Art
What’s on Jeremy Hunt’s dining room wall? Art to enjoy with a cucumber sandwich – The Guardian
Tom Phillips, Ten Views of the Union Jack, 1976
Phillips is a quirky, literate artist – he has illustrated Dante – who balances gracefully between pop art and conceptualism. Here he analyses the British flag by printing it repeatedly with different degrees of solidity and clarity, questioning what it meant on the eve of punk in 1976 – and what it means today.
Barbara Newcomb, Swimmer, 1984
This American artist who trained at the famous Atelier 17 school of modern printmaking in Paris and made her career in Britain is all about clear, refreshing colours. Here she portrays a gold body moving through blue and white waves that soothe and revive. It’s not exactly challenging, but it could help you get through the day.
Michael Stokoe, Flash Past
Artist and teacher Stokoe created many abstract works and mixed media experiments but this is one of his more conventional prints. You can see his passion for geometry in the coloured bars that slice through the composition, giving it a futurist feel.
Bob and Roberta Smith, Bring Back Edinburgh’s Trams, 2009
This is either a witty example of Smith’s democratic, agitprop art or a twee protestation of his good intentions, depending on how you feel about this well-known contemporary artist. Has Bob and Roberta ever wanted to create something soulful instead of social? At any rate it’s a typical piece by a successful modern British artist.
Howard Hodgkin, Herb Garden, 2014
The art of Howard Hodgkin is about colour and memory. Pungent hues recall people and places but those associations are left unexplained. The garden he evokes here was probably a special setting for him. We feel the intensity of it in his vivid greens. Can you smell the thyme?
Carmen Gracia, Nouveau Né…, 1964
There are hints of maps and journeys in this enigmatic 1960s work. Desert colours and patterns suggest ancient ceramics or textiles. The Argentinian artist Gracia studied in Paris and London and has worked in many media. This print has a secretive mystique and power.
Barbara Newcomb, Race V, 1972
Another print by Newcomb that creates a flowing feeling of space and motion. Yet like many works on Hunt’s wall it’s a walk on the bland side. When all is said and done, what does it tell us that a photo of athletes wouldn’t? This is art to be enjoyed with a cup of tea and cucumber sandwich.
Bernard Cheese, Jubilant Crowd, c 1980
Pembrokeshire-based Cheese had a long career painting everyday life and quiet landscapes. Here he distils the idea of celebration in a cartoon-like print of people releasing a host of bright balloons. It’s not exactly replete with artistic tension. Or humour. Its optimism is too simplistic to cheer you up and might even depress you.
Robert Tavener, Sussex Boats & Nets (No 2), 1970
The Sussex prints of this artist and teacher who died in 2004 have a considered abstract quality that renders real scenes in sharp, suggestive colours and simplified but true shapes. It’s a very recognisable style. Here he gives an ordinary beach scene a distilled Romantic lyricism that would make a great cover for an album of sea shanties.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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