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When masks become art: local visual artist finds a new canvas

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It is becoming an everyday fashion accessory, a part of many wardrobes and now, it is being turned into a work of art and a representation of self expression.

Local visual artist Sharyn Seibert has embraced this new canvas: face masks.

“Dostoevsky said that beauty will save the world. As artists, we are always trying to find the meaning in what we are doing,” Seibert says.

“Especially during this time, there has to be room for spirituality, something bigger than ourselves. I think this is the purpose art serves. Whether it’s music, theatre, architecture or any of the arts.”

During the pandemic, Seibert says she continues to create and with each new work comes a new journey and a new challenge.

Incorporating creative artistic interpretations into face mask design is one of them.

“At the beginning of the pandemic, I had a show on and artwork in four different places which were all locked down. My daughter, who is a midwife in B.C., said that they didn’t have enough PPE. So, I thought, well I have cotton, I will do it myself. I made masks and painted them,” she said.

“It’s funny because I was already stockpiling fabric paint. This was an opportunity and then it just skyrocketed.”

Seibert also donated masks to families visiting loved ones and others receiving medical treatments including cancer patients.

“People saw the masks online and many commented saying how great they were. But then people said they wanted to buy the masks,” Seibert says.

“I made over 100 and they are all very different and unique. Each one takes hours and hours to make.”

After the long process of purchasing fabric, washing, cutting, stapling, painting and sewing, voila, a new mask!

The end result?

A breathable and adjustable design, a work of art, a colourful creation to help brighten and maybe offer some inspiration for those who wear it during these uncertain times.

“I have sent masks all over including the U.S., to Texas, New Jersey and Long Island. I’ve even had repeat customers as well.”

In Guelph, Seibert gift wraps each mask. They are hung on a tree outside her home.

“People come and just pick their mask off the tree. It is all done safely,” she says.

Seibert, a retired teacher, has a background in art and art history. She has studied fine art in Canada and internationally at the Angel Academy of Art in Florence, Italy. She has also earned a welding ticket and a diploma in interior decorating.

In the past, Seibert ran a fabric design studio.

“So, it’s like everything has gone full circle,” she said.

In addition, Seibert and her husband Brian organize art tours to Italy. Seibert takes great joy in teaching and mentoring students along their travels.

But due to the pandemic, tours have been put on hold.

This, however, has meant more time for Seibert to explore new creative outlets.

“I have been experimenting with black and white and this is new to me,” Seibert says.

As she prepares for a show at the Bookshelf in April, a new outdoor art studio is also in the works at her home which will offer a panoramic view of the wonderful nature around her.

“Beauty in the community is healing. I love painting nature,” she said.

“It’s very meditative, it’s a form of escape and you can’t think of anything else while doing it.”

For Seibert, art is a vehicle offering insights into knowing oneself and knowing others.

“Many people talk to me about having a creative urge and then they don’t fulfil it. I think it is our destiny to be creative whether it’s cooking or gardening,” Seibert said.

“When there isn’t an avenue for creativity, people can become stifled in their spirit. If people have tools, skills and opportunities, they can be creative, and this is so important in this technological age.”

During the pandemic, Seibert encourages others to get creative as well.

“It’s a great stress reliever. Art is good for you. Don’t be afraid of it. It’s yours, your very own expression,” she says.

Seibert also says people shouldn’t be afraid to experiment with other media such as charcoal, pencil crayons or clay.

The pandemic has led Seibert to make an interesting switch from colourful paintings to black and white landscapes. Today, she can include face masks in her repertoire.

“People love all of the added colour when wearing the masks. Making them has been a real joy for me,” Seibert said.

“I hope people feel that when they wear them.”

Seibert’s artwork can be seen on Facebook and Instagram and at sharynseibert.com.

Source:- GuelphToday

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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