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Why the U.S. Media Industry Is in Meltdown – The Ringer

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Between the layoffs at Sports Illustrated, Pitchfork’s absorption into GQ, and many other hits to major news organizations, the U.S. news industry is in a dire situation

Sports Illustrated Lays Off Its Remaining Staff Photographers

Photo Illustration by Joe Raedle/Getty Images

Sports Illustrated layoffs. The demise of independent Pitchfork. Hundreds of millions of dollars in losses at major newspapers like The Washington Post and the Los Angeles Times. The state of the U.S. news industry is dire. How did we get here? Who knows the way out? The Ringer’s Bryan Curtis joins the show, with contributions from an interview with NPR’s David Folkenflik.

If you have questions, observations, or ideas for future episodes, email us at PlainEnglish@Spotify.com.


In the following excerpt, Derek and Bryan Curtis walk through what led to Sports Illustrated’s latest death and the general demise of the news media.

Derek Thompson: Great to see you. I want to do a few things in our time together. I want to talk about the news of the moment, this sad and strange cavalcade of bad news for the media business. And then second, I want to broaden the lens and get some context for why the 21st century has been such an unrelenting mess for media economics. And then finally, we’ll talk about bright spots and the lessons that we can glean from the bright spots. But I really want to start with Sports Illustrated because this is, again, a sad death, a strange death. It’s a very strange story. I think it’s weirdly emblematic of this awful moment in news economics.

Sports Illustrated holds a very special place in my heart. It might have been the first magazine I subscribed to. It’s definitely the first magazine I truly loved when I decided I wanted to become a journalist. You have an article up on TheRinger.com that points out that Sports Illustrated’s demise was really death by a thousand cuts. Can you explain who owns SI and how that strange ownership model contributed to its demise?

Bryan Curtis: I can certainly try, but you just have to walk me through this because I’m still making sure that I have my mind around it. They’re owned by Authentic Brands Group. Authentic Brands Group is a company that manages brands. Now, what brands, you might say, Derek? Well, that includes Muhammad Ali, that includes Dr. J’s brand, that includes Elvis, that includes Billabong and other companies that you might have been familiar with at a different age of your fashion. Authentic Brands Group then licenses Sports Illustrated to a second company, which is called the Arena Group. The Arena Group’s website says that they are an innovative technology platform and media company with a proven cutting-edge playbook that transforms media brands.

OK. So we got the brand-owning company that is licensing Sports Illustrated to the brand-transforming company. And the second of those companies failed to pay their licensing agreement, and so the agreement is dissolved. That’s where we are with Sports Illustrated.

Thompson: And I guess a slightly bigger story would be that Sports Illustrated used to be owned by Time Inc. Time Inc. sold Sports Illustrated, or at least the rights to publish Sports Illustrated and all of its archives, to the owners of the Muhammad Ali and Dr. J brand. And then they licensed out the rights to publish new articles under the SI brand to this other group that then failed to make its quarterly payments.

I mean, you don’t get into a mess like this if the economics work in the first place. And what’s so sad to me is that the very fact that Sports Illustrated had become something licensed, to be licensed, to be published, is emblematic of how far a storied brand like this, a storied magazine like this, has fallen in the last few decades. And clearly it’s not just SI; it’s not just Pitchfork. As I recounted in the open, it’s Vice, it’s GawkerGawker 1 and Gawker 2—it’s Jezebel, Condé Nast is laying off [5] percent, WNYC. Two of the biggest newspapers in the country, The Washington Post and the L.A. Times, reportedly lost a combined $150 million last year. Why do you think this moment, especially when the economy is growing, why do you think this moment has been so particularly gnarly for the news media?

Curtis: We almost need a list. It’s like an old-school Vulture ranking of problems, but I’ll throw a few out for you and you can put them in any order you want. Management missteps, no. 1. No. 2, probably the end of the Trump bump and, if you believe the Semafor article that came out yesterday, a new Trump bump that is not quite as big as the old one. I would also put on that list rich proprietors that are tired of losing money or at least tired of losing money on the scale that they’re losing it, especially in the case of The Washington Post and the L.A. Times. And then the fourth one I would say was, especially in the case of newspapers, the fact that The New York Times is gobbling up people that in another time line would be subscribing to their local newspaper. How’s that for a list?

Thompson: It’s a good list. There’s one biggie that I definitely want to talk to you about, and that’s technology, because there’s two stories that I think I could tell about the last 20 years. If someone said, “What’s the grand narrative here? Why is it not just one or two magazines or one or two newspapers that are struggling? It’s dozens of newspapers closing every year. It’s dozens of magazines failing every decade.” To me, you can tell this as a pure technology story, or you can tell it as a people story.

The technology story is that the internet comes along and really starts to pick up steam with Craigslist and Google in 2000, 2004, 2005. Facebook obviously takes over around the late 2000s, 2010s. And the internet does a few things. It increases supply. Suddenly anybody can become a blogger, can compete with old-fashioned newspapers for people’s attention. And when it comes to analyzing the news, writing about the news, no. 1, it increases supply. No. 2, it destroys local advertising monopolies, like The Washington Post. I grew up in Washington, D.C. The Washington Post had a local advertising monopoly for car ads, for apartment listings. Those monopolies are absolutely destroyed when the internet comes along and you can just go to Edmunds or cars.com to figure out what car to buy. You don’t have to buy a bundle that has news about Fallujah and also car advertisements in the back.

So it destroys local monopolies and the cross subsidies that they created. It also nationalized the news. I think there’s something about the internet that allowed people to—you’re living in St. Petersburg, Florida, you’re living in Peoria, and it’s easier to follow national news. And maybe as a result, more attention and more dollars flow to national publications, and that starves local media. So I’d say the internet does all these things—increases supply, destroys local monopolies. You could say it’s a tech-determinist story, or, and this is where your point comes back in, you could say, “No, Derek, tech is just a tool. It’s a story about people who use this tool badly. Newspapers were badly managed in America in a lot of different places: at the local level, at the national level on both coasts.” So when you think about the tech story and the people story, how do you fold those together?

Curtis: I think the answer is almost certainly both, but let’s go to the people story for starters. The thing people always point to as the great error of newspapers is that when they went online first in the late ’90s, early 2000s, that they were all free and they did not say, “Hey, guess what, folks? You got to pay for news. This is important. Put your credit card in here.” And we could argue that at that period of the internet, that would have been a weird thing to do to try to pay for news. We weren’t used to that. The New York Times was free at that point. So we might still have picked the glittering, big, fat, national newspaper over the skimpier local paper, but there was certainly some truth to that.

I think also, just the one thing I’d add to your technological story that’s so fascinating to me is I grew up in Dallas–Fort Worth. Not only did they have a local advertising monopoly, they also, the Dallas-Fort Worth newspapers, had a national news monopoly in Dallas. If I wanted to know about politics, I wasn’t reading The New York Times. I was reading them. If I wanted to read about international news, I was reading my local paper. So as soon as you stripped that away for all the reasons you elegantly laid out there, what was left? It’s that school board meeting that everybody cites. “Who’s going to cover the school board meeting? Who’s going to cover the mayor’s office?” Totally worthy beats, but a very, very tough sell when you’re trying to get people to pay for news.

This excerpt was edited for clarity. Listen to the rest of the episode here and follow the Plain English feed on Spotify.

Host: Derek Thompson
Guests: Bryan Curtis and David Folkenflik
Producer: Devon Baroldi

Subscribe: Spotify

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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