Art

Washington, DC climate protesters drag paint on glass cover of art sculpture

Published

1 year ago

April 28, 2023

Climate protesters in Washington, D.C. were handcuffed on Thursday after they dragged paint on a glass cover protecting an art sculpture.

The incident happened at the National Gallery of Art by the activism group Declare Emergency in an attempt to bring attention to climate change, according to the Washington Post.

After two people from the group smeared their hands across the glass covering of Edgar Degas’s “Little Dancer Aged Fourteen,” they were removed by police in handcuffs.

One of the individuals taken into custody wasn’t issued any criminal charges but is banned from the museum for life, according to a tweet from the group.

“The Little Dancer,” a sculpture by French artist Edgar Degas, is on display at the National Gallery of Art’s East Building, seen Wednesday, July 16, 2014. The piece was inspired by Marie von Goethem. (Photo by Nikki Kahn/The Washington Post via Getty Images)

The group tweeted that they wanted to send a message about climate change.

“Around 11 am today two parents who are terrified about their children’s futures (as well as all children) made a statement at the National Gallery in DC. Climate change will cause famine, floods, droughts and destruction unless we act now,” Declare Emergency tweeted.

Declare Emergency told Fox News Digital in a statement that it understands the importance of art, but also needs to show how urgent the climate change issue is.

“We understand the value and importance of art in our society, and we also know that it and everything we love is at stake if we don’t tackle the climate emergency with the urgency that it deserves,” the group said. “We have to convey how dire this situation is, in whatever nonviolent way that we can. We need to engage with the climate emergency emotionally, and actions such as this one draw that out in us. They bring us to the emotional state that we need to be in to realize how bad things really are. Only after getting to that place will we find the motivation and the resolve to truly save ourselves.”

In response to criticism on Twitter, the group tweeted that it’s a “complete moral failure of our government to protect its own citizens.”

Tuesday’s climate protest is hardly the first time that an activism group has defaced artwork in attempts to bring attention to their cause.

In March, German climate activists defaced a work of art near the country’s parliament.

A 1974 steel sculpture by Alexander Calder titled ‘Cheval Rouge (Red Horse)’ is among the artworks on display in the National Gallery of Art Sculpture Garden in Washington, D.C. (Photo by Robert Alexander/Getty Images)

Members of The Last Generation appeared to have thrown black liquid over glass plates which displayed 19 articles of the German Constitution.

In a statement, the German group said that its government wasn’t protecting citizens’ “fundamental rights” because of the country’s use of fossil fuels.

Parliament Speaker Bärbel Bas harshly criticized the protest.

“Those are the fundamental rights on which the demonstrators from Last Generation themselves base the justification for their actions,” Bas said in a statement. “I can only hope that the glass plates of the artwork were not permanently damaged.”

Fox News Digital reached out to Declare Emergency for comment.

Fox News’ Timothy Nerozzi contributed to this report.

Adam Sabes is a writer for Fox News Digital. Story tips can be sent to Adam.Sabes@fox.com and on Twitter @asabes10.

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Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

3 weeks ago

September 26, 2024

Anne Joseph

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

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Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

1 month ago

September 13, 2024

Harry Miller

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.