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Forbes Social Media Awards 2020: 16-Year-Old TikTok Star Charli D'Amelio Snags Person Of The Year – Forbes

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With most of us stuck at home on the sofa in 2020, it was a boom time for social media. Some people used it to connect with friends, family and coworkers during the long, forced seclusion. Many others saw it as a safe haven, a place to turn to for entertainment and diversion—giving rise to a new generation of young celebrities, who climbed to fame as TikTok demanded more and more of our screen time.

Here are our picks for the people, companies and trends that defined social media in the last year.


Best Product: Cameo

What do Floyd Mayweather, Tiger King star Carole Baskin and YouTuber LA Beast have in common? They’re all for hire on Cameo, the web-based business that allows you to commission videos from celebrities—perhaps to wish someone a happy birthday or to congratulate them on a promotion. Over the last 12 months, users bought 1.2 million Cameos, triple the amount commissioned in all of the company’s prior four-year history, while the average price of a video rose 60%, to $80. For customers, Cameos are an opportunity to send a personalized gift without leaving home. For celebrities, they’re a new revenue stream, an opportunity to stave off their own lockdown boredom and a chance to stay relevant with fans—especially since well-made Cameos often go viral on social media. “My mom loves Kenny G more than any artist, and he made her a birthday Cameo,” says company cofounder Steven Galanis. When Mama Galanis received the video, she posted it on Facebook. “It’s the most engaged post she’s ever had,” Steven Galanis says.


Most Intriguing Newcomer: Clubhouse

Shortly after bars, professional clubs and conference centers went dark, Clubhouse launched in April. The invite-only, audio-based social network seemed to offer a dream version of a cocktail party: hop between different group conversations in which anyone could participate while the guest list stayed ultra-exclusive. To accomplish the latter, Clubhouse at first limited its user base to celebrities (Oprah, Chris Rock, Ashton Kutcher) and the corporate elite (Jeffrey Katzenberg, Mark Cuban, Marc Andreessen). Its overnight popularity sparked a bidding war among VC firms ready to finance it, and it snagged a $100 million valuation in an Andreessen Horowitz-led round in May. Clubhouse remains invite only—and dogged by criticism that it should do more to moderate its users and heed complaints about racist and sexist comments made on its app.


Disruptive Innovator: TikTok 

Yeah, this one’s not really much of a competition. The video social network has ballooned from 55 million users worldwide in 2018 to 690 million this year. As a result, the app has become the center of internet culture, where video-based memes featuring snippets of songs, physical stunts and choreographed dances are endlessly remixed. TikTok’s short clips are often shot casually in a living room or bedroom, far different from Instagram’s glossy, curated photos and YouTube’s much-lengthier videos. “It’s really lowered the bar for creation,” further fueling TikTok’s popularity, explains Brianne Kimmel, a venture capitalist focused on consumer tech and social media. There’s no greater sign of profound disruption than the race to copy it: In the past year, Instagram rolled out its short-form Reels videos, and Snap is paying $1 million a day to encourage its users to publish content to a public feed similar to the one TikTok has.


Outstanding Firm: Discord

“You’re going to make mistakes,” Discord cofounder Jason Citron admitted in a Forbes interview in June. “As long as it doesn’t kill you, you learn from it.” He and cofounder Stan Vishnevskiy certainly seem to have learned from theirs. Their chat app was once most famous as the tool used by white supremacists to plan the deadly 2017 Charlottesville protests. It’s since become a widely popular voice- and video-chat platform used by everyone from students and teachers contending with remote learning to Black Lives Matter protesters. In June, Discord raised $100 million in funding that placed a $3.5 billion price tag on the firm. With its popularity continuing to climb in lockdown, the company raised another $100 million in December that roughly doubled its valuation in a year.


Annus Horribilis: President Trump 

In 2020, President Trump declared war on social media. He probably would’ve had better luck maneuvering elephants over the Alps. 

Most prominently, the president tried—unsuccessfully—to get Chinese-owned TikTok to sell itself to a U.S. company in a matter of weeks. And then there was his equally unsuccessful campaign to get Congress to repeal Section 230, the key federal legislation offering broad legal protection to social media firms and other internet companies. While there is significant bipartisan support for altering the law, most lawmakers disagree with Trump’s sledgehammer approach, and as with many things, President-elect Biden seems more likely to accomplish meaningful reform. “With a more clear and coherent approach from the executive branch, I think it will give more space for the consensus in Congress to grow,” says Graham Brookie, director of the Atlantic Council’s Digital Forensic Research Lab.


Forbes Forecast: Some of the TikTokers will grow up

They may be newly famous online, but many TikTok stars need a dose of reality.  “Influencers think pretty short term,” says Tiffany Zhong, 24, publisher of a widely read annual report on social media trends and cofounder of Zebra IQ, an app that helps influencers build their online fanbases. “A lot of them need to learn to think longer term.” The savviest TikTokers will begin to focus less on fee-based brand deals than on equity stakes—either in businesses they start themselves or in established brands—following the same route to riches that older, traditional stars have blazed for them.

Some TikTokers are already thinking along these lines. In December, Charli D’Amelio, 16, signed on as both a public face of and an investor in fintech startup Step. And fellow star Josh Richards, 18, has made similar deals—in companies like LendTable, another fintech startup—plus embraced a new role as a full-fledged venture partner at Boston-based Remus Capital. The gig at Remus “was a way for me to get a lot of experience in the world of venture funds. And as a Gen Z myself, it allows them to get a lot of insight into what the next generation wants,” Richards says. “I just want to be able to learn and take in as much as I can—before I start my own fund.”


And drumroll, please …

The Forbes Person Of The Year In Social Media: Charli D’Amelio

No one better personifies the explosion of TikTok than Charli. Eighteen months ago, she was an anonymous Connecticut teenager. Today, she’s the most-followed person on TikTok, recently surpassing 100 million followers, a threshold few celebrities have crossed on any app. “Charli hitting 100 million—it’s insane,” says Jacob Pace, a fellow influencer who runs a popular TikTok channel, @FlightHouse, featuring interviews and music videos with top celebs like Charli. Her following is a pretty telling sign that “TikTok got a lot more attention this year and got a lot more mainstream,” Pace says. Those fans can’t get enough of Charli’s dance moves—or her chronicles of life with her family and fellow TikTok star sister Dixie. She’s appeared on The Tonight Show Starring Jimmy Fallon, documented Paris Fashion Week as an official Prada guest and struck several lucrative corporate sponsorships with brands such as Morphe cosmetics, Sabra hummus and Hollister clothing. Next up: a Kardashian-esque reality show on Hulu due out next year about the D’Amelio clan.

We handed out these 2020 Forbes Social Media Awards after spending way too much time on TikTok and Twitter—and after some important consultations with venture capitalist Brianne Kimmel, founder of Work Life Ventures; Tiffany Zhong, a former Under 30 honoree and cofounder of Zebra IQ, an app that influencers use to build out their online fanbases; and Jacob Pace, the founder of FlightHouse, which runs both a popular TikTok account and a digital marketing consultancy.


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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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