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Toronto Caribbean Carnival Faces Declining Participation Amid Rising Costs and Service Issues

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The Toronto Caribbean Carnival, affectionately known as Caribana, is not just a parade; it’s a vibrant celebration of Caribbean culture, embodying themes of resistance, freedom, and pride. For many masqueraders, it provides a vital connection to their cultural roots. However, this year has seen a significant drop in participation, raising concerns about the future of the event.

The leaders of five major bands in Toronto reported a dramatic decrease in participation this year. Two band leaders noted a 40% drop in registration compared to 2023, while another reported a 53% decline. This unprecedented drop has left many wondering why so many are choosing to skip North America’s largest Caribbean cultural festival.

Jahlyssa W., a long-time masquerader of Trinbagonian and Barbadian descent, shares her love for playing mas, which makes her feel alive and connected to West Indian culture. Despite the increasing costs, she continued to participate, saying she feels lost if she’s in the city and doesn’t play mas. However, this year was her last. Jahlyssa experienced several issues, including receiving a costume in the wrong size and not getting the promised outstanding piece before the Grand Parade.

Many participants have voiced concerns about the growing costs associated with the Toronto Caribbean Carnival. Tanya Hayles, founder of Black Moms Connection in Toronto, recounts her first time playing mas in 2015 as a beautiful and inclusive experience. At that time, her costume cost no more than $300, which was reasonable given her income. However, the current costs are considered unreasonable by many.

The prices of costumes vary depending on the band and the level of the costume. Backline costumes average around $390, midline costumes around $650, and frontline costumes over $1,200. Some bands offer more affordable options, but the overall trend shows rising costs.

In addition to rising costs, participants have criticized the quality of services provided during the parade. Hayles mentioned inadequate hydration stations, food, and customer service as significant issues. She pointed out that for the money spent, she could have a more rewarding experience at international Carnivals in the Caribbean.

Courtney Allen, of Jamaican and Trinidadian descent, also decided to quit the Toronto Caribbean Carnival after 2022. She cited rising costume prices, the loss of inclusivity, and safety concerns due to stormers—people who join the parade without costumes and often cause disruptions. Allen noted that during her time at Trinidad’s Carnival, she witnessed better security and management of stormers.

Mischka Crichton, CEO of The Festival Management Committee, acknowledged the feedback and emphasized the efforts to increase security and public education. However, she also pointed out the financial challenges faced by the event due to rising material costs and insufficient funding from government and private sponsors. Despite the significant economic impact of the Carnival, funding has not kept pace with rising costs, affecting the overall quality and affordability of the event.

Dwayne Gunness, bandleader of Sunlime Mas, has been active in the Toronto Carnival scene for over three decades. He attributes the decline in registrations to the rising costs of the economy and masqueraders finding value elsewhere. Gunness emphasized the importance of quality control and customer service, noting that his band has managed to stay off the radar of negativity by maintaining high standards.

Gunness highlighted the impact of COVID-19 on material costs, which have doubled in price. Despite this, Sunlime Mas offered a college-level costume option for Gen-Z masqueraders at an affordable price, aiming to keep the event inclusive.

Crichton mentioned that the Toronto Caribbean Carnival is the only Caribbean Carnival providing financial support to Mas Bands. This support, along with infrastructure and logistical assistance, helps alleviate some financial burdens on band leaders. However, the rising costs and lack of funding continue to be significant challenges.

Participants like Jahlyssa and Allen suggested several improvements that could encourage repeat participation, including lower costs, loyalty programs, better security, and improved services. They also emphasized the need for transparency from bands and a focus on maintaining the inclusive spirit of Carnival.

The Toronto Caribbean Carnival is at a crossroads. While it remains a significant cultural event, rising costs and service issues have led to a decline in participation. Addressing these challenges is crucial to preserving the event’s legacy and ensuring it remains a vibrant celebration of Caribbean culture. For many, the Carnival is more than just a parade; it’s a connection to their heritage and a celebration of their identity.

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Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era

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TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?

It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.

Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.

And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.

Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.

Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.

Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.

“Something as simple as getting together and having dinner is now thrown out the window,” he said.

Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.

“Her coming into town has kind of changed up my social life,” he added.

“We’re pretty much just not doing anything.”

Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.

“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.

“We’re a hybrid company, so we can be flexible. It just makes sense.”

Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.

In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.

“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.

Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.

“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.

Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.

Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.

“There may be some who will say we’re over-preparing, and that’s fair,” Green said.

“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”

Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.

A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.

“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.

Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.

“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.

“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”

This report by The Canadian Press was first published Nov. 13, 2024.



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‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts

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TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.

Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.

Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.

Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.

Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.

“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”

The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.

Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.

“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.

Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.

The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.

Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.

Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.

But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.

Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.

“It’s literally incredible.”

This report by The Canadian Press was first published Nov. 13, 2024.

The Canadian Press. All rights reserved.



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Via Rail seeks judicial review on CN’s speed restrictions

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OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.

The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.

It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.

CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.

The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.

Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.

This report by The Canadian Press was first published Nov. 13, 2024.

Companies in this story: (TSX:CN)

The Canadian Press. All rights reserved.



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