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Warming huts around The Forks will feature art from all over the world inspired by Prairies

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As Manitoba braces for a long, cold winter, The Forks is showing off six new designs for warming huts to join old favourites on the Nestaweya River Trail in Winnipeg.

Manitoba will be represented both thematically and geographically by the huts, with the spaces designed by people from the area, and with the elements of the province in mind.

“This year’s new huts embrace the elements, landscapes, and resilience of life on the Prairies — and a few of them even look warm,” said Sara Stasiuk, CEO of The Forks, in a news release on Thursday.

Warming Huts v.2023: An Arts + Architecture Competition on Ice received 122 submissions from 33 countries.

A jury of four founding members, three community guest jurors and a student guest juror spent a full day debating the merits of each submission and selecting winners.

A warming hut made of long, triangle-shaped hay bales is seen on the side of a frozen-over river. Several people are seen ice skating on the river.
The warming hut Hayspace, created by Switzerland’s Philipp Gmür and Hugh Taylor from Winnipeg, is one of the winners of this year’s Warming Huts v.2023: An Arts + Architecture Competition on Ice. (Submitted by The Forks)

One of the winners of the official competition is a hut called Hayspace, which was designed by Switzerland’s Philipp Gmür and Hugh Taylor of Winnipeg.

The hut is meant to be a “space of warmth and play and relaxation,” the designers say.

The other winners are Curtain, designed by Alejandro Felix and Fang Cui, and Meanwhile We Still Dream, designed by Lindo Jia and Jaymon Diaz.

Curtain will start with a frame of wood and ropes that will have river water added, creating a wall of ice that will form the hut.

“The shelter will be in constant change, gaining mass with precipitation, and becoming thinner and more translucent as it melts back into the river in the spring,” the artists say.

“In this sense, it will be a record of this particular winter’s weather, a subtle reminder of the fragility of our climate, as well as a hint of the many possibilities that working together with nature can offer us.”

There are also a number of huts that will be built by artists who have been invited to take part.

A rectangle of white is seen with a hole in the middle.
Winnipeg’s Wanda Koop and Thom Fougere, currently based in Montreal, created a hut called Nix, which means snow in Latin. It’s inspired by the beauty of a Winnipeg winter. (Submitted by The Forks)

Accomplished Winnipeg artist Wanda Koop and EQ3 creative director and furniture designer Thom Fougere, who is also from Winnipeg, together designed Nix, which means snow in Latin. It was inspired by the beauty of a Winnipeg winter and will be built in snow.

St. John’s High School in Winnipeg was selected to build a hut that students and staff designed named Azhe’o, which means “to paddle backwards” in Ojibway.

An artists rendering of a warming hut made of canoe paddles superimposed on a photo of two people skating.
A group of students from St. John’s High School designed the warming hut Azhe’o, which means ‘to paddle backwards’ in Ojibway. (Submitted by The Forks)

The designers say it was constructed with the purpose of exploring the history of the canoe and paddle from their inception, and meant to show the importance of the canoe to the Indigenous people of Canada.

The University of Manitoba’s faculty of architecture submission is Flowing Lands, a nod to the fluid motion of a Prairie winter.

The vision for the warming huts will be brought to life at the end of January during build week, as long as Mother Nature permits, The Forks says.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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