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TIFF audience prizes for ‘Life of Chuck,’ Hip doc; Rankin among Canadian winners

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TORONTO – “The Life of Chuck,” an offbeat drama from writer-director Mike Flanagan, is the People’s Choice Award winner at this year’s Toronto International Film Festival.

The top TIFF award, which is voted on by audiences, was handed out Sunday as the 11-day festival rolled into its final hours. Other prizes were bestowed on Matthew Rankin’s “Universal Language,” Sophie Deraspe’s “Shepherds” and a Tragically Hip docuseries.

Flanagan is best known for his Netflix horror fare, including “The Haunting of Hill House” and “Midnight Mass.” His latest, which is adapted from a Stephen King story, strays from that genre with a quirky portrait of a divorced man, played by Chiwetel Ejiofor, who can’t escape a looming presence that’s infiltrated every corner of his life.

In announcing the award, TIFF CEO Cameron Bailey read a thank-you note from Flanagan who said he was “absolutely overwhelmed” and never expected to win the prize, which is considered a bellwether for Oscar attention.

Last year’s People’s Choice winner “American Fiction” went on to nab five Academy Award nominations and won best adapted screenplay, while other past People’s Choice picks include best picture winners “Green Book,” “12 Years a Slave” and “The King’s Speech.”

Runners-up for this year’s People’s Choice award were Jacques Audiard’s Spanish-language musical crime thriller “Emilia Pérez” and Sean Baker’s Palme d’Or winner “Anora.”

Coralie Fargeat’s twisted body-horror feature “The Substance,” starring Demi Moore as a washed-up Hollywood star who goes to extremes to keep her youth, won the audience award for best Midnight Madness film.

The People’s Choice for best documentary went to “The Tragically Hip: No Dress Rehearsal,” a four-hour docuseries directed by Mike Downie about his late brother Gord’s influential Canadian rock band.

The Hip doc, which debuts Friday on Prime Video, helped launch TIFF a little more than a week ago when a congregation of the band’s fans gathered for a singalong to “Bobcaygeon” and several of their other hits on a street near the TIFF Lightbox.

“It’s been a great ride,” Downie said as he reflected on the experience while clutching his award.

“(The Hip was) beloved in this country…. People believed in this band, and the band never did anything to jeopardize that trust. So yeah, the People’s Choice award seems very appropriate.”

“The Life of Chuck” is in an unusual position for a TIFF People’s Choice honouree.

Unlike many past winners, its producers came to the festival still seeking a distributor, which means it has no release date and may not be out in time for awards season.

However, like many past winners, TIFF’s CEO said “The Life of Chuck” has certain qualities that give audiences “big feels” that stick with them long after the film ends.

“With ‘The Life of Chuck,’ people reflect on their own lives and the lives of people they’re close to,” Bailey said.

“When you come out of a movie having that kind of emotional reaction, that’s what often prompts a vote.”

The Best Canadian Discovery Award, worth $10,000, went to Rankin’s second feature “Universal Language,” set in a Canada where Farsi and French are the two official languages and the two cultures coexist in a dreamlike alternate universe.

“This is a movie which we really did by our heart,” said Ila Firouzabadi, co-writer of the film.

“The message is really about solidarity and friendship. It’s something between a Tehran, Winnipeg (and) Montreal intersection and I hope from that intersection we are passing our compassion.”

The Best Canadian Feature Award, also worth $10,000, went to Sophie Deraspe’s “Shepherds,” about a young Montrealer frustrated with the emptiness of his marketing job who flees to the French Alps for a new life.

The juried FIPRESCI Award, from the International Federation of Film Critics, went to Somalia’s “Mother Mother,” directed by Somali-Canadian recording artist K’naan Warsame.

The $20,000 Platform Award, selected by an in-person international jury, went to “They Will Be Dust,” a co-production between Spain, Italy and Switzerland directed by Carlos Marques-Marcet.

The filmmaker has been caught in a whirlwind experience over the past week. He premiered his film at TIFF on its opening weekend and then returned to Madrid, only to get a call from TIFF organizers urging him to make his way back to Toronto for a big announcement.

“I was so tired, but I was so excited — and I wanted to meet Atom Egoyan,” he said of the Canadian director sitting on the three-person jury that unanimously selected his film.

Marques-Marcet’s “They Will Be Dust” is inspired by a real couple’s wish to embark on assisted death together. The film is also part contemporary-dance musical.

He recognizes those elements might make it a tough sell for some audiences, yet he’s hopeful the TIFF recognition will give his unconventional film a chance at greater exposure.

“Movies are not sports. It’s not about, ‘Who is the winner?'” he said.

“But obviously these things help a lot to try to push the barriers.”

Several awards introduced in recent years to elevate projects made by Black and Indigenous creators were not awarded at this year’s festival.

TIFF’s Amplify Voices awards, which honoured both the Best BIPOC Canadian Feature as well as the Best BIPOC Canadian First Feature, were removed from this year’s event.

Also missing was the Changemaker Award, which celebrated a festival film that tackled issues of social change.

Representatives for the festival declined to outline their decision to remove the awards.

This report by The Canadian Press was first published Sept. 15, 2024.

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Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era

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TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?

It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.

Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.

And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.

Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.

Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.

Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.

“Something as simple as getting together and having dinner is now thrown out the window,” he said.

Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.

“Her coming into town has kind of changed up my social life,” he added.

“We’re pretty much just not doing anything.”

Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.

“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.

“We’re a hybrid company, so we can be flexible. It just makes sense.”

Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.

In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.

“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.

Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.

“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.

Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.

Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.

“There may be some who will say we’re over-preparing, and that’s fair,” Green said.

“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”

Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.

A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.

“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.

Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.

“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.

“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”

This report by The Canadian Press was first published Nov. 13, 2024.



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‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts

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TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.

Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.

Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.

Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.

Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.

“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”

The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.

Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.

“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.

Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.

The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.

Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.

Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.

But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.

Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.

“It’s literally incredible.”

This report by The Canadian Press was first published Nov. 13, 2024.

The Canadian Press. All rights reserved.



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Via Rail seeks judicial review on CN’s speed restrictions

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OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.

The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.

It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.

CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.

The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.

Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.

This report by The Canadian Press was first published Nov. 13, 2024.

Companies in this story: (TSX:CN)

The Canadian Press. All rights reserved.



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