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Vancouver shoe memorial for residential school children removed from art gallery steps

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Most of a memorial created by an artist to honour children who died in residential school has been removed from the steps of the Vancouver Art Gallery just days before the two-year anniversary of its installation.

But there is some disagreement about what happened to the items.

Haida artist Tamara Bell, who created the memorial using 215 pairs of children’s shoes, said she felt compelled to take some kind of action in the days after the Tk’emlúps te Secwepemc announced the discovery of 215 possible unmarked children’s graves at the site of the former Kamloops Indian Residential School.

Bell has had minimal involvement with the memorial since the first few days in May and June of 2021 when it became a place for people to gather and grieve.

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Volunteers took over maintenance of the memorial, which has grown over time, and some have been living in tents next to the steps in Robson Square.

The City of Vancouver said it has been in talks with those volunteers about winding the vigil down and removing the items since November of last year.

“This is a really difficult and highly sensitive situation that we’re in. It’s a situation that the city has not been in before,” said Michelle Bryant-Gravelle, the city’s senior director of Indigenous relations. “The city is committed to working with Musqueam, Squamish and Tseil-Waututh to ensure there is a permanent site for the residential school children who did not make it home and to honour the survivors of residential schools.”

She said discussions have not yet started but the city is committed to following through.

Friday morning at 5:00 a.m. a crew showed up to Robson Square and installed eight-foot tall sections of blue fencing at either end of the plaza with signs explaining the area was closed to the public.

However, as of Thursday afternoon one section at each end of the plaza remains open and the public have still been allowed inside.

Private security guards hired by the city have been posted at each entrance.

According to the city, that was done to provide privacy because a ceremony led by local First Nations was to take place so the shoes, teddy bears and other assorted items could be gathered from the steps.

The plan called for them to be taken to a site in West Vancouver where they would be burned in another ceremony.

But by the time city staff arrived, most of the items had already been removed.

‘IT WENT MISSING’

Desiree Simeon, who has been organizing the volunteers who reside at the site, says she doesn’t know what happened to the items.

“It went missing,” Simeon said in an interview with CTV News. “We woke up and they weren’t there.”

According to the city, its staff saw the items in bags near the steps when they arrived and then watched as some of the volunteers from the vigil carried them away.

It says some of the items have since been discovered in locations throughout Vancouver and it is asking people not to disturb them and contact the city instead.

“So we may transfer them in a good way to a central location to prepare for blanketing and an upcoming private burning ceremony with Indigenous partners,” the city said in a statement.

Bell, the artist who originally started the memorial hopes her work will have a lasting legacy promoting understanding and reconciliation.

“My deepest desire is that the symbolism of the 215 residential children’s shoes remind all Canadians to embrace the recommendations found within the Truth and Reconciliation Report,” she said in a statement to CTV News.

The south steps of the art gallery still sit behind four-foot tall blue fencing erected to protect the memorial and the enclosed area still has several tents set up inside along with some of the items that have been added to the memorial over time.

Simeon said she and the other volunteers plan to slowly pack up their belongings and tents and vacate the site in the coming days.

“We gained a lot from just being here. We gained exposure to residential school and the murdering of Indigenous babies. And how it was done because it was swept under the rug,” she said. “I just thank all of the volunteers that were here to help me throughout the whole two years. There was a lot of ups and downs but I have no regrets.”

 

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Renowned Queen Elizabeth II portrait on display at Art Galley of Peterborough – Global News

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As he stood in the Art Gallery of Peterborough looking at the large portrait of Queen Elizabeth II, Alex Bierk says he can “hear my dad painting on it, being excited about working on it.”

The city councillor spoke passionately about his father David Bierk as the portrait went on public display Wednesday evening for the first time since it was removed from the Peterborough Memorial Centre last fall where it hung over the ice for nearly five decades.

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“So intuitively and immediately I’m connected to my dad’s big presence and his energy when I view this work,” Bierk told the audience.

READ MORE Art Galley of Peterborough acquires Queen Elizabeth II portrait from Memorial Centre

In February, the gallery acquired the eight f0ot-by-12-foot portrait, which was first installed at the arena in January 1980 and remained there until the State Funeral of the Queen on Sept. 19, 2022.

Original commissioning documents, held at Trent Valley Archives in Peterborough, state that if the painting ever needed to be removed, it should be donated to the Art Gallery of Peterborough, or the Peterborough Public Library, whichever was preferred.

Briefly in 2003, the painting was removed from its original location due to arena renovations. However, public protest saw the portrait rehung.

Peterborough city councillor Alex Bierk talks about his father David’s Queen Elizabeth II portrait during a reception at the Art Gallery of Peterborough on June 7, 2023.


Peterborough city councillor Alex Bierk talks about his father David’s Queen Elizabeth II portrait during a reception at the Art Gallery of Peterborough on June 7, 2023.


Harrison Perkins/Special to Global New Peterborough

Bierk follows in his father’s footsteps as an oil painter and says the portrait is a labour of love. He recalled running around the Memorial Centre as a kid looking up at the painting.  Bierk’s brother Zac is a former Peterborough Petes player. David died in 2002 at the age of 58.

“The painting intersects my dad’s love of sports and his life as an artist and how it hung over Zac’s head all those years he played for the Petes,” Alex said.

The portrait was launched as part of the gallery’s Special Project: Tea with the Queens exhibition, a short-run project to showcase David Bierk’s painting, Portrait of Her Majesty Queen Elizabeth II before it goes into collection storage joining the Permanent Collection.

The portrait will hang in the gallery until June 29 alongside works by artists who are Indigenous, queer, and living with disabilities.

“We’ve got a lot of works by David Bierk so it’s pretty exciting to have this joining a number of his other pieces,” curator Fynn Leitch said.

There will also be a series of afternoon tea sittings or “Tea with the Queens,” hosted by local drag performers Betty Baker and Sahira Q.  Seatings will take place on June 11 and June 14 from 2 p.m. to 4 p.m. and June 22 at 4 p.m. Tickets are available to purchase in person at the gallery or by calling 705-743-9179 during regular business hours.


David Bierk and members of the Major Bennett Chapter of the IODE as his portrait of “Her Majesty Queen Elizabeth II” was installed at the Peterborough Memorial Centre on Jan. 9, 1980.


Photo provided by Trent Valley Archives from the Major Bennett IODE Fonds.


The portrait of Queen Elizabeth II hung over the Memorial Centre from 1980 to 2022.


Peterborough Petes photo

Mayor Jeff Leal recalled he and others taking classes under David Bierk who was seen as an “artistic genius” and helped many to “develop a unique love of the arts.”

Bierk says his family is appreciative of the gallery for accepting the painting.

“The amount of calls I got asking if I was going to take the painting — no!” he quipped as he waved his hands. “We’re really glad it’s here. It’s safe and being a part of the collection at the Art Gallery of Peterborough will ensure it will live on in our community in really beautiful ways — ways like I felt when I walked into this room tonight.”

Also launched Wednesday was Wayfinding: Works from the Youth Art Mentorship Program, a collection of works by youth artists Amber Rose, A. Carabine, Charley Pesonen, Kellan Mackenzie, Lauren Armstrong, and Mujgan Hussein Zada who spent the last three months working with artist-mentor Spencer J. Harrison. The goal was to explore the professional practice of being an artist and produce an exhibition of their work. The youth were selected by a jury of arts professionals earlier this year.

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Winnipeg Art Gallery sells four QEII prints to purchase Indigenous art – CityNews Winnipeg

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Winnipeg Art Gallery sells four QEII prints to purchase Indigenous art  CityNews Winnipeg

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Andy Warhol paintings sell for $936,000 at auction | CTV News – CTV News Winnipeg

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Four Andy Warhol paintings that were part of the Winnipeg Art Gallery’s collection have sold at auction, with the money being used to help increase the Indigenous art collection at the gallery.

Four colour silkscreens of Queen Elizabeth II created in 1985 were on the auction block Thursday at Cowley Abbott Auctioneers, where the realized price when the auction ended was $936,000.

A spokesperson for the gallery says the money from the sale will go towards an endowment that will sit for at least one year. The gallery will use the accumulated interest to begin purchasing artwork by Indigenous artists to add to its permanent collection.

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While the Winnipeg Art Gallery contains the largest public collection of contemporary Inuit art, only around one per cent of its collection is from First Nations and Metis artists.

The artwork by the famed pop artist was estimated to sell for between $700,000 and $900,000. It was donated to the WAG in 1999 by a collector.

-With files from CTV’s Taylor Brock

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