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What went wrong with the British media coverage of Israel’s war on Gaza? – Al Jazeera English

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Over the past five months, a lot has been said and written on the British media’s coverage of  Israel’s war on Gaza. Experts, journalists and activists, including myself, have argued in numerous articles and interviews that the British media exhibits certain biases in its coverage of this war, and the broader issue of Israel-Palestine.

In a new report, based on the largest statistical analysis of the media coverage of the atrocities committed in Israel on October 7, and Israel’s genocidal campaign against the Palestinian people in the first month of the war, the Muslim Council of Britain’s Centre of Media Monitoring (CfMM) laid out the empirical evidence for these observations and concerns.

Looking at some 180,000 video clips from seven United Kingdom broadcasters and three international broadcasters, as well as about 26,000 news articles from 28 British media websites, CfMM has assessed whether the UK media have reliably informed the public on the conflict and shared the positions of all concerned parties responsibly.

In line with the findings of smaller-scale studies conducted thus far, it found that Israeli narratives, voices and grievances were favoured over Palestinian voices, narratives and grievances in the coverage. “Israel’s rights” were insistently emphasised, often resulting in the exclusion and erasure of the rights of the Palestinians. Emotive language was consistently used for Israeli victims of violence, but not as much for the Palestinians. Representatives and supporters of Israel were allowed to dehumanise Palestinians on air, with no considerable pushback from news presenters and talk show hosts.

Analysing the coverage under six themes – contextualisation, language, framing, claims, the undermining of Palestinian sources and the misrepresentation of pro-Palestinian protesters – the research found that many news outlets have opted to present news from an Israeli perspective, often with significant lapses in basic fact-checking and verification.

Remarkably, the analysis unveiled that Palestinian symbols, such as the Palestinian flag, were overwhelmingly “used to illustrate stories on anti-Semitism”. It also exposed the many Islamophobic aspects of the coverage, such as the framing of pro-Palestine protests and support as inherently dangerous and akin to “a terror threat” often because of the Muslim presence among them.

The report revealed that the Islamophobic trope of “Islam being an anti-Semitic religion” was repeatedly presented – by editors, analysts and columnists alike – as the driving force behind the growing opposition to Israel and its treatment of Palestinians. This led to the misrepresentation of the 75-year conflict in Israel-Palestine as a “religious war” between Muslims and Jews, rather than a matter of oppression and occupation.

The report determined that pro-Palestinian voices and Palestinian activists have repeatedly been misrepresented by many British media outlets since the beginning of the conflict. It found that the right-wing media has been particularly hostile towards pro-Palestinian voices, “framing them as supporters of terrorism and anti-Semites as well as being hostile to British values”.

The analysis also unearthed many instances of misinformation through deliberate omission. The context of decades-long Israeli oppression of Palestinian people and occupation of Palestinian territory was absent from most of the coverage. The coverage was framed in a way that implied the conflict started on October 7. The report showed how some reportage on the ongoing war failed to even mention that the West Bank is Palestinian territory occupied by Israel, and that, according to international law, Gaza has also been effectively under Israeli occupation prior to October 7 – despite the absence of a military presence on the ground since 2005.

There were also many instances of apparent “mistakes” and misinformation being given a pass on British TV screens, as long as they reaffirmed Israeli narratives. In one instance, a defence analyst claimed on TV that “the West Bank is occupied by Palestinians”. Despite such a claim not having any basis in international law, or any current or historic reality on the ground, the presenter did not correct him or seek clarification.

Misleading use of imagery in some newspapers is another failure identified in the analysis.

For instance, distressing images depicting the flames and extensive destruction caused by Israeli air strikes on Gaza were paired with headlines referencing the atrocities committed by Hamas in Israel on October 7. In one case, a horrifying image of frightened, injured Palestinian children in Gaza was juxtaposed with a headline about “mutilated babies in Israel”.

Using misleading imagery, omitting facts, allowing guests to spread misinformation without challenge and sharing unverified information as fact are examples of irresponsible and unethical journalism. And such acts could have grave consequences.

Misinformation and disinformation breeds hate speech, which can result in harm being inflicted on innocent individuals. Misrepresentation of the current conflict as a “religious war” between Jews and Muslims, coupled with the dehumanisation of Palestinians and vilification of their supporters around the world as terrorists or “terrorist-adjacent” has exacerbated anti-Muslim, anti-Arab and anti-Palestinian sentiments.

As a result, hate directed towards British Muslims has manifested itself on the streets and screens across the UK. According to Tell Mama, the leading hate crime monitoring agency on measuring anti-Muslim hate in the UK, between October 2023 and February 2024, there were more than 2,000 anti-Muslim hate cases in the UK – a shocking 335 percent increase compared with the same period in the previous year.

Research conducted by UK NGOs More in Common and the Together Coalition since the beginning of the war in Gaza, published on March 3,  highlighted the prevalence of anti-Muslim sentiment in the country. Among those who responded to the survey, 21 percent – one in five – said they have a “very negative” or “somewhat negative” view of Muslims.

Media’s false labelling of pro-Palestinian protesters as “terror threats”, “pro-Hamas”, “extremists” and “opposing to British values” undoubtedly contributed to this unprecedented rise in anti-Muslim hate and prejudice in the country.

Indeed, anti-Palestinian, anti-Arab and anti-Muslim sentiments many British Palestinians, Arabs and Muslims are currently faced with in their schools, universities and places of work could – at least in part – be tied to the predominantly one-sided coverage of the war on Gaza detailed in the CfMM report.

The negative labelling of pro-Palestinian protesters as “anti-British” and “anti-Western” merely due to their support for Palestinian rights and self-determination leads to the unjust tarnishing of entire communities. It feeds into existing prejudices and could flame interreligious and inter-communal tensions and even violence.

Alongside the harm caused to Muslim, Arab and Palestinian Britons, the bias expressed by the media in the coverage of this conflict also harms Palestinians in Palestine and the wellbeing of the wider region.

The report’s findings imply that numerous journalists and commentators in Britain have knowingly or unknowingly aided a propaganda campaign aimed at providing false legitimacy for Israel’s relentless assault on Gaza – an assault that, according to the International Court of Justice, could plausibly amount to genocide.

The point of the CfMM report, and this article, of course, is not to make unfair generalisations about a diverse, rich media landscape and tar all UK journalists with the same brush. Many journalists in Britain and on the ground in Israel-Palestine have produced balanced and informative journalism about the Gaza war for British media and examples of this are also included in the CfMM report.

But the report, and the many problems and shortcomings that it highlights, should be seen by those working in the British media and covering this war as a wakeup call. They should treat this extensive report and its findings as a valuable learning tool and reassess their output on Israel-Palestine according to the just and meaningful criticisms laid out within it.

The extent of the tragedy still unfolding today in Palestine, and the demonstrable impact it has had on intercommunal relations here in Britain, necessitate every journalist contributing to the coverage of this war to think carefully about what they are communicating to the public, and take extra steps to uphold the values and principles that define the profession.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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