Editor’s Note: Keeping you in the know, Culture Queue is an ongoing series of recommendations for timely books to read, films to watch and podcasts and music to listen to.
CNN
—
So you want to live like you’re from the Middle Ages? Well, maybe that’s not a common aspiration, but nevertheless, it’s a subject that’s become Olivia M. Swarthout’s expertise.
Swarthout is the researcher behind the popular art history-inspired social media account Weird Medieval Guys, which has attracted nearly 700,000 followers on X, formerly Twitter, since she began posting with the handle @WeirdMedieval in April 2022. Now, she’s the author of a book with a tongue-in-cheek guide to living like it’s 999 AD — or thereabouts — called “Weird Medieval Guys: How to Live, Love, Laugh (and Die) in Dark Times.”
You might well have seen Swarthout’s handiwork in your feeds even if you don’t follow the account: Paired with her zeitgeisty captioning, many of the strange, cute and often absurd illustrations from 6th- to 15th-century manuscripts — showing jovial skeletons and wan angels, strangely drawn animals and the daily affairs of commonfolk — have become popular memes. There’s weird floating babies, a knight stabbing himself with the caption “I’m out,” a sneaky cat with a severed penis in its mouth, and a pair of men demonstrating not-so-vaguely sexual sword-fighting tactics.
History repeats itself
In her new illustrated book, Swarthout guides readers through life in the Middle Ages with the same timely wit, making sense of broader Medieval culture through a contemporary lens. What would your name be? Ratbald? Wulfwynn? How about just Guy?
You can choose a patron saint — just as important as your astrological sign — and find hot Medieval singles in your area; learn how to settle disputes with trial-by-combat tips (if between a man and a woman, the man must be chest-deep in a hole to level the playing field) or how to identify the poisonous, man-lion-scorpion-hybrid manticore in the wild (he likes silly hats).
“Just got back from the Holy Land to discover my front door was unhinged. Turns out my wife had moved in with the blacksmith next door,” Swarthout captioned this 14th-century French illustration.
British Library/Courtesy Penguin Random House
“Plants can be weird little guys, too,” according to Swarthout. This illustration is part of a Italian compendium of medicinal herbs, many of whom have faces and, clearly, some thoughts about the situation.
University of Pennsylvania Libraries/Courtesy Penguin Random House
“A lot of the art being made (in the Medieval era) was people drawing on things from their life and experiences… that were part of popular culture,” Swarthout said in a phone call with CNN. “Focusing the book on life in general and the entire medieval world… felt like a really good way to synthesize all of those different sorts of topics together.”
The swift popularity of her Twitter account surprised her, she said. Swarthout is not a historian, but a recently graduated statistician who took art history during undergrad. “It felt very surreal — especially in the beginning — and it still does,” she said.
And though there’s no shortage of art history humor accounts across Twitter and Instagram, Swarthout’s offerings are today much more robust, with both a Substack and a podcast of the same name for followers who want a deep dive into the artworks she mines for her social posts.
“I didn’t really intend for it to be a meme account, although I think there is a lot of intrinsic humor,” she said. “A lot of the content is just funny on its own.”
“Well, one of us is going to have to let him go,” Swarthout writes of this detail from a early 16th-century manuscript, showing Jonah and the big fish who just can’t quit him.
Biblissima+/Courtesy Penguin Random House
“Bagpipes? No thank you. Send a skeleton who knows how to play something nicer, please.” This illustration is part of the Danse Macabre motif, in which the grim reaper takes the dead on a musical journey to the afterlife.
Württemberg State Library Stuttgart/Courtesy Penguin Random House
There’s a reason why Medieval art is particularly, well, weird. While paintings and sculptures that remain from most other periods in history were generally produced by trained artists, the illuminated manuscripts made in Medieval times were often authored by monks and tradespeople, who weren’t necessarily following artistic conventions of the era.
“It’s almost like a look at everyday people’s inner lives, Swarthout explained, “which isn’t something that you get in a lot of art history.”
The witch isn’t dead: New book explores witchcraft’s rebellious history – and modern transformation
Our era may be wildly different from the Middle Ages — after all, could you explain a viral art history meme on Twitter to a 9th-century peasant farmer? But time flattens a bit through the humor of each image. Swarthout imagines people from centuries ago taking delight in some of the illustrations in the same way, like one small depiction of a cat churning butter.
“You can look at it and imagine that it was just as funny and just as cute back then,” she said. “A lot of images like that are a fun way to connect with people who lived hundreds of years ago.”
Add to Queue: Party like it’s 999
Listen: “Weird Medieval Guys” podcast (2022–)
Swarthout launched a podcast series expanding on her social media presence last summer, with ever-prescient topics including a deep dive into three prominent “wife guys” of the era and whether or not a single Dorito would kill a medieval peasant.
Play: “Pentiment” (2022)
This quirky RPG is formatted like the pages of an illuminated manuscript, with the artist protagonist, Andreas, finding himself in the middle of a murder mystery in a fictional 16th-century Bavarian town as he serves out an apprenticeship. Available to play on Xbox and Steam, “Pentiment” has received praise from critics and several award nominations for its inventiveness.
Read: “The Grand Medieval Bestiary” (2018)
If the often strange and absurd depictions of animals during this era are your thing, this 587-image compendium of the Medieval animal kingdom (both real and fabled) is a must. The beastiary includes entries on 100 different creatures and includes plenty of lore in the form of essays.
Watch: “Monty Python and the Holy Grail (1975)
The classic satire of Arthurian legend mined the Middle Ages for comedic gold decades before Medieval memes were a thing. Follow the Monty Python troupe on an epic, farcical journey from Camelot (‘Tis a silly place) in search of the Holy Grail.
Read: “Medieval Bodies: Life, Death and Art in the Middle Ages” (2019)
This illustrated history book from art historian Jack Hartnell challenges notions of the Middle Ages as being an ignorant or unsophisticated era, focusing instead on insightful, advanced and fantastical beliefs about the body and medicine through details and stories drawn from artworks, historical accounts and textbooks.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
