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Weather News Is A Rare Media Bright Spot – At Fox, The Weather Channel, Twitter And More – Forbes

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Long before Twitter announced in June that it’s launching a subscription-based local weather service – to capitalize on the way users flock to the site during events like weather emergencies – meteorologist Erik Proseus had already spent years conditioning tens of thousands of Internet users to do that very thing. Years ago, in fact, this Memphis-based weatherman had already cottoned on to the inherent potential in offering tailored weather news to an audience that you assemble yourself, free of the strictures and broadcast imperatives of a corporate overlord. It’s as seemingly recession-proof of a news model as it gets, since peoples’ interest in what’s going on outside will surely never wane. And it’s the reason why, when skies get dark in Memphis, so many of the digitally savvy don’t instinctively reach for the TV remote anymore to switch on the local news. They fire up either Proseus’ mobile app or the social media presence for his DIY operation, MemphisWeather.Net.

Suffice it to say, he’s also far from the only entrepreneurially-minded meteorologist to prove the veracity of that Bob Dylan lyric about not needing a weatherman to know which way the wind blows (the weatherman, in this case, being of the broadcast news variety). @NashSevereWx, with more than 205,000 followers on Twitter, provides “community-supported local weather” covering Nashville and Williamson County in Tennessee. Same with @wxornotBG, with more than 10,000 followers of its Twitter account, providing hyperlocal weather coverage for part of Kentucky. Thing is, though, they’re all about to have lots more competition in this space.

More weather news in the forecast

In addition to Twitter’s own paid weather service, the Weather Channel’s parent company is launching a new weather-focused streaming service later this year. It will be known as The Weather Channel Plus and cost subscribers $4.99/month.

Even the Fox News network, which is prepping an all-new, Fox-branded AVOD weather channel to launch this fall, seems to have simultaneously arrived at the same insight that’s behind all these efforts. Namely, that weather news has long been an under-appreciated aspect of this business. Or, said another way and to borrow a recent pun from The New York Times – weather is taking the media industry by storm.

“I’m honestly not surprised to see a service (like Twitter’s) being offered,” Proseus told me. “While Twitter has always excelled at breaking news, the ‘breaking’ nature of extreme – or even inclement – weather falls right into its wheelhouse as well, so I’m more surprised that this is just now occurring.

“In fact, a few loose organizations of weather-related accounts on Twitter have already occurred organically and have been well-received. Since Twitter has to make money to remain viable, monetizing the service using its new features is probably a natural step. I will be curious to see how well it performs, though, given that so much valuable weather information is already available free of charge on the platform.”

And not to mention the fact that the potential for overlap between these services might end up being something of a dubious prospect. Among streaming consumers, for example, there’s no doubt sufficient appetite to pay for Netflix as well as Disney+, HBO Max, Apple TV+ and more. For one thing, you’re not getting the same content across all those services. But if you’re in, say, Memphis, and already happily following the weather content produced by MemphisWeather.Net, are you really going to start paying Twitter for its service when your local needs are already being met now?

The Weather Channel

Some big bets are riding on the answer to that question. And it’s obvious what the media giants think (or hope) is possible here. Viewers are pretty much completely over election news and are fast losing interest in the post-Trump political landscape. Over the first six months of this year, the average viewership at Fox, CNN, and MSNBC plummeted almost 40% from the same period in 2020. While over at the Weather Channel? A 7% increase.

To be sure, the increase in attention is not attributable only to the weather – or, rather, to specific weather conditions from one day to the next. It also lines up nicely with a growing awareness that climate change deserves much more concentrated attention and resources from media operations. Which is why the Weather Channel also retooled its morning program lineup recently, putting more of an emphasis on telling stories and not just, well, reporting the weather. Shows about climate change are in the works, too, including a documentary series called Frozen Gold about miners in Greenland (where melting ice makes it easier to find deposits of minerals and ore).

The company’s early projection is for the new streaming service to have some 30 million subscribers by the end of 2026.

Currently, from Twitter

Twitter’s attempt at all of this, meanwhile, is the newsletter-centric offering Currently. A team of local meteorologists in a small number of cities to start with, along with climate journalist Eric Holthaus, will produce a combination of free and premium content about the weather and adjacent topics, such as climate change.

The value proposition for paying members is quite specific. It includes getting interactive text messages with weather alerts straight to your phone, having direct access to a team of meteorologists via SMS, and getting “members-only experimental storytelling via audio clips, visual art and poetry.” For only $5/month, we should add.

Here again, though, it’s worth pointing out: At least in a city like Memphis, you already get most of the above from Proseus and the team that works with him. One of the few things that might make someone reach for the value-add inherent in Currently is the deeper, more journalistic product that reports on things like climate change.

The Fox Weather Channel

“A noticeable shift is occurring in the delivery of weather information to the public,” Proseus told me. “More and more, focus is turning to that content being made available digitally, always ‘on’ and always current, and in a ‘hyper-local’ fashion. The traditional news and weather broadcast is rapidly losing ground to the second screen, particularly for Gen X, Millennials, and Gen Z. In fact, the new generation of broadcast meteorologists is being cross-trained in both traditional and digital delivery of their information. The days of tuning in at 5, 6, and 10 pm are coming to an end for most people.”

Which helps explain what the top brass at Fox is thinking. Similar to what it did with the launch of the Fox Business channel in 2007, the network is preparing to launch a Fox weather channel sometime, at least one source told me, in October (although that month is still a rough estimate at this point).

Fox has already, as you might imagine, started poaching meteorologists from around the country for this new offering. Even from the Weather Channel itself, with meteorologist Shane Brown having left to join Fox’s new effort.

That said, it should also come as no surprise that even at this early stage, the rivals are already sniping at each other. Nora Zimmett, chief content officer at the Weather Channel (and a Fox News alum), told the NYT: “I applaud Fox getting into the weather space, but they should certainly leave the lifesaving information to the experts.” Not to be outdone, a Fox News spokesperson also told the paper: “While the Weather Channel is focused on trolling FoxNews.com for unrelated stories, Fox Weather is busy preparing the debut of our innovative platform to deliver critical coverage to an incredibly underserved market.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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