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Under US pressure, social media companies censor critical content and suspend Venezuelan, Iranian, and Syrian accounts

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As the US escalates its hybrid wars, Twitter, Facebook, and Instagram are suspending accounts and censoring content that conflicts with Washington’s pro-war narrative. The Grayzone spoke to several people silenced in these social media purges.

By Ben Norton

The Donald Trump administration is ramping up its information war against Venezuela, Iran, and Syria. And it has enlisted social media platforms as weapons in its assault on these top regime-change targets.

In the first two weeks of January, Twitter suspended dozens of accounts run by real, live people — not bots — in Venezuela, Iran, and Syria. Those erased from the website included heads of state, numerous state institutions, media outlets, and many average people who do not work for their governments.

The supreme leader of Iran, president of Syria, and leader of Venezuela’s National Assembly have all had their Twitter accounts temporarily suspended or restricted in recent days. Numerous alternative media outlets have suffered the same fate.

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At the same time, Facebook, and its subsidiary Instagram, has announced that it will be censoring content that it deems to be supportive of Iran’s top General Qassem Soleimani, who was assassinated in a US act of war on January 3.

The Big Tech giant said this censorship of users’ free speech will be done in order to comply with Washington’s suffocating sanctions on Iran.

This draconian crackdown on social media comes while the Trump administration is aggressively expanding its economic and diplomatic warfare against these independent countries, in hopes of ultimately overthrowing their sovereign governments.

The Grayzone spoke with some of the Venezuelan and Iranian civilian activists who do not work for their governments but who had their Twitter accounts suspended. They all said they were not given any warning, notice, or even an explanation why they were blocked from the platform.

As The Grayzone has previously reported, Big Tech corporations are closely linked to the US government, and have increasingly acted an extension of it, purging the accounts of officials from foreign governments that are targeted by Washington for regime change, also including China, Russia, Cuba, Palestine, and beyond.

In early 2020, this social media warfare dramatically escalated.

Twitter purges Venezuelan government and media accounts

Twitter has on numerous occasions suspended hundreds of accounts run by Venezuelans, in a series of purges targeting not only government-linked profiles but also those run by civilian activists from the leftist Chavista movement.

The social media giant has done this while simultaneously verifying and promoting the accounts of US-backed opposition activists and coup-mongers, like Juan Guaidó and his rapidly fading shadow regime.

The Grayzone has previously reported on how Twitter relies on organizations funded by the US government and European allies to crack down on foreign state media and suspend accounts that challenge Washington’s narratives.

On January 7, the Big Tech corporation carried out yet another round of suspensions. And even when The Grayzone contacted with the company with a request for comment, it still did not give a clear reason.

In this latest purge, Twitter suspended the official accounts of Venezuela’s National Guard, Navy, Air Force, Strategic Command, Petroleum Ministry, Penitentiary Services Ministry, National Commission of Information Technology, and Foundation Engineering Institute.

The office of the government of the Capital District, the office of the vice president of the economy, and the press office of the armed forces also had their accounts removed by Twitter.

Together, these blocked accounts had millions of followers.

The accounts of Venezuela’s Central Bank and Ministry of Economics and Finance were temporarily taken down, but later restored.

Venezuelan media outlets that challenge the right-wing narratives pushed by the major corporate media networks and Washington were also censored. Twitter suspended the accounts of the major radio station La Radio del Sur; the popular news website Red Radio Venezuela; and Ciudad CCS, the newspaper of the municipality of Caracas, the capital of the country.

Twitter has even on numerous occasions suspended the accounts of Venezuela’s elected President Nicolás Maduro, although in response to widespread outrage it later brought them back.

But not all the Venezuelans who were deplatformed worked for state-backed institutions. Popular Chavista activists like Patricia Dorta, who had nearly 40,000 followers; and Yepfri Arguello had their accounts suspended, without explanation, in the January 7 purge.

Individual government officials were targeted as well. Twitter suspended the accounts of Víctor Clark, the governor of the state of Falcón from the ruling United Socialist Party (PSUV); Jesús Suárez Chourio, the former general commander of Venezuela’s military; and Hugbel Roa, an elected represented in the National Assembly also from PSUV.

Kenny Ossa, a prominent activist advocating for technology education and freedom of access to information who serves as the president of Venezuela’s National Center of Information Technology, had his account removed for the second time.

Twitter also suspended the profile of prominent Venezuelan activist Freddy Bernal, a leader in the Chavista movement who helps oversee the government’s CLAP food program, which provides some 7 million families receive large boxes of food for a few pennies. His account was however later restored.

In its series of purges, Twitter has almost without exception targeted Venezuelans from the leftist Chavista movement, which Washington has tried to crush since it first came to power in the 1998 election of President Hugo Chávez.

But in what appears to be a first, Twitter even went after a major right-wing Venezuelan opposition politician in its January 7 purge.

The social media corporation restricted the account of Venezuelan lawmaker Luis Parra days after he was elected president of the National Assembly. Unlike the others censored by Twitter, Parra is from Primero Justicia, a right-wing opposition party that is backed by the US government.

The restriction of a right-wing Venezuelan opposition leader at exactly the moment when that figure was condemned by Washington is among the clearest indications of the US government’s influence over Twitter.

The Grayzone spoke with Dhaymi Peña, who manages the station La Radio del Sur whose account was suspended by Twitter. She said the social media worker who runs the account was sent a notice that their profile was taken down, and provided a link to Twitter’s guidelines. “But there was not a direct reason,” Peña said, “rather just the general rules.”

“It is difficult for us,” she commented, noting that other Venezuelan media outlets have also suffered from these suspensions.

Vanessa Gutiérrez, a Venezuelan journalist who hosts a show on La Radio del Sur, has also had her own personal Twitter account suspended twice. She told The Grayzone that her profile was suspended for the second time in October 2019, but after numerous petitions to the company, it was later restored.

“There was a massive attack against accounts run by the government and media outlets,” Gutiérrez said. “It seems like they were trying a test run.”

“When they suspend the accounts, they always direct you to the rules. But they don’t give you proof of the ‘infraction,’” she explained.

The Venezuelan journalist added, “There is no excuse given, they simply silence us.”

Twitter suspends Iranian media outlets and civilian activists

Iran has also faced a wave of social media censorship at precisely the same time it has come under the gun of the US government. Iranian officials, media outlets, and activists have been censored by Twitter in an accelerated purge this month.

The Grayzone has previously documented how Google, Facebook, and Twitter have removed social media accounts of real-life Iranians, including journalists.

In the wake of the Trump administration’s execution of Iran’s top general Soleimani, a clear act of war, Twitter moved to restrict the account of Iran’s supreme leader, Ayatollah Ali Khamenei.

Twitter has also in the past suspended Khamenei’s Spanish-language account. And it has even banned an account that posted videos and excerpts of speeches of Iran’s first supreme leader, Ayatollah Ruhollah Khomeini.

In the days after the US airstrike that killed Soleimani, Twitter likewise suspended the official account of HispanTV, an Iranian government-backed Spanish-language media outlet that is popular in Latin America.

After a massive backlash, however, the Big Tech corporation agreed to restore HispanTV’s profile.

In addition to HispanTV, Twitter has suspended the account of the Iranian state-backed media outlet Al-Alam News.

Many individual Iranians have been targeted as well. Users posted lists of dozens of Iranians who had their accounts taken down. These included many prominent activists, journalists, and researchers who challenged Western propaganda and disinformation against their country.

Ahmad Nozoori, an Iranian researcher and political analyst who does not work for his government, had his Twitter account suspended after spending years building up his following.

“I couldn’t believe they did this,” Noroozi told The Grayzone. “In fact, I hardly use Twitter on an every day basis. My usage was limited to follow some friends and journalists.”

“The world has to know what is really going on,” Noroozi said. “Secretary Pompeo was with the idea that people of Iran and Iraq would cheer the assassination [of Soleimani]. The US media was promoting the same nonsense and depicting martyrdom of Soleimani as a good thing. What is the benefit of citizen journalism if you can’t use social media platforms to tell the reality?”

“I tried to update my followers over Twitter about the situation with both my eyewitness reporting – mostly with my own taken images and videos – and the news Iranian media provided about the retaliatory attack on the US base,” he explained. “It is clear the mind-controllers didn’t like that I do my reporting in English. They would rather keep everything in the dark and spread their one-way narrative.”

Twitter suspends the Syrian president’s account

It is not just government institutions, media outlets, and activists who have been targeted by Twitter’s purge. The Big Tech corporation has even gone after foreign heads of state whom Washington has been trying to overthrow.

Syria has also been targeted in these Twitter crackdowns.

On January 4, Twitter temporarily suspended the official Twitter account of Syrian President Bashar al-Assad. A few days later, amid backlash, it restored the account.

Twitter has repeatedly suspended and restricted the profile of Syria’s president, forcing the country’s presidential office to create multiple accounts (neither of which has verified by the company).

As with Iran and Venezuela, Syria’s government is internationally recognized and sits at the United Nations. But the United States and its allies have been committed to toppling all of these governments and replacing them with right-wing opposition factions that are subservient to Western interests. And social media corporations have dutifully catered to Washington’s agenda, stiffing free speech in the process.

The Grayzone contacted Twitter with a detailed request for comment responding to the main points made above.

A spokesperson from the company responded with just two boilerplate sentences: “Twitter has proactive systems which aim to detect platform manipulation at scale as part of our focus to improve the health of conversations on the service. Sometimes this might result in false positives, which can be appealed by any account owner.”

Facebook and Instagram join Twitter as the US empire’s Thought Police

Twitter is by no means the only social media corporation targeting the US government’s Official Enemies. Instagram and its owner Facebook have also suspended hundreds of Venezuelan, Iranian, and Syrian accounts, expressly citing US government sanctions as the justification.

Days after Facebook censored a video from The Grayzone that reported factually on the speeches of Iranian Supreme Leader Khamenei and Lebanese Hezbollah Secretary-General Hassan Nasrallah, the Big Tech company took down a video of a Syrian Christian pastor who praised Iranian General Soleimani for defeating ISIS and other Takfiri extremists.

Lebanese researcher Hadi Nasrallah translated and published a video of the Syrian Christian reverend Ibrahim Naseir, whose church was destroyed by Western-backed Salafi-jihadists that occupied the city of Aleppo.

In his post, Hadi Nasrallah wrote “Q*ssem S*leim*ni,” afraid that using the late general’s full name would trigger Facebook’s algorithm. But his video and post were still removed, showing how the US-based social media corporation is stifling the speech of people thousands of miles away in Lebanon.

These increasingly authoritarian crackdowns show more and more how Big Tech corporations act as an arm of the US government and its foreign policy.

In 2018, when Facebook removed the pages of alternative media outlets that challenged Washington’s narratives, Jamie Fly, a US government-backed neoconservative operative, promised that it was “just the beginning.” (Fly soon after became the president and CEO of the US government’s propaganda arm Radio Free Europe/Radio Liberty, or RFE/RL.)

Fly’s vow came true in the early weeks of 2020, as the US military-intelligence apparatus pushed social media giants to suppress the viewpoints of millions of people across the globe, especially those living in designated enemy states.

This is government censorship by proxy, demolishing civil rights in order to conceal inconvenient facts from the public.

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Bitcoin halving, Trump Media stock falling, and banks rising: Markets news roundup – Quartz

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Donald Trump

Photo: Marco Bello (Reuters)

Trump Media & Technology Group said it will issue millions more shares, sending its stock plunging again.

The company behind former President Donald Trump’s Truth Social platform said in a Securities and Exchange Commission filing that it is registering the resale of up to almost 21.5 million new shares of common stock issuable upon the exercise of warrants, up to about 146 million shares of common stock, and up to about 4 million warrants to purchase common stock. Certain shares held by insiders may still be restricted from trading until the expiration of a lock-up agreement 5-6 months after the date of the IPO.

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Trump Media warns Nasdaq of suspected market manipulation – CNN

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New York
CNN
 — 

Trump Media, the parent company of the former president’s Truth Social, alerted Nasdaq Inc. on Thursday of what the company suspects is illegal activity driving down the price of its shares.

In a letter to the exchange, Devin Nunes, the CEO of Trump Media (DJT), laid out what he believes could be deemed “naked” short selling.

Naked short selling involves someone selling shares they don’t own or have not borrowed. They will often then try to buy shares at a reduced price to cover themselves. This practice is generally illegal. Whereas legitimate short sellers, people who seek to benefit from declines in the value of a company’s shares, borrow the shares before selling.

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The letter was made public Friday in a filing with the Securities and Exchange Commission.

Nunes also noted in the letter that shares of the company were on a list the Nasdaq maintains that’s “indicative of unlawful trading activity.”

“This is particularly troubling given that “naked” short selling often entails sophisticated market participants profiting at the expense of retail investors,” he said.

Representatives from Nasdaq and Trump Media did not immediately respond to requests for comment.

The company, which is majority-owned by former President Donald Trump, is down by around 50% from the all-time high it set on March 26, the day after it merged with a blank-check acquisition company to go public.

Shares of company have been on a wild ride since.

Although the company is still worth billions of dollars, it is struggling to make money and needs cash. Experts have warned investors to be careful if they choose to trade the stock, because the company doesn’t have the fundamentals to back up its sky-high valuation.

Trump Media lost $58 million in 2023 and made just $4.1 million in revenue.

Shares of the company ended Friday’s session about 9.6% higher.

This story has been updated with additional developments and context.

CNN’s Nicole Goodkind contributed to this report.

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Social Media Tips for Event Profs – BizBash

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Social media changes rapidly—and what worked last year might not work in 2024. (Just look at X’s, or Twitter’s, dramatic revenue loss after many major platforms have stopped posting or advertising on the platform.) So what does work on social media right now, particularly for event professionals?

“We don’t just want our audience to understand what we do—we want them to know who we are,” says Zoe Haynes, the sales and marketing coordinator for PlatinumXP who oversees the event planning agency’s digital marketing. “Social media has evolved into a space for cultivating relationships and building trust. We utilize various platforms to tell stories—the story of an event transformation, behind the scenes with our production crew, or maybe even some fun office shenanigans with our CEO.”

Haynes’ focus on maintaining a consistent, authentic brand presence was a common theme among event professionals we spoke to about how they’re using social media right now. It’s all about “fostering an ongoing connection with our followers,” agrees Elias Contessotto, social media manager for event production company 15|40.

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But remember: Not every platform is created equal. Contessotto stresses the importance of tailoring your approach with each platform—but also not being afraid to experiment a bit to ensure you’re staying ahead of trends and maximizing audience engagement. “By creatively testing new tactics, we gauge audience response and efficacy, gradually integrating successful approaches into our channels,” he explains. “This iterative process empowers us to refine our content strategy continuously, adapting to evolving trends and audience preferences.”

In short, “It’s all about meeting your audience where they’re at,” says Taylor Elliot, vice president of marketing and brand strategy for Shepard Exposition Services. “Social media is such a great tool to amplify your brand voice. I always say as marketers we need to create a system that works for our brand even when we are sleeping, and social media is one of the tools to help achieve this.”

LINKEDIN & INSTAGRAM

From our conversations, LinkedIn and Instagram quickly emerged as the two top platforms in the event industry. “Instagram is our go-to for showcasing stunning event photos—however, LinkedIn holds equal if not greater importance in our strategy,” explains Haynes. “While Instagram captures attention with its visual allure, LinkedIn allows us to dive deeper into industry conversations and build relationships with our peers.”

Contessotto likes to target a B2B audience with 15|40’s LinkedIn presence, posting content that focuses on industry insights, professional networking, and collaborations with studios. “We often share static posts similar to those on Instagram, tagging relevant studios to expand our reach,” he says, noting that LinkedIn posts are often reshared by team leaders and executives. “LinkedIn [also] serves as a prime platform for spotlighting press coverage, award nominations, and industry highlights.”

On Instagram, meanwhile, Contessotto expands 15|40’s content to cater to both B2B and B2C audiences. “We share visually engaging posts that highlight our expertise, industry leadership, and collaborations, appealing to a wider range of followers,” he says. “Instagram will have ‘POV’ content, which is much more personal and requires less high-quality tools to tell our story. I came to 15|40 from an influencer background, and from experience, I notice that more amateur content does better on that platform, like using an iPhone for reels rather than a DSLR camera.”

Heather Rouffe, director of sales at Atlas Event Rental, also appreciates the more personal touch that can come with Instagram. “Through that platform, we strive to educate the industry, create brand awareness, and most importantly to us, show the personal side to our company, brand, and rentals,” she explains. “With so much of the human side of things lost in a digital age, being personable and showing the people behind the brand is very important to us. We find the clients really appreciate the behind-the-scenes content and becoming familiar with the Atlas crew.”

On the flip side, though, that doesn’t mean LinkedIn can’t get a little personal. Al Mercuro, senior account director at trade show display company Genesis Exhibits, prioritizes LinkedIn due to the connections he’s been able to make with marketing directors and event directors at companies he’d like to do business with.

“I try to not promote my company as much as my brand by sharing information that will help them in their jobs—I find I get many referrals this way,” Mercuro notes. “I believe it is also a living resume; before I meet with someone, they will often check out my LinkedIn page to learn more about me. The more you can build up your profile and the number of connections you have adds to your value and makes it attractive to have them want to work with you.”

Jonathan Kazarian, the founder and CEO of Accelevents, also uses LinkedIn to build up his personal thought leadership—and therefore, build awareness of his event management software company. “Ninety-nine percent of what I share on LinkedIn is professional,” he says. “I’ll share something about my personal life to build connection, but that’s not my focus with LinkedIn.” 

FACEBOOK, TWITTER (X), TIKTOK, & MORE

In a sign of changing times, most of the event professionals we spoke with are not investing much in Facebook or Twitter (now known as X)—though many are still updating them. 

“We push out all of our Instagram content to our Facebook, to ensure our followers and intended audiences on both platforms are receiving similar content,” says Contessotto. “We also maintain our Twitter, or X, channel to share some of our event photos, as well as retweet content that clients we work with post that are captured at our events.”

Mercuro finds that Facebook is still an effective way to reach older generations—but for younger generations, he’s found some success marketing events on TikTok. “I am a board member of a nonprofit concert venue, and we needed to attract a younger audience,” he remembers. “I suggested we work with a local university and their marketing classes to take on a project like our organization to give them real-life experience. They chose to use TikTok to reach the younger demographics in our area, and it has been extremely successful.”

Contessotto agrees that TikTok is naturally very Gen Z-oriented, so content should be tailored accordingly. “We’ve noticed that we typically receive high engagement when our content is celebrity-focused,” he says. “Our team is constantly working to balance out our TikTok pages to include viral content, as well as videos that highlight our diverse portfolio of work to attract the right kind of audience.”

Haynes says she’s still exploring TikTok’s potential for Platinum XP. “I’ve noticed its popularity as a discovery platform,” she says. “It’s a great tool for driving awareness, but we should also consider whether our target audience is active on TikTok.” One tool that Haynes does invest time in? Pinterest. “It’s a powerful tool for SEO purposes. Its visual nature allows us to drive awareness to our website through captivating photos. By sparking curiosity, we encourage users to click through and explore further.”

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