Will The San Francisco Art Institute Sell $50 M. Diego Rivera?, Outrage Over Black Lives Matter Sculpture, and More: Morning Links from January 6, 2021 – ARTnews
THERE IS MORE TURMOIL AT THE SAN FRANCISCO ART INSTITUTE. The financially beleaguered school is considering the sale of a Diego Rivera mural on its grounds that is estimated at $50 million, Zachary Small writes in the New York Times. An SFAI official said that George Lucas is interested in buying the 1931 fresco, The Making of a Fresco Showing the Building of a City, Small reports, and the San Francisco Museum of Modern could take ownership of it in another scenario. Some SFAI staffers, former students, and observers are furious. “It would be a crime against art and the city’s heritage,” one local politician said. The institute’s budget problems date back to a 2016 loan that financed the construction of a new campus. Last fall, the University of California Board of Regents bought $19.7 million in debt to keep the school afloat, taking over the deed to its property. The school has six years to purchase it back.
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The possible sale of the landmark Rivera comes as cultural institutions have been selling—or considering the sale of—art to grapple with pandemic-battered budgets or pursue new initiatives. London’s Royal Opera House sold a David Hockney portrait for $16.9 million last year. (A trustee bought it, and plans to loan it to the ROH.) And the Brooklyn Museum has sold works to endow a fund that will help cover collection-care costs. Lucas has been a player in a similar, earlier case. In 2018, his forthcoming Los Angeles museum snapped up a major Norman Rockwell painting deaccessioned by the Berkshire Museum as part of a sell-off that its board said was necessary to ensure the future viability of the Pittsfield, Massachusetts organization. Those sales divided the community and led to a lengthy legal battle.
Yinka Shonibarehas been tapped to create a memorial in Leeds, England, for David Oluwale, a Nigerian immigrant who drowned in the River Aire in the city in 1969 after witnesses saw him being chased by police. The officers involved were found guilty of assault in a case that made Oluwale’s “name synonymous with institutional racism,” as The Guardian’sLanre Bakare writes. In the story, Shonibare calls unwarranted stops of young Black men in the United Kingdom “relentless, annoying, and embarrassing.” The work is being supported by the city government and the Arts Council after a long push from local activists for a Oluwale memorial.
The Public Sphere
Meanwhile, in Budapest, Hungary, the country’s far-right government has been attacking a sculpture by Péter Szalay that addresses the Black Lives Matter movement, the Guardian reports. The three-foot tall work, a kneeling Statue of Liberty, will be displayed for two weeks. The chief of staff for prime minister Viktor Orbán called BLM “basically a racist movement.” (Conservatives have been starting the year with a great deal of outrage over public art, daily Breakfast readers may note. Yesterday, it was a huge depiction of a vagina in Brazil that had folks raising hackles.)
The Digest
South Korean artist Kim Tschang-yeul, whose meticulous paintings of water droplets won him acclaim, is dead at 91. [Yonhap News Agency]
Marshall McKay, the first Indigenous board chair of the Autry Museum of the American West in Los Angeles, has died at age 68. [ARTnews]
Through his foundation, veteran artist McArthur Binion is aiming to help younger artists. [The Art Newspaper]
Julia Cameron, the author of the 1992 bestseller The Artist’s Way, has a new book. It’s a guide to stoking your creativity. [BBC]
French journalist Valeria Costa-Kostritsky asks, “Is France’s commitment to restitution waning?” [Apollo]
At the Walker Art Center in Minneapolis, director Mary Ceruti is aiming to include more Minnesota artists in its programming and collection. [Mpls.St.Paul]
Did you attend the St Albans School of Art in England? Curators at a local museum want to speak with you. [The Herts Advertiser]
On Instagram, Jennifer Lopez shared a portrait of herself by Malaysian artist Haze Long [Yahoo News!]
Kim Kardashian and Kanye West are said to be divorcing. [Page Six]
The Kicker
“In 2017, we were doing 12 art fairs,” New York and Aspen dealer Marianne Boesky told Scott Reyburn. This year, Boesky has six on her calendar.” “But I’m not sure,” she said. “Every two weeks we seem to change our plans.” [The New York Times]
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
