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Art
Trevor Hodgson was beloved director of Dundas Valley School of Art – Hamilton Spectator
Some people become the teacher’s pet, but Trevor Hodgson was the student’s pet.
“You ask any of the people, students, anyone, he was the friendliest person,” said art instructor John Wilkinson about the man who was the longest serving executive director — 22 years — at the Dundas Valley School of Art. Hodgson died July 7 at age 91.
“He had a broad and good understanding of the arts,” continued Wilkinson. “He worried about the art students. He had a good rapport with the students.”
That included going for lunch with students at Dundas taverns, something Wilkinson said was unheard of at Canadian art schools but was done in he and Hodgson’s native Britain.
“We talked about everything, but mostly art,” said Wilkinson, who has taught at DVSA since 1980 and is director of advanced studies.
Marla Panko, a former DVSA instructor who is now curator of the Carnegie Gallery in Dundas, said Hodgson was always accessible.
“He wasn’t one of those who said ‘I’m the executive director and don’t talk to me,’” she said. “His door was always open. I would say he was popular with the students and popular with the faculty.”
Hodgson, who worked at DVSA from 1977-99, was also an accomplished artist and a musician, playing both the saxophone and clarinet. He performed throughout North America and was made an honorary citizen of New Orleans.
Spectator art critic Regina Haggo wrote about an exhibit of Hodgson’s work at the Gallery on the Bay in 2011. She said he was a master of many genres, including human figure, historical narratives and architectural views.
His works hang in collections in Britain, Kentucky and in the National Gallery of Canada. He received a Hamilton Arts Award in 1991.
His children have followed him into the field. His daughter Sarah is a media arts teacher at Westmount Secondary School and his son Paul is a celebrated graphic designer in Toronto.
Sarah said her father was a “people person” who loved his time at DVSA.
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“It was a year ago we were driving back to his place and we went by the school,” she said. “He said he should never, never have retired. He loved that place and they loved him. He always saw students as people, not just students.”
Hodgson was born in Bradford, England, on April 27, 1931. His father John was a sign painter and his mother Eve owned a clothing store and hair salon. Hodgson served in the RAF and studied at the Lancaster School of Art and the Royal College of Art in London.
He taught at the Blackpool College of Art and came to Kentucky for a year to teach in 1964. He came to Queen’s University in Kingston in 1969.
In a 1994 interview with The Spec, Hodgson recalled the day in 1977 he informed his colleagues at Queen’s he was moving to the Hamilton area to run an independent art school. DVSA was founded in 1964 and moved into its present location, an old screw factory, at Ogilvie and Hatt streets in 1970.
“People asked me why I was going to a lunch-bucket town, leaving a university with tenure and all that stuff and taking a job like that. They said people last two years in a non-profit organization job. I’ve been here 17 years and I’m not sorry. I’ve enjoyed it all.”
In a statement, DVSA said Hodgson left an indelible mark on the school by creating a full-time studies program and expanding its annual art auction.
“The school would not be what it is today without him,” said Wilkinson. “He had a sense of what an art school should be. It should be a creative place.”
Hodgson is survived by his children Sarah and Paul and seven grandchildren. His wife Thelma died in 2012.
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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