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Turner Prize: Shortlisted artist showcases Scottish Sikh community

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Turner Prize shortlist includes art showcasing Scottish Sikh community

Jasleen Kaur's installation
Jasleen Kaur’s installation includes a classic Ford Escort covered in a giant doily

A Scottish artist who uses cars, worship bells and Irn-Bru in her work is among the nominees for this year’s Turner Prize.

Glasgow-born Jasleen Kaur’s work reflects her life growing up in the city’s Sikh community.

She is up for the prestigious art award, now in its 40th year, alongside Pio Abad, Claudette Johnson and Delaine Le Bas.

Turner Prize jury chairman Alex Farquharson described it as a “fantastic shortlist of artists”

Works by the nominated artists will go on show at London’s Tate Britain gallery from 25 September.

They will receive £10,000 each, while the winner, to be announced on 3 December, will get £25,000.

In a statement, Farquharson said: “All four make work that is full of life.

“They show how contemporary art can fascinate, surprise and move us, and how it can speak powerfully of complex identities and memories, often through the subtlest of details.

“In the Turner Prize’s 40th year, this shortlist proves that British artistic talent is as rich and vibrant as ever.”

The shortlisted artists are:

Pio Abad

Pio Abad
Pio Abad's installation

Manila-born Abad’s solo exhibition To Those Sitting in Darkness at the Ashmolean Museum in Oxford included drawings, etchings and sculptures that combined to “ask questions of museums”, according to the jury.

The 40-year-old, who works in London, reflects on colonial history and growing up in the Philippines, where his parents struggled against authoritarianism.

The title of his exhibit is a nod to Mark Twain’s 1901 essay To the Person Sitting In Darkness, which hit out at imperialism.

Jasleen Kaur

Jasleen Kaur
Jasleen Kaur's installation

Kaur is on the list for Alter Altar at Tramway, Glasgow, which included family photos, an Axminster carpet, a classic Ford Escort covered in a giant doily, Irn-Bru and kinetic handbells.

The 37-year-old, who lives in London, had previously showcased her work at the Victoria and Albert Museum by looking at popular Indian cinema.

Delaine Le Bas

Delaine Le Bas
Delaine Le Bas's installation

Worthing-born Le Bas is nominated for an exhibition titled Incipit Vita Nova. Here Begins The New Life/A New Life Is Beginning. Staged at the Secession art institute in Vienna, Austria, it saw painted fabrics hung, with theatrical costumes and sculptures also part of the exhibit.

The 58-year-old artist was inspired by the death of her grandmother and the history of the Roma people.

The jury said they “were impressed by the energy and immediacy present in this exhibition, and its powerful expression of making art in a time of chaos”.

Claudette Johnson

Claudette Johnson
Claudette Johnson's installation

Manchester-born Johnson has been given the nod for her solo exhibition Presence at the Courtauld Gallery in London, and Drawn Out at Ortuzar Projects, New York.

She uses portraits of black women and men in a combination of pastels, gouache and watercolour, and was praised by the judges for her “sensitive and dramatic use of line, colour, space and scale to express empathy and intimacy with her subjects”.

Johnson, 65, was appointed an MBE in 2022 after being named on the New Year Honours list for her services to the arts.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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