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Virtual art sales are making it easier to become a collector – The Globe and Mail

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Fifty of the 60 works exhibited on Instagram-launched Curated were sold.

Jennifer Tapias Derch/The Globe and Mail

This past summer, Toronto architect Shari Orenstein and creative agency rep Hesty Leibtag launched Curated on Instagram. The non-profit virtual art sale featured creators at various career stages, including painters Shelley Adler and Kris Knight, with works ranging from $250 to $5,000. Its goal was to help Canadian artists make ends meet through the pandemic, but it also allowed a lot of novice art buyers access to a market that used to be quite opaque.

Read the full Style Advisor: November 2020 holiday edition

It’s been a year of cancellations and postponements for the art world. But in the absence of fairs and gallery exhibitions, technology has stepped up to connect collectors – including those pondering a holiday purchase – to new work. “The pandemic has pushed for a broader, more egalitarian access to art,” says Wendy Chang, the director of Vancouver’s Rennie Collection. Her gallery has its own Instagram feed but it’s also one of many now using virtual reality technology by the app Artland to show work in vivid detail, no matter where the viewer is.

“The atmosphere of an opening night contributes so much to how people engage with the work,” says Tobin Gibson, who operates the Unit 17 gallery in Vancouver. In lieu of that in-person buzz, Gibson says virtual exhibitions provide more information, especially around cost, that encourages casual collectors to consider purchases with an immediacy lacking in the price-by-request format of many traditional shows.

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Curated’s debut resulted in 50 of the 60 exhibited works being sold, and Orenstein and Leibtag are planning to hold social media-driven sales periodically through 2021. At a time when artists need patrons, it’s fortunately never been easier to become one. – Adrienne Matei

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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