jan. 6, 2021, insurrection and his long history of bankruptcies and business failures, Trump had approved the merger of his company with a special purpose acquisition company as a way to raise money in the months after he lost the White House. Often called “blank check” firms, SPACs promise access to public stock investors with fewer financial disclosures than a traditional corporate listing requires.

Trump allies have claimed that the SEC’s delay in approving the merger proves he’s being persecuted by the Biden administration. But the cache of investigative documents, submitted as part of the pretrial discovery process ahead of a spring trial of those already charged, shows the investigation went far beyond the SEC.

The documents detail the involvement of agents and investigators from the FBI, the SEC and Homeland Security Investigations, which is the division of the Department of Homeland Security dedicated to rooting out cross-border criminal activity and which includes one of the government’s most elite anti-money-laundering teams. The documents suggest the investigation is ongoing.

Investigators used a microphone-wearing undercover informant to secretly record Shvartsman’s attempts to move the profits — assets he told the informant he’d gained from the “s— [that] happened with Trump” — into a web of offshore accounts. The documents also claim Shvartsman offered to introduce the informant to an unnamed official in Ukraine who needed help moving a “significant amount of money.” Whether officials pursued that tip is unknown.

The documents also reveal that FBI agents secretly tracked the holiday travel to Mexico of a Digital World board member so he could be intercepted on his return to John F. Kennedy International Airport in New York, where Customs and Border Protection officers commandeered his iPhone. While the board member waited for its return, the documents state, FBI agents covertly copied the phone’s contents.

The hundreds of pages of documents include a previously sealed indictment, HSI reports detailing undercover operations, emails, text messages, transcripts of recorded conversations, prosecutors’ memos summarizing evidence, and affidavits supporting search and seizure warrants for phones, digital data and bank accounts.

At a hearing in July, Nicolas Roos, an assistant U.S. attorney for the Southern District of New York who has led some of his office’s highest-profile cases, including the prosecutions of former Trump attorney Michael Cohen and cryptocurrency mogul Sam Bankman-Fried, said prosecutors were in possession of roughly 2.5 million emails and other documents, as well as copies of several seized cellphones.

Trump’s campaign referred comment for this story to Trump Media. Jesse Binnall, an attorney for Trump Media, said in a statement that the alleged wrongdoing “had no connection to Trump Media whatsoever.” Noting that Trump Media is suing The Washington Post over a previous story about the merger plans, Binnall warned that “any allegations against Trump Media are maliciously and transparently false.” He did not identify any specific reporting that he alleged to be false.

Shvartsman, his brother Gerald, and Bruce Garelick, the investment chief of Shvartsman’s private-equity firm Rocket One Capital, have been charged with conspiracy and securities fraud in the case.

Tai Park, an attorney for Shvartsman, said in a statement to The Post: “Any suggestion of wrongdoing is flatly denied. He has [pleaded] not guilty and looks forward to the trial where we expect he will be vindicated.” In a December court filing, Park said prosecutors had indicated new money-laundering charges could still be filed. Attorneys for Gerald Shvartsman and Garelick did not respond to requests for comment.

The SEC and Department of Homeland Security, which oversees HSI, declined to comment. The FBI referred comment to the U.S. attorney’s office, which also declined to comment.

Postolnikov, Orlando, Digital World and Rocket One did not respond to requests for comment. Neither Postolnikov nor Orlando, who was terminated as Digital World’s chief as the probe unfolded, has been charged.

In July, Digital World said it would pay $18 million if the merger goes through to settle SEC charges that it had misled investors and violated rules designed to counter fraud. Digital World said last month in an SEC filing that investigations by the SEC and Justice Department could “delay, materially impede, or prevent” the merger.

The biggest financial losers from the insider-trading scheme, however, probably were early Digital World investors who believed in Trump’s company enough to buy up shares in the hours after he announced the merger deal. In the days when the insiders were cashing out, Digital World’s share price peaked at $175. Shares closed Friday at $40.60.

‘Fearless entrepreneurs’

In June 2021, the court filings say, Orlando went to meet with Shvartsman and other prospective investors at the Miami-area offices of Rocket One, a little-known private equity firm that had marketed itself on LinkedIn as investing in “fearless entrepreneurs.”

Shvartsman had helped run a nightclub in the 1990s in Edmonton, Alberta, called Kaos that local police alleged was financed by the Russian mob, a 2022 Financial Times report said — a claim Shvartsman denied, and for which he was never charged. He also founded Transact First, a company whose “cashless ATMs” help marijuana dispensaries transfer money from banks that would otherwise reject them as customers under federal law, according to a Bloomberg News report in 2022, which called him the “granddaddy” of the “major cashless ATM players.”

The meeting came one month after Orlando had signed a registration statement filed with the SEC saying Digital World had not “initiated any substantive discussions, directly or indirectly, with any business combination target.”

But messages included in an FBI affidavit indicate that Trump’s company was part of the conversation in the meeting. In an email shortly afterward, Garelick wrote that he and Shvartsman had talked with Orlando about the “future payment processing needs for the Trump Media Group.”

One executive at Rocket One, Allen Beyer, told the firm’s leaders after the meeting that he was underwhelmed, writing in a text message that Trump’s last online venture, a blog, “was an embarrassment” and that the idea of an app just for “Forever Trumpers” would “be a bust,” the affidavit said. “Would you ever be associated with this as a ‘founder’ or anything in case it goes up in literal flames?” Beyer wrote. He did not respond to requests for comment.

Garelick replied, however, that the investment came with “downside protection,” the affidavit said. Garelick, Shvartsman and his brother, Gerald, who ran an outdoor-furniture store, invested enough to guarantee Garelick a seat on Digital World’s board, the indictment said.

The three men had signed confidentiality agreements before the meeting saying they would not trade on the inside information. But over the next few months, they bought up hundreds of thousands of dollars of Digital World shares and trading contracts, known as warrants, for small fractions of the price the shares would command once the deal was publicly disclosed.

The men also spoke with Postolnikov, another Miami-area entrepreneur who, like Shvartsman, was involved in the business of international payments. According to British financial records, Postolnikov owns a bank headquartered on the small Caribbean island of Dominica, called Paxum, that promotes itself as a financial conduit for online adult entertainment — an industry, like marijuana dispensaries, that banks traditionally have chosen to avoid.

Born in St. Petersburg, Postolnikov had in 2017 faced an arrest warrant in his hometown on charges of tax fraud, according to a court ruling obtained by The Post. That warrant, the ruling shows, was lifted in 2018, following the direct intervention of Russia’s deputy prosecutor general, who said the case was without merit.

By 2021, Postolnikov, whose uncle, Aleksandr Smirnov, had served for most of the last two decades as a senior member of the Russian government, was saying in online profiles he lived in Miami Beach. In March 2021, he donated $30,000 to Florida Gov. Ron DeSantis’s reelection campaign, campaign finance records show. A month later, according to Miami-Dade property records, a company he owns bought a $6 million condo on Fisher Island, a private island near Miami Beach once named “America’s richest Zip code.”

In June 2021, after the meeting with Orlando, Garelick wrote Postolnikov an email referring to some “good times last night,” without details, and asked about his interest in investing in “that Trump Media Group SPAC we mentioned,” the affidavit alleges.

When Digital World announced its initial public offering in September 2021, it made no mention of Trump and said only that it intended to focus on “middle market and emerging growth technology-focused companies in the Americas.” But a day later, Postolnikov started buying hundreds of thousands of stock units and warrants in Digital World via a company called APLC Investments, a search warrant affidavit alleges.

During that time, he also spoke on the phone “regularly” with Orlando and Gerald Shvartsman, according to an FBI agent’s affidavit in support of a search warrant seeking emails and other data from their Apple and Google accounts.

Within hours of the Oct. 20, 2021, merger deal announcement, the price of Digital World’s shares and warrants exploded. Shares first listed at $10 sold for prices as high as $175. And within days, the indictment said, all of the men had sold their shares for major profits, including $4.6 million for Gerald Shvartsman and $50,000 for Garelick.

The men celebrated with a few others they’d told about the “good bet,” including a neighbor, a friend and an employee, the records show. After his furniture store employee and the employee’s father made $2 million in profits within two days of Trump Media’s announcement, Gerald Shvartsman sent the employee a text message: “I’m happy for you. I’ll be waiting for my commission,” the records show.

But all stock market trades are monitored, and the frenzy of activity in an otherwise unremarkable SPAC just before its big kickoff attracted federal attention. By the end of October, a Digital World filing shows, the Financial Industry Regulatory Authority, an internal watchdog for the securities industry known as Finra, had started asking about the trades.

‘Wash account’

On the night of Dec. 31, 2021, Garelick had just landed at Kennedy Airport in New York after a vacation with his girlfriend to Cancún and Tulum when a customs agent told him he had been flagged for a secondary screening, according to a CBP inspection report filed in court.

In a backroom, two CBP officers began asking about his work with Digital World, saying they’d looked him up online and thought he had an “impressive background,” Garelick said in a court statement filed late last year. They also asked for his iPhone 11 Pro Max, plus the password to unlock it, assuring him it was all routine, he said.

What Garelick didn’t know is that two days earlier, a magistrate judge in Brooklyn had signed a warrant allowing FBI agents to search Garelick’s phone and not tell anyone about it, a copy of the judge’s ruling shows. While Garelick was waiting, an FBI agent took photos of his phone’s text messages and a forensic examiner raced to make a full copy of its contents, a prosecutor’s memo says.

Around 9:30 p.m., after the inspection had gone on for an hour and 14 minutes, the agents ended the phone-data extraction early so as not to alert Garelick that he was under criminal investigation, the memo said. The border agents gave Garelick his phone back, and he went on his way.

The investigators weren’t finished, however. In a search warrant affidavit, FBI agents said they were on the hunt for any information related to the relationships between Orlando, Postolnikov, the Shvartsman brothers and others who traded in Digital World stock.

They weren’t the only ones interested in the case. SEC officials had one month earlier started asking Digital World about its investors’ identities and its communications with Trump Media, an SEC filing shows. And a team of Miami agents specializing in illicit proceeds and foreign corruption inside HSI’s El Dorado Task Force, which tracks financial crime, launched a joint effort alongside the FBI and SEC — code-named “Trust Social” — once they’d realized they were pursuing “the same investigative targets,” HSI said in a July 2023 report documenting the indictments filed in court.

In December 2021, more than $16 million had been moved from a Rocket One brokerage account into two OptimumBank accounts in Shvartsman’s name, the indictment said. From there, the money was shuttled into a “wash account” that Shvartsman’s company Transact First had used to transfer millions of dollars in a single day, an HSI agent said in an affidavit for a bank-account-seizure warrant later signed by a judge.

The account’s “sheer volume of high-dollar transactions” made it a “convenient tool to conceal the proceeds of illegal activity,” according to the affidavit. Over the next several months, it alleged, millions of dollars filtered from that account into another bank account in Shvartsman’s name.

Trump Media later received a $2 million promissory note from a lender called ES Family Trust, Digital World said in an SEC filing last year. According to media reports, the trust’s only named trustee, Angel Pacheco, says on LinkedIn he is also a director at Paxum, Postolnikov’s bank.

Pacheco, who a Florida business record says is a co-manager with Shvartsman of a Miami company called Foundation Card Services, did not respond to requests for comment. The owner of an email address for the trust has not responded to questions about where the money came from.

‘Fetish for superyachts’

One afternoon in December 2022, Shvartsman met with a specialist at a Marriott hotel near Miami International Airport to discuss what his lawyer would later describe in a court declaration as his “interest in asset protection.”

Shvartsman told the man he needed help, due to the “recent Russian related sanctions,” in moving some of his assets — which included “some real estate, a small amount of cash (described as ‘a few million bucks’) and a yacht” — into a company he intended to create in Belize, according to an HSI investigative report in the “Trust Social” case filed with the court.

The specialist, though, was actually a government informant wearing a hidden microphone, according to HSI investigative reports, which refer to him only as “SA-2894-MI.” And after Shvartsman asked for his assistance in setting up new bank accounts, perhaps in Switzerland or Western Europe, the informant told Shvartsman he would be happy to help — in exchange for a fee “above the typical rate.”

Over the next several months, the informant and Shvartsman met regularly to hash out a plan for how the informant could shuttle Shvartsman’s assets around the globe, according to the government’s transcripts of the conversations filed in court. The records do not detail how the informant was introduced to Shvartsman or where he lived, though he signed off after one call saying he was in “British Summer Time.”

The secretly recorded meetings featured moments of tension. During one March 2023 meeting inside a Rocket One office north of Miami, Shvartsman signed documents to move his assets into an offshore trust and then warned he would “have to kill” the informant if the man tampered with Shvartsman’s fortune, according to the government’s transcript of the meeting.

When the informant told another man in the room, “That’s the second time he said he’s going to kill me,” Shvartsman responded, “I don’t f— around,” the transcript states.

But the conversations also showed the men getting to know each other. During the March meeting, Shvartsman said the main reason he wanted to move his assets was “the ordeal with ‘Trump’” and his “desire to not have the funds acquired from that investment taken from him,” according to a “debriefing” statement from the informant included in the HSI report filed with the court. Shvartsman’s attorney also told the informant then that his client was “your classic serial entrepreneur” and had a “fetish for superyachts,” according to the government’s transcript.

During the meetings, Shvartsman offered to introduce the informant to new clients, saying he knew a Russian-speaking “high-ranking Army or military officer” in Ukraine who needed help moving a “significant amount of money,” according to a transcript detailing what the informant told agents after one April 2023 lunch. “There’s guys in the Ukraine sitting on a lot of cash,” Shvartsman told the informant in another meeting, according to the government’s transcript.

But he also extended to the informant his own connections, saying he had a Russian friend who lived on Fisher Island and owned a bank in Dominica that could provide banking services to Russian, Chinese or Ukrainian individuals facing “sanction issues” or other financial restrictions, the government’s transcript shows.

“We do a lot of business together. He’s a very good friend of mine,” Shvartsman said, according to the transcript. In the version of the HSI report filed in court, the friend’s name is redacted.

‘No Russians’

One morning in June 2023, four FBI agents, two HSI agents and officers from the local police showed up at Shvartsman’s home in the Miami suburb of Sunny Isles Beach with a warrant for his arrest. Two other arrest teams nabbed his brother and Garelick at their homes in nearby Aventura and Fort Lauderdale, a Justice Department filing said.

In the HSI report from July documenting the arrests, agents said all three men had “ties to Ukraine and Russian Politically Exposed Persons (PEPs),” a term for prominent officials believed to be vulnerable to bribery or corruption. A Justice Department statement said the men faced up to seven counts of conspiracy and securities fraud, with maximum sentences of 90 to 130 years in prison.

But Shvartsman’s talks with the informant didn’t stop.

In July 2023, a week after he pleaded not guilty in a New York courtroom, he met with the informant to ask about the status of his asset transfers, the government’s transcript of their meeting shows. The informant assured him that his assets were in the process of moving from Hong Kong to the United Kingdom and then to Belize, according to the transcript — “the full Singapore with a double dip, as we call it, with having the U.K. thrown in there, just to give it that added cleanliness and polishing off,” he said.

The men also discussed whom Shvartsman wanted to nominate as the ostensible leaders of the local shell companies — “no Russians,” the informant confirmed — and proposed a crew that, at one point, included “two Ukrainians, a Canadian and a Bulgarian,” the transcript states. The assets’ spin through Hong Kong, the informant said, would ensure they stayed “out of reach of the U.S. government because, you know, it’s China, basically,” according to the transcript. “That is the big washing machine.”

In August, Shvartsman and the informant went to Carpaccio, a restaurant in the wealthy Miami Beach enclave of Bal Harbour, for what was perhaps their last secretly recorded lunch, according to the government’s transcript of the meeting.

Shvartsman pushed for details on the “full Singapore” process and a Swiss bank account. And the men agreed on a system of code words that Shvartsman could use, once the money was sheltered, to secretly send messages to the informant’s operatives over the phone: a “green” code to approve a transaction, and a “red” code if Shvartsman was facing an emergency or under investigative duress.

The “green” phrase was “How’s your girlfriend, Alexandra?” a transcript shows. Asked for a “red” phrase, Shvartsman responded, “Anything else.”

In November, a magistrate judge signed a warrant authorizing the seizure of Shvartsman’s bank account. A federal agent said the account contained roughly $15 million, though bank records cited in the seizure-warrant affidavit said it had reached as high as $44 million the month before.

Catherine Belton contributed to this report.

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Bayo Onanuga battles yet another media – Punch Newspapers

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Bayo Onanuga battles yet another media  Punch Newspapers

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Blood In The Snow Film Festival Celebrates 13 Years!

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Blood in the Snow FILM FESTIVAL

Celebrates

13 YEARS

Be Afraid.  Be Very Afraid”

Toronto, on – Blood in the Snow Film Festival (BITS), a unique and imaginative showcase of contemporary Canadian genre films are pleased to announce the popular Festival is back for its 13th exciting year.  The highly anticipated Horror Film festival presented by Super Channel runs November 18th– 23rd at Toronto’s Isabel Bader Theatre  The successful, long running festival takes on many different faces this year that include Scary, Action Horror, Horror Comedy, Sci-Fi and Thrillers.  Festival goers will be kept on the edge of their seats with this year’s powerful line-up.

Blood in the Snow Festival begins with the return of alumni (Wolf Cop) Lowell Deans action horror feature Dark Match featuring wrestling veteran Chris Jericho followed by the mysterious Hunting Mathew Nichols. The unexpected thrills continue with Blood in the Snow World Premiere of Pins and Needles and the Fantasia Best First Feature Award winner, Self Driver.  The festival ends this year on a fun note with the Toronto Premiere of Scared Sh*tless (featuring Kids in the Halls Mark McKinney).  Other titles include the horror anthology series Creepy Bits and Zoom call shock of Invited by Blood in the Snow alumni Navin Ramaswaran (Poor Agnes). The festival will also include five feature length short film programs including the festivals comedy horror program Funny Frights and Unusual Sights and the highly anticipated Dark Visions program, part of opening night festivities.  Blood in the Snow Film Festival Director and Founder, Kelly Michael Stewart anticipates this year’s festival to be its strongest.  This was the first time in our 13 year history, all our programmers agreed on the exact same eight feature programs we have selected.”

Below is this year’s horror fest’s exciting lineup of features and shorts scheduled to screen, in-person at the Isabel Bader theatre. 

**All festival features will be preceded by a short film and followed by a Q&A with filmmakers.

Tickets for the Isabel Bader Theatre lineup on sale now and can be purchased  https://www.bloodinthesnow.ca

Super Channel is pleased to once again assume the role of Presenting Sponsor for the Blood in the Snow Film Festival. We extend our sincere appreciation to the entire BITS team for their unwavering commitment to amplifying the voices of diverse filmmakers and providing a platform for the celebration of Canadian genre content. – Don McDonald, the CEO of Super Channel

Blood in the Snow Festival 2024 Full screening schedule:

Monday November 18th
7pm – Dark Visions

Shiva (13:29) dir. Josh Saltzman

Shiva is an unnerving tale about a recently widowed woman who breaks with a long-held Jewish mourning ritual in hopes of connecting with her deceased husband.

How to Stay Awake (5:30) dir. Vanessa Magic

A woman fights to stay awake, to avoid battling the terrifying realm of sleep paralysis, but as she risks everything to break free, will she be released from the grip of her nocturnal tormentor?

Pocket Princess (9:45) dir. Olivia Loccisano

A young girl must take part in a dangerous task in order to complete her doll collection in this miniature fairytale.

For Rent (10:33) dir. Michèle Kaye

In her new home, Donna unravels a sinister truth—her landlord is a demon with a dark appetite. As her family mysteriously vanishes, Donna confronts the demonic landlord, only to plunge into a shadowy game where the house hungers for more than just occupants. An ominous cycle begins, shrouded in mystery.

Lucys Birthday (9:29) dir. Peter Sreckovic

A father struggles to enjoy his young daughter’s birthday despite a series of strange and disturbing disruptions.

Parasitic (10:00) dir. Ryan M Andrews

Last call at a dive bar, a writer struggling to find his voice gets more than he bargains for.

 Naualli (6:00) dir. Adrian Gonzalez de la Pena

A grieving man seeks revenge, unwittingly awakening a mystical creature known as the Nagual.

The Saint and The Bear (6:34) dir. Dallas R Soonias

Two strangers cross paths on an ominous park bench.

The Sorrow (13:00) dir. Thomas Affolter

A retired army general and his live-in nurse find they are not alone in a house filled with dark secrets.

Cadabra (6:00) dir. Tiffany Wice

An amateur magician receives more than he anticipated when he purchases a cursed hat from the estate of his deceased hero.

9:30 – Dark Match dir. Lowell Dean Horror / Action

A small time WRESTLING COMPANY accepts a well-paying but too good to be true gig.

 

Tuesday November 19th
7pm – Mournful Mediums

Night Lab (15:00) dir. Andrew Ellinas

When a mysterious package arrives from one of the lab’s field research stations, a promising young researcher uncovers a conspiracy against her masterminded by her jealous boss. She soon finds herself having to grapple with her conscience before making a life-or-death decision.

Dirty Bad Wrong (14:40) dir. Erica Orofino

Desperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish.

Midnight at the lonely river (17:00) dir. Abraham Cote

When the lights go out at a seedy little motel bar, at the crossroads of a seedy little town, nefarious happenings are taking place, and three predators are enacting their evil deeds. Enter Vicky, a drifter who quickly realizes whats happening right under everyones nose. After midnight, In the shadows of this dim establishment, evil begets evil, and the predator becomes the prey.

Mean Ends (14:58) dir. Émile Lavoie

A buried body, a missing sister and an inquisitive neighbour makes for a hell of an evening. And the sun isnt close to settling on Erics sh*tty day.

Stuffy (18:26) dir. Dan Nicholls

A young couple sets off in the middle of the night to bury their kid’s stuffed bunny, as one of them is convinced that the stuffy might be cursed.

Dungeon of Death (18:33) dir. Brian P. Rowe

Torturer Raullin loves a work challenge, especially if that challenge involves hurting people to extract information from them.

9:30 – Hunting Matthew Nichols (96 mins) dir. Markian Tarasiuk

Twenty-three years after her brother mysteriously disappeared, a documentary filmmaker sets out to solve his missing person’s case. But when a disturbing piece of evidence is revealed, she comes to believe that her brother might still be alive.

w/ short: Josephine (6:15) dir. John Francis Bregar

A man haunted by his past seeks forgiveness from his deceased wife, but a session with two spirit mediums leads to an unsettling encounter.

Wednesday November 20th
7pm – BITS and BYTES

Ezra (10:57) dirs. Luke Hutchie, Mike Mildon, Marianna Phung

After fleeing the dark and demonic chains of his shadowy old home, Ezra, a killer gay vampire, takes a leap of faith and enters the modern world.

Head Shop (18:14 episode 1-3) dir. Namaï Kham Po

In a post-apocalyptic world, Annas life and work are dominated by her father Sylvestre, a short-tempered mechanic with a terrible reputation for tearing the head off anyone who dares cross him. He decides that shes old enough to follow in his footsteps, much to her dismay. To prove herself, she must now decapitate her first victim. Can she find a way to defy fate?

D dot H (18 :15 episodes 1-2) dirs. Meegwun Fairbrother, Mary Galloway

Struggling artist Doug is visited by the beautiful and enigmatic H, who claims he holds the power to visiting inconceivable places.” Still half-asleep, Doug is shocked when H vanishes suddenly and her doppelganger, Hannah, strides past.

Creepy Bits: Last Sonata (21:08) dir.

Adrian Bobb, Ashlea Wessel, David J. Fernandes, Sid Zanforlin and Kelly Paoli.

Set among forests, lakes, and small towns, Creepy Bits is a horror anthology series helmed by five innovative filmmakers exploring themes of human vs. nature, the invasion and destruction of the natural world by outsiders, and isolation within a vast, eerie landscape that is not afraid to fight back.

Tales from the Void: Whistle in the Woods” (24:36) dir. Francesco Loschiavo

Horror anthology TV series based on stories from r/NoSleep. Each tale blends genre thrills & social commentary exploring the dark side of the human psyche.

9:30 – Self Driver dir. Michael Pierro Thriller

Facing mounting expenses and the unrelenting pressure of modern living, a down-on-his-luck cab driver is lured on to a mysterious new app that promises fast, easy money. As his first night on the job unfolds, he is pulled ever deeper into the dark underbelly of society, embarking on a journey that will test his moral code and shake his understanding of what it means to have freewill. The question becomes not how much money he can make, but what he’ll be compelled to do to make it.
 

w/ short: Northern Escape (10:38) dirs. Lucy Sanci, Alexis Korotash

A couple on a cottage getaway tries to work on their relationship but ends up getting more than they bargained for when they discover something sinister lurking beneath the surface.

Thursday November 21st
7pm – Funny Frights

Midnight Snack (1:41) dir. Sandra Foisy

Hunger always strikes in the dead of night.

Hell is a Teenage Girl (15:00) dir. Stephen Sawchuk

Every Halloween, the small town of Springboro is terrorized by its resident SLASHER – a masked serial killer who targets sinful teenagers that break The Rules of Horror’ – dont drink, dont do drugs, and dont have sex!

Gaslit (10:36) dir. Anna MacLean

A woman goes to dangerous lengths to prove she wasn’t responsible for a fart.

Bath Bomb (9:55) dir. Colin G Cooper

A possessive doctor prepares an ostensibly romantic bath for his narcissistic boyfriend, but after an accusation of infidelity, things take a deeply disturbing turn.

Any Last Words (14:22) dir. Isaac Rathé

A crook trying to flee town is paid an untimely visit by some of his former colleagues. What would you say to save your life if you were staring down the barrel of a gun?

Papier mâché (4:30) dir. Simon Madore

A whimsical depiction of the hard and tumultuous life of a piñata.

The Living Room (9:59) dir. Joslyn Rogers

After an unexpected call from Lady Luck, Ms. Valentine must choose between her sanity and her winnings – all before the jungle consumes her.

A Divine Comedy: What the Hell (8:55) dir. Valerie Lee Barnhart
 Dante’s classic Hell is falling into oblivion. Charlotte,

sharp-witted Harpy, navigates the chaos and sets out despite the odds for a new life and destiny.

Mr Fuzz (2:30) dir. Christopher Walsh

A long-limbed, fuzzy-haired creature will do whatever it takes to keep you watching his show.

Out of the Hands of the Wicked (5:00) dirs. Luke Sargent, Benjamin Hackman

After a harrowing journey home from hell, old Pa boasts of his triumph over evil, and how he came to lock the devil in his heart.

The Shitty Ride (9:13) dir. Cole Doran

Hoping to impress the girl of his dreams, Cole buys a used car but gets more than he bargained for with his shitty ride.

9:30 – Invited dir. Navin Ramaswaran Horror

When a reluctant mother attends her daughter’s Zoom elopement, she and the rest of the family in attendance quickly realize the groom is part of a Russian cult with deadly intentions.

w/ shorts: Defile dir. Brian Sepanzyk

A couple’s secluded getaway is suddenly interrupted by a strange family who exposes them to the horrors that lie beyond the tree line.

 A Mother’s Love dir. Lisa Ovies

A young girl deals with the consequences of trusting someone online.

Friday November 22nd
7:00 pm – Creepy Bits (anthology horror series)

Creepy Bits is a short horror anthology series that explores pandemic age themes of isolation, paranoia and distrust of authority, serving them up in bite-sized chunks. Directed by Adrian Bobb, Ashlea Wessel, David J. Fernandes, Sid Zanforlin and Kelly Paoli.

9:30 – Pins and Needles (81 min) dir. James Villeneuve Horror / Thriller

Follows Max, a diabetic, biology grad student who is entrapped in a devilish new-age wellness experiment and must escape a lethal game of cat and mouse to avoid becoming the next test subject to extend the lives of the rich and privileged.

w/ short: Adjoining (11:42) dirs. Harrison Houde, Dakota Daulby

A couple’s motel stay takes a chilling turn when they discover they’re being observed, leading to unexpected consequences.

Saturday November 23rd
4pm – Emerging Screams (94 mins)

Apnea (14:58) dir. David Matheson

A single, working mother finds her career and her offbeat sons safety in jeopardy when she discovers that her late mother is possessing her in her sleep.

Nereid (7:48) dir. Lori Zozzolotto

A mysterious woman escapes from an abusive relationship with earth shattering results.

BedLamer (15:00) dir. Alexa Jane Jerrett

On the shores of a small fishing village lives a lonely settlement of men – capturing and domesticating otherworldly creatures that were never meant to be tamed.

Blocked (6:30) dir. Aisha Alfa

A new mom is literally consumed with the futility of cleaning up after her kid.

Dance of the Faery (10:23) dir. Kaela Brianna Egert

A young woman cleans up her estranged, great aunt’s home after her death. Upon inspection, she soon realizes that her eccentric obsession with fairies was not born out of love, but of fear.

Deep End (7:36) dir. Juan Pablo Saenz

A gay couple’s heated argument during a hike spiral into a nightmare when one of them vanishes, leading the other to a mysterious cave that could reveal the chilling truth.

Ojichaag – Spirit Within (11:21) dir. Rachel Beaulieu

An emotionally devastated woman seeks comfort in her choice to end her life. As she faces death in the form of a spirit, she must decide to let herself go to fight to stay alive.

Lure (9.56) dir. Jacob Phair

A tormented father awaits the return of the man who saved his son’s life.

Let Me In (10:00) dirs. Joel Buxton, Charles Smith

A reluctant man interviews an unusual immigration candidate: himself from a doomed dimension

7:00 pm –The Silent Planet (95 mins) dir. Jeffrey St. Jules Sci-fi

An aging convict serving out a life sentence alone on a distant planet is forced to confront his past when a new prisoner shows up and pushes him to remember his life on earth

w/ short: Ascension (3:57) dir. Kenzie Yango

Deep in a remote forest, two friends, Mia and Riley, embark on a leisurely hike. As tensions run high between the two, a strange humming noise appears that seems to be coming from somewhere in the woods.

9:30 – Scared Shitless (73 mins) dir. Vivieno Caldinelli Horror / Comedy

A plumber and his germophobic son are forced to get their hands dirty to save the residents of an apartment building, when a genetically engineered, blood-thirsty creature escapes into the plumbing system.
 

w/ short: Oh…Canada (6:20) dir. Vincenzo Nappi

Oh, Canada. Such a wonderful place to live – WHETHER YOU LIKE IT OR NOT. A musical look into the artifice surrounding Canadian identity.

 

Tickets for the Isabel Bader Theatre lineup on sale now and can be purchased https://www.bloodinthesnow.ca/#festival

 

Follow “Blood In The Snow” Film Festival:

https://www.instagram.com/bitsfilmfest/

 

Media Inquiries:

Sasha Stoltz Publicity:

Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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It’s time for a Halloween movie marathon. 10 iconic horror films

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Sometimes, you just have to return to the classics.

That’s especially true as Halloween approaches. While you queue up your spooky movie marathon, here are 10 iconic horror movies from the past 70 years for inspiration, and what AP writers had to say about them when they were first released.

We resurrected excerpts from these reviews, edited for clarity, from the dead — did they stand the test of time?

“Rear Window” (1954)

“Rear Window” is a wonderful trick pulled off by Alfred Hitchcock. He breaks his hero’s leg, sets him up at an apartment window where he can observe, among other things, a murder across the court. The panorama of other people’s lives is laid out before you, as seen through the eyes of a Peeping Tom.

James Stewart, Grace Kelly, Thelma Ritter and others make it good fun.

— Bob Thomas

“Halloween” (1978)

At 19, Jamie Lee Curtis is starring in a creepy little thriller film called “Halloween.”

Until now, Jamie’s main achievement has been as a regular on the “Operation Petticoat” TV series. Jamie is much prouder of “Halloween,” though it is obviously an exploitation picture aimed at the thrill market.

The idea for “Halloween” sprang from independent producer-distributor Irwin Yablans, who wanted a terror-tale involving a babysitter. John Carpenter and Debra Hill fashioned a script about a madman who kills his sister, escapes from an asylum and returns to his hometown intending to murder his sister’s friends.

— Bob Thomas

“The Silence of the Lambs” (1991)

“The Silence of the Lambs” moves from one nail-biting sequence to another. Jonathan Demme spares the audience nothing, including closeups of skinned corpses. The squeamish had best stay home and watch “The Cosby Show.”

Ted Tally adapted the Thomas Harris novel with great skill, and Demme twists the suspense almost to the breaking point. The climactic confrontation between Clarice Starling and Buffalo Bill (Ted Levine) is carried a tad too far, though it is undeniably exciting with well-edited sequences.

Such a tale as “The Silence of the Lambs” requires accomplished actors to pull it off. Jodie Foster and Anthony Hopkins are highly qualified. She provides steely intelligence, with enough vulnerability to sustain the suspense. He delivers a classic portrayal of pure, brilliant evil.

— Bob Thomas

“Scream” (1996)

In this smart, witty homage to the genre, students at a suburban California high school are being killed in the same gruesome fashion as the victims in the slasher films they know by heart.

If it sounds like the script of every other horror movie to come and go at the local movie theater, it’s not.

By turns terrifying and funny, “Scream” — written by newcomer David Williamson — is as taut as a thriller, intelligent without being self-congratulatory, and generous in its references to Wes Craven’s competitors in gore.

— Ned Kilkelly

“The Blair Witch Project” (1999)

Imaginative, intense and stunning are a few words that come to mind with “The Blair Witch Project.”

“Blair Witch” is the supposed footage found after three student filmmakers disappear in the woods of western Maryland while shooting a documentary about a legendary witch.

The filmmakers want us to believe the footage is real, the story is real, that three young people died and we are witnessing the final days of their lives. It isn’t. It’s all fiction.

But Eduardo Sanchez and Dan Myrick, who co-wrote and co-directed the film, take us to the edge of belief, squirming in our seats the whole way. It’s an ambitious and well-executed concept.

— Christy Lemire

“Saw” (2004)

The fright flick “Saw” is consistent, if nothing else.

This serial-killer tale is inanely plotted, badly written, poorly acted, coarsely directed, hideously photographed and clumsily edited, all these ingredients leading to a yawner of a surprise ending. To top it off, the music’s bad, too.

You could forgive all (well, not all, or even, fractionally, much) of the movie’s flaws if there were any chills or scares to this sordid little horror affair.

But “Saw” director James Wan and screenwriter Leigh Whannell, who developed the story together, have come up with nothing more than an exercise in unpleasantry and ugliness.

— David Germain

Germain gave “Saw” one star out of four.

“Paranormal Activity” (2009)

The no-budget ghost story “Paranormal Activity” arrives 10 years after “The Blair Witch Project,” and the two horror movies share more than a clever construct and shaky, handheld camerawork.

The entire film takes place at the couple’s cookie-cutter dwelling, its layout and furnishings indistinguishable from just about any other readymade home constructed in the past 20 years. Its ordinariness makes the eerie, nocturnal activities all the more terrifying, as does the anonymity of the actors adequately playing the leads.

The thinness of the premise is laid bare toward the end, but not enough to erase the horror of those silent, nighttime images seen through Micah’s bedroom camera. “Paranormal Activity” owns a raw, primal potency, proving again that, to the mind, suggestion has as much power as a sledgehammer to the skull.

— Glenn Whipp

Whipp gave “Paranormal Activity” three stars out of four.

“The Conjuring” (2013)

As sympathetic, methodical ghostbusters Lorraine and Ed Warren, Vera Farmiga and Patrick Wilson make the old-fashioned haunted-house horror film “The Conjuring” something more than your average fright fest.

“The Conjuring,” which boasts incredulously of being their most fearsome, previously unknown case, is built very in the ’70s-style mold of “Amityville” and, if one is kind, “The Exorcist.” The film opens with a majestic, foreboding title card that announces its aspirations to such a lineage.

But as effectively crafted as “The Conjuring” is, it’s lacking the raw, haunting power of the models it falls shy of. “The Exorcist” is a high standard, though; “The Conjuring” is an unusually sturdy piece of haunted-house genre filmmaking.

— Jake Coyle

Coyle gave “The Conjuring” two and half stars out of four.

Read the full review here.

“Get Out” (2017)

Fifty years after Sidney Poitier upended the latent racial prejudices of his white date’s liberal family in “Guess Who’s Coming to Dinner,” writer-director Jordan Peele has crafted a similar confrontation with altogether more combustible results in “Get Out.”

In Peele’s directorial debut, the former “Key and Peele” star has — as he often did on that satirical sketch series — turned inside out even supposedly progressive assumptions about race. But Peele has largely left comedy behind in a more chilling portrait of the racism that lurks beneath smiling white faces and defensive, paper-thin protestations like, “But I voted for Obama!” and “Isn’t Tiger Woods amazing?”

It’s long been a lamentable joke that in horror films — never the most inclusive of genres — the Black dude is always the first to go. In this way, “Get Out” is radical and refreshing in its perspective.

— Jake Coyle

Coyle gave “Get Out” three stars out of four.

Read the full review here.

“Hereditary” (2018)

In Ari Aster’s intensely nightmarish feature-film debut “Hereditary,” when Annie (Toni Collette), an artist and mother of two teenagers, sneaks out to a grief-support group following the death of her mother, she lies to her husband Steve (Gabriel Byrne) that she’s “going to the movies.”

A night out with “Hereditary” is many things, but you won’t confuse it for an evening of healing and therapy. It’s more like the opposite.

Aster’s film, relentlessly unsettling and pitilessly gripping, has carried with it an ominous air of danger and dread: a movie so horrifying and good that you have to see it, even if you shouldn’t want to, even if you might never sleep peacefully again.

The hype is mostly justified.

— Jake Coyle

Coyle gave “Hereditary” three stars out of four.

Read the full review here. ___

Researcher Rhonda Shafner contributed from New York.

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