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Trump's Social-Media Potemkin Village – The New Yorker

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Last Tuesday, the day of Truth Social’s I.P.O., under the ticker symbol DJT, the social-media company co-founded by Donald Trump reached a short-lived market capitalization of more than six billion dollars. To put things in perspective, that figure puts the platform on par with such unglamorous mid-range technology businesses as Chewy, an online pet-food purveyor, and Klaviyo, an e-mail-marketing company. But even those companies have been around for more than a decade and bring in hundreds of millions of dollars in annual revenue. Truth Social, in contrast, is notable for the gaping incongruity between its spiking valuation and the paltry reality of its product. The concept of a Trump-driven social-media platform emerged in 2021 after he was banned from Twitter and Facebook in the wake of the insurrection at the Capitol on January 6th. Truth Social launched a little more than two years ago, in February of 2022, and Trump immediately began using it as his personal megaphone. But, in the time since, according to some estimates, the app has accumulated only about a million active users. According to the company’s filing with the Securities and Exchange Commission, Truth Social lost fifty-eight million dollars last year, after generating only $4.1 million in revenue. What I found when I recently joined the site was a bit like a Republican-themed carnival, of the kind that alights in a town field and attempts to hide its shoddiness for long enough to make money without entirely falling apart.

Truth Social’s sign-up page advertises that it “encourages an open, free, and honest global conversation without discriminating on the basis of political ideology.” Its mobile apps invite you to “find Truth from home or on-the-go.” A confirmation e-mail that I received after signing up welcomed me as a “truthsayer.” The limited popularity of the site means that many usernames are still up for grabs; the sample name suggested was @LibertyForAll, but I went instead with @freedomnmyveins. This was as far as I got on Truth Social without encountering a barrage of glitches. When I clicked the button to add an avatar image, nothing happened. I settled instead for the placeholder illustration of an eagle. To kick-start my feed, the app offered me a list of recommended accounts to follow, beginning with Trump’s. But the Follow button did not actually appear where it was supposed to next to his name, so I had to search for his account later by hand. Other suggested accounts included the misogynist influencer Andrew Tate and the conspiracy theorist Jack Posobiec. Only after twenty-eight recommendations did the app offer a woman, Tulsi Gabbard, the Hawaiian congresswoman and ex-Democrat. The button for posting messages on the platform is labelled “Truth”; the sharing function, equivalent to a retweet, is a “ReTruth.” Ads are tagged with the Orwellian label “Sponsored Truth,” which might be a contradiction in terms. The majority of the ads I saw were for Trump’s Presidential campaign. A few were for MyPillow, the erstwhile Fox advertiser whose founder, Mike Lindell, is a major Trump supporter.

Truth Social’s interface was designed more or less as a clone of Twitter’s, though it is more bare-bones. Like Twitter and most other major social networks these days, it relies heavily on recommendation algorithms to populate users’ timelines. Its main For You feed offered me conspiracy theories about immigrants at the U.S. border and complaints regarding President Joe Biden’s decision to observe a Transgender Day of Visibility, which fell on the same day as Easter this year. Andrew Tate was posting memes and declaring himself “hard to kill” after his recent arrest in Romania regarding extradition to the U.K. on rape charges. (He has denied the allegations.) Finding nonpolitical content on Truth Social required digging. I discovered an account called @archaeologyart, which highlights “Archaeology, Art, Museums, Vintage Maps, Old Photos, and more,” similar to the banal curated accounts that proliferate on Twitter. But even its posts inspired vitriol: a painting of Sappho had commenters angry that the account used B.C.E. (“before the Common Era”) instead of B.C. (“before Christ”). Others took umbrage at an ancient Egyptian art work depicting manual labor, which bore a caption describing how the pharaoh’s workers periodically staged strikes. “I’m sick of seeing protests. It’s gross,” one user wrote. All social-media feeds can feel like a monotonous stream of outrage, but, befitting its founder, Truth Social has elevated the art of petty grievance to extravagant heights.

As I was scrolling through Donald Trump’s own account, I noticed a lonely voice in the comments. “Trump is a criminal and sexual predator. Lock him up!” a user named @SaberK24 had posted. I thought at first that the message was meant as a joke, but scrolling through @SaberK24’s messages quickly revealed that he seemed to be waging a one-man crusade against Truth Social’s right-wing ideologues. He (pronouns were listed in his bio, a sign that he was not from around here) was Truthing dozens of times a day, enduring insults including “dumbfuck” and “left wing asshat” along the way. I messaged him to ask if he’d talk to me about what he was hoping to accomplish on Truth Social, but he responded only with an image of Bugs Bunny mouthing the word “NO.”

Plenty of people use X, the site formerly known as Twitter, the way @SaberK24 apparently uses Truth Social, not in spite of but because of the fact that they hate it. Elon Musk’s ownership has inspired many power users to become dissidents against the prevailing regime. But Truth Social will need many millions more @SaberK24s to generate enough activity, and thus revenue, to justify even a fraction of its new stock valuation. As of now, the platform predominantly attracts right-wing diehards, which severely limits its growth potential at a time when even the biggest social networks are struggling. After a boom in activity during the pandemic, platforms, including Instagram and Snapchat, are seeing declining user activity and decreased investor confidence. TikTok is embroiled in congressional debates about a possible ban because of its Chinese ownership. Reddit (owned by the same parent company as The New Yorker), which had its own recent I.P.O., has thrived by going against the grain of algorithmic automation, supporting small-scale, intimate online communities. (For comparison’s sake, Reddit saw more than eight hundred million dollars in revenue in 2023, and its market capitalization is a little more than seven billion dollars.) Truth Social has differentiated itself from Twitter in certain ways; my favorite feature is the Groups tab, which allows users to follow themed interest groups and look at posts from only those groups. I followed “Dogs” and was treated to a blessedly anodyne feed of canine photos and memes, although I did encounter one Doberman named Trump.

Even on the right, Truth Social has failed to become a mainstream community. Trump himself has fewer than seven million followers there. On his Twitter account, which Musk restored to him in late 2022, he has eighty-seven million, though he has posted there only once in recent years, to share his mug shot. The illogical behavior of Truth Social’s stock reminds me of cryptocurrency, which has also been undergoing a revival lately. The price of Bitcoin is hitting all-time highs of above seventy thousand dollars per coin, and not because of any major technological update. Non-fungible tokens, or N.F.T.s, have been replaced by so-called meme coins—cryptocurrencies that rise or fall by their viral enthusiasm—as the obsession of the day. A meme coin called “dogwifhat” (“dog with hat,” appended to an image of such), which was created late last year, has reached a market capitalization of more than four billion dollars. Belief is its own currency, one that can be made more literal in Internet-era financial markets. In the case of meme coins, belief means optimism that people will keep buying into a functionless currency, Ponzi-scheme style, and that you’ll be able to cash out before it crashes. For Trump’s Truth Social stock, it means betting on Trump’s continued relevance and power; how the business will make money can be figured out later.

In the short term, this was not a bad bet. Trump has a way of inflating the value of whatever dubious thing he attaches his name to, at least temporarily: hotels, golf courses, Republican nominees. It is a function of his twisted charisma and extant ability to instantaneously direct the media spotlight toward himself. (His recent hawking of Bibles was met with much approval on Truth Social. “I’d sooner buy a bible from Donald Trump than Joel Osteen,” one user posted.) Buying in to the DJT stock means investing in the Trump brand, and, in a way, giving the former President a backdoor campaign donation: the company’s inflated valuation makes him increasingly wealthy on paper at a time when, among many other legal troubles, he owes a penalty of four hundred and fifty-four million dollars for a civil fraud case decided against him in New York. But he is barred from selling his shares for at least six months, and maintaining the meme-ish financial enthusiasm for the platform may prove difficult given how little there is to back up the company’s valuation. After the stock’s initial spike, the valuation quickly started sloping downward. On Monday, after Axios surfaced the S.E.C. filings, the descent accelerated, and the stock plunged more than twenty per cent. An election result can be disputed, and Sponsored Truths can be peddled, but in the long run financial markets don’t lie. ♦

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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