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Eyewitness to horror: New York museum opens exhibit of art by Holocaust victims – TheChronicleHerald.ca

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By Barbara Goldberg

NEW YORK (Reuters) – Michael Morris, a curator at New York’s Museum of Jewish Heritage, was trying to fulfill a run-of-the mill request when he uncovered a treasure trove of eyewitness depictions of the Holocaust, drawn in pencil, ink and crayon.

“It was a light bulb moment,” said Morris, who put together an exhibit of art created by some of the 6 million Jews killed by the Nazi regime.

“Rendering Witness: Holocaust-Era Art as Testimony,” which opens this week at the lower Manhattan museum, comes at a time when U.S. anti-Semitic hate crimes have spiked and memories of the horrors of the Holocaust are fading.

“This exhibition stands against and educates about the dangers of anti-Semitism, racism, bigotry of any kind,” said Morris, describing the 21 powerful depictions of the Holocaust, mostly by Jewish prisoners.

It all started with another institution’s request to borrow some of the pieces in the museum’s collection. As Morris reviewed the dozens of works in its vaults, he knew immediately that it was high time for the museum to mount an exhibition of its own.

“Behind the statistics, and behind the numbers and behind the scenes where we see hundreds of thousands of people in concentration camps, these are actual people who had multi-faceted lives,” Morris said.

Among them was a 12-year-old girl, Helga Weissova, who brought art supplies with her when she was sent to Terezin Ghetto and concentration camp, about 30 miles (48 km) north of Prague in the Czech Republic, in October 1944. Before Weissova was deported from Terezin to Auschwitz, the infamous slave-labor camp in southern Poland, she gave her drawings to her uncle, a fellow prisoner who hid them behind a wall.

The show features her 1943 work in colored pencil on paper, “Transport Leaving Terezin,” which shows gun-toting guards ushering a huddled group of prisoners carrying suitcases.

Weissova is now in her 90s and living in Prague, but many of the artists never made it out of the deadly camps.

Peter Loewenstein of Czechoslovakia was deported in 1941 to Terezin. He gave the 70 drawings to his mother before he was then deported in 1944 to the notorious Auschwitz camp.

His mother and sister would soon be deported to Auschwitz as well, but not before turning over the art to a family friend.

His sister, the only family member who survived the camp, recovered the portfolio after the war, including “Eight Men in Coats with Stars,” a 1944 ink on paper depiction of Jews forced to wear identification badges.

Equally powerful is a watercolor by Marvin Halye, a member of the 104th Infantry Division of the U.S. Army, who liberated Nordhausen concentration camp in Germany in 1945.

After seeing the few surviving prisoners tending to thousands of bodies, he rushed to paint “Liberation of Nordhausen, Civilians Covering Corpses.”

The show, which runs Jan. 16 through July 5, opens amid a spike in anti-Semitic hate crimes across the United States and particularly in New York City, home to the largest Jewish community outside of Israel.

Anti-Jewish hate crimes in New York in 2019 were at a 28-year high, according to professor Brian Levin, director of the Center for the Study of Hate and Extremism at California State University, San Bernardino.

In the most recent attack, a machete-wielding man wounded five people gathered last month for a Hanukkah celebration at a rabbi’s home in the New York City suburb of Monsey.

Just weeks earlier, a shooting at a kosher supermarket in nearby Jersey City, New Jersey left two Hasidic Jews dead.

Hate crimes are escalating at a time when many American adults lack basic knowledge of the Holocaust.

The greatest gaps in understanding are among U.S. millennials – people in their 20s and 30s. Two-thirds of them do not know what Auschwitz is, said a recent survey by the Conference on Jewish Material Claims Against Germany.

(This story corrects timeline in paragraph 10)

(Reporting by Barbara Goldberg; Editing by Lisa Shumaker)

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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