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Watching the watchdogs: America’s reckoning with Israeli media manipulation – Al Jazeera English

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On November 8, the Israeli media monitoring group “Honest Reporting” published a report suggesting six Gaza-based freelance photographers who have been covering Israel’s war on Gaza for four leading international media organisations may have had advance notice of Hamas’s October 7 attack on southern Israel.

Israel’s reaction to the suggestion was swift and brutal.

Israeli Prime Minister Benjamin Netanyahu’s office accused the journalists named in the report of being “accomplices in crimes against humanity”. Danny Danon, a senior member of Netanyahu’s Likud party and a former Israeli ambassador to the United Nations, wrote on X that the photojournalists should be “eliminated”. “We will hunt them down together with the terrorists,” he wrote.

The discourse on whether the Palestinian photojournalists and those who published their work had prior knowledge of the Hamas attack occupied media airways for a few days.  But the controversy soon came to an abrupt end when all four media companies in question –  CNN, Reuters, The Associated Press and The New York Times – firmly rejected insinuations that they or the photographers they work with had any advance knowledge of the attack. They called Honest Reporting’s story “irresponsible” and said, “It jeopardised the safety of all media working in Israel or the Palestinian territories.”

Honest Reporting Executive Director Gil Hoffman said he was “so relieved” to have found the four companies’ statements on the issue “adequate”. He added that his organisation never “accused” the media companies of having advance knowledge of the attack but had only “raised questions”.

Why is this debacle worth remembering today? Because the incident had all the hallmarks of standard Israeli propaganda: using the real trauma and tragedy of a horrific attack to portray a conspiracy of collusion between Western media organisations and Israel’s enemies.

Propaganda campaigns or single salvos already dominate Palestinian-Israeli confrontations. Since its founding in 1948, Israel has developed effective propaganda and information manipulation techniques that give it an edge in getting the Western media to reflect its side of the story.

So it’s important to note when things in this realm start to change. This tale about whether Gaza photojournalists had advance knowledge of Hamas’s attack was the latest addition to a rapidly expanding list of recent Israeli propaganda efforts that have failed – mainly because Palestinians, Arabs, and most international observers of the conflict and the region now routinely investigate any serious Israeli accusation, and often expose it as a lie.

Consequently, American media, including organisations that traditionally presented Israeli views and allegations as fact without due diligence, now assess Israel’s media statements and narratives more carefully, especially when they are about military actions that kill Palestinian civilians.

One national newspaper reporter privately told me that journalists in the United States are increasingly sceptical of narratives pushed by security forces whether in the US, Israel or any other country because of how the Black Lives Matter movement has raised awareness of social justice issues and exposed police hypocrisy and lies.

“A soul-searching kind of change is going on,” the journalist said, “because we have to do better when reporting on race and ethnicity, especially in cases of violent incidents involving the police or military. Since 2020, we see the parallels between Black Lives Matter and Gaza very clearly.”

In recent years, there have been many occasions when Israel was caught bending the truth or outright lying to hide from the world its crimes against Palestinians and violations of international law.

After Palestinian-American journalist Shireen Abu Akleh was shot and killed during an Israeli raid in the Jenin refugee camp in the occupied West Bank in May 2022, for example, Israel claimed she was  “hit by indiscriminate Palestinian gunfire” in an exchange of fire with Palestinian gunmen. Yet, in a matter of days, several independent investigations confirmed that she was killed in a targeted attack by an Israeli sniper.

More recently, in early November, an Israeli air strike on an ambulance convoy in the besieged Gaza Strip killed 15 Palestinians. Israel said it was targeting “Hamas positions” but failed to convince the international community.

On November 11, the official Arabic account run by Israel’s Ministry of Foreign Affairs posted a video of a nurse, apparently agitated, talking about Hamas overrunning the al-Shifa Hospital and taking supplies meant for patients. It was clearly a fake and was deleted by Israeli authorities without explanation after significant public backlash.

Last week, the Israeli military released a video of a room in Gaza’s al-Rantisi Children’s Hospital that it claimed included a duty roster in Arabic of Hamas militants guarding Israeli captives there – which in fact was just a handwritten calendar with the days of the week.

These are just a few recent examples of Israeli officials obfuscating the truth or outright lying to try to hide their criminal activity from global media audiences (and probably also from the International Criminal Court). These repeated and easily exposed lies have sharply raised American journalists’ scepticism of official Israeli statements. These days, even the most Israel-friendly media organisations are reluctant to publish Israeli claims as fact without seeing hard evidence.

Even journalists who tend to identify with Israeli views are more careful now when they deal with Israeli military statements, especially in cases of deaths and injuries, another television journalist told me. This change in approach can easily be seen in the US media’s relatively careful handling of Israeli claims that Palestinian hospitals in Gaza shelter Hamas military bases or command centres.

Israeli views continue to dominate American mainstream media, but as a result of this trend, the Israelis are increasingly being pushed to provide evidence for claims that the media once disseminated with no questions asked. Palestinian views also appear in the media more often, partly reflecting a critical structural change in society: Young Americans are much more even-handed between Israel and Palestine and more actively challenge US and Israeli government actions that they feel are excessively militaristic, unwarranted or unjust.

Another journalist with domestic and global reporting experience summed it up to me like this: “We’re feeling unprecedented generational and societal changes simultaneously in contexts of racial and social justice. This is a reckoning for the journalism industry.”

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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