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Young love can be hell. ‘Tell Me Lies’ showrunner Meaghan Oppenheimer wants to write it that way

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Dramatizing toxic relationships can be tricky, just ask the filmmakers and cast of “It Ends With Us.” While the movie about a woman who falls in love with a man who abuses her has been a box office success, it prompted discourse about whether it glorified domestic violence.

The Hulu series “Tell Me Lies,” now streaming its second season, is about an on again-off again relationship between Lucy and Stephen (Grace Van Patten and Jackson White). Their relationship isn’t physically abusive, but it is unhealthy.

Meaghan Oppenheimer, executive producer and showrunner, says she’s very mindful of respecting the weight of early relationships on a person’s life. She says at that age “you’re learning how to love and what love is.”

“This age is so important, and I think most people when they write about YA, they don’t take it seriously,” said Oppenheimer. “There’s sort of a flippant aspect to some of it.”

In “Tell Me Lies,” she also wanted to tap into how people sometimes romanticize unhealthy relationships with the justification that the harder they are to maintain, the stronger the connection.

“As you mature, hopefully you realize that happiness is the most exciting thing. The back-and-forth relationships, the on and off, they’re actually really boring because they follow the same cycle, and there’s never any actual growth,” she said.

We’ve all known someone like Lucy, have been Lucy, or even Stephen, says Oppenheimer.

“We’ve all had that friend, and a lot of us have been that friend. It’s wild what we do to ourselves in pursuit of love and sex. We accept behavior and treatment that we would never accept in any other part of our life, and we can be the most hurtful.”

Van Patten says she “can totally relate” to Lucy’s clouded judgement when it comes to Stephen.

“I definitely relate to being really young and not knowing who I am and grasping and pretending I knew who I was and losing myself in certain situations that I thought were priorities at that time.”

This season, Lucy and Stephen spend a lot of energy trying to make the other miserable. Van Patten and White are dating in real life, and Van Patten says the shift to their on-screen personas “was really fun.”

“(Lucy’s) anger is still a need to connect with him. It’s a way to still have Stephen in her life without being with him. I found it really interesting to act with (White) in those situations because there’s so much beyond what we had to say. It was almost kind of more how we were looking at each other and what we were saying in our heads as opposed to the lines that were written.”

Van Patten says they would apologize after a particularly cruel take.

“Before a scene we would be like, ‘People do this? This is crazy.’ And then we both have to, like, get into it and justify our actions and do it. And then it’s like, ‘My God. I’m so sorry I had to just do that to you.’”

White says he and Van Patten “could just kind of flip whenever we needed to,” but don’t share as many scenes in season two.

The new season introduces another unhealthy relationship — Lucy’s friend Bree (Catherine Missal) and the husband of a professor, played by Tom Ellis (“Lucifer”). Ellis is married to Oppenheimer.

“Someone pitched the idea of Tom, and I was like, ‘That’s crazy.’ Then I couldn’t get it out of my head. So I just asked him,” said Oppenheimer. “He was a little nervous but really excited. It’s darker territory than he’s played in before. I think by the end, it felt really heavy for him. It was hard for him to play a character that he couldn’t really forgive. I kept having to be like, ‘Be colder. Don’t smile so much.’”

Ellis says the role took its toll, but the couple’s baby daughter, Dolly, helped pull him out.

“There was no familiarity there for me at all. It left me feeling quite dark, actually, at the end of it,” he said. “I was really thankful for Dolly who was sort of an instant kind of release from the story that we were telling.”

When it comes to the characters, it’s more difficult to write Lucy than Stephen, said Oppenheimer.

“Stephen is obviously very complicated, but he moves in a straight line. He is completely focused on what he wants and everything he does serves a purpose to get that. Lucy doesn’t know what she wants.”

Lucy “doesn’t have the same set of tools that Stephen has. It’s harder to write a character who is doing things, and you don’t know why they’re doing them, because she doesn’t know why she’s doing them.”

It would be “wonderful” to see Lucy “come full circle” but not yet. “I think she has a long way to go, but it would be great to see her get it right,” Oppenheimer says.

Besides, Oppenheimer enjoys writing about the messiness in relationships.

“There’s so much progress we’ve made as a human race, but we haven’t figured out how to stop breaking each other’s hearts. If you read a love story from 100 years ago, the feelings are all the same. I think there’s something so strange about that.”

Oppenheimer is writing “Second Wife,” a more uplifting show for Ellis where he will star opposite Emma Roberts, who is an executive producer on “Tell Me Lies.”

Roberts will play a second wife to a Brit, living in London. Oppenheimer says the show is “funnier” than “Tell Me Lies” “with more heart.”

“I think people will assume it’s autobiographical. It’s really not except for the fact that I’m an American girl who married a Brit, and I’m his second wife. I know that people will think that … So, just putting that out there.”



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Hot Docs says it’s reopening theatre on a limited basis, searching for new leader

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TORONTO – The beleaguered Hot Docs Film Festival says it will reopen its flagship Toronto theatre on a limited basis as it embarks on a search for a new leader this fall.

Canada’s largest documentary film festival says the Hot Docs Ted Rogers Cinema will open for third-party rentals and select partner screening events later this month.

The festival says it will gradually welcome back staff who were temporarily laid off over the summer after the theatre was shuttered in May due to “urgent financial challenges.”

Hot Docs says it will also be seeking a new executive director with leadership experience in the Canadian non-profit arts sector.

The organization’s president Marie Nelson stepped down in July after just one year in the role.

Nelson faced much criticism during her post at Hot Docs, with some observers questioning her commitment to the organization given that her primary residence was in the U.S.

Hot Docs says it has been addressing its deficit by implementing plans to streamline the organization, cut operating costs and prioritize core programming and strategy initiatives.

The struggling organization is currently led by interim executive director Janice Dawe and managing director Heidi Tao Yang.

This report by The Canadian Press was first published Sept. 19, 2024.

The Canadian Press. All rights reserved.



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With NHL national rights up in 2026, could Amazon be the big winner after MLSE deal?

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Rogers Communications’ plan to buy out Bell’s ownership share of Maple Leaf Sports & Entertainment could become a big victory for an emerging power player on the sports media scene.

The deal makes tech giant Amazon a strong favourite to land national NHL broadcast rights once the current deal with Rogers expires in less than two years, a sports management associate professor said Thursday.

“The big winner was Amazon,” said Brock University’s Mike Naraine. “1A was Amazon, 1B was Rogers and after 50 feet of nothing, Bell shows up last.”

Rogers announced Wednesday it planned to purchase Bell’s 37.5-per cent share of MLSE for $4.7 billion, giving it 75 per cent ownership of the sports conglomerate. Rogers and Bell currently hold equal shares while MLSE chairman Larry Tanenbaum, via his holding company Kilmer Sports Inc., owns the other 25 per cent.

The proposed sale, assuming it gets regulatory and league approvals, is expected to close in mid-2025.

Bell owns TSN while Rogers owns Sportsnet and Major League Baseball’s Toronto Blue Jays. The NHL’s Maple Leafs, NBA’s Raptors, CFL’s Argonauts, Toronto FC of MLS and the AHL’s Marlies are under the MLSE umbrella.

The deep-pocketed Amazon, meanwhile, is preparing to dip its toe in the NHL broadcasting water this season with Prime Monday Night Hockey. It already has an NFL package for Thursday night games and the NBA recently signed a long-term media rights deal with Amazon, Disney and NBC Universal.

In 2013, Rogers’ $5.2-billion, 12-year NHL rights deal was billed as the largest media rights deal in league history. As for the next package, Naraine said the timing is perfect for an OTT (over-the-top) platform like Amazon to “blow everyone out of the water” and secure the rights.

“What this (MLSE deal) really says is now the door is wide open and things are going to get shaken,” he said. “It’s not Rogers versus Bell anymore. It’s really the old guard versus the new guard.

“And this move is the first domino to fall. The next domino to fall will be who exactly gets the rights in 2026.”

Naraine felt that Rogers was also a winner in the deal because they “clarified to everyone what they want to do” by focusing on ownership and legacy. The proposed sale puts the value of MLSE in its entirety at $12.53 billion.

“It’s a long-term game, not a short-term game,” Naraine said. “But it’s a game that (Rogers executive chairman) Ed Rogers knows he’s going to win. There’s only (30 or) 32 teams in these leagues.”

As for Bell, Naraine said he expected the infusion of funds would likely be used to tackle debt and invest in its core telecom business.

If Amazon does go all in on the next rights deal, Rogers, TSN and the CBC could all still have a piece of the pie, depending on who might be in position to pay, said Naraine.

He added the “writing was already on the wall” on Rogers’ future plans when it off-loaded the Monday night package to Amazon last April.

“There is a very small chance that Rogers blows another $6 billion-plus dollars to get hockey rights on top of the $4.7 billion they just spent to buy and acquire Bell’s stake in MLSE,” he said.

Amazon Prime Video’s first exclusive game is Oct. 14 between the Montreal Canadiens and Pittsburgh Penguins.

Prime Monday Night Hockey will stream all national regular-season Monday night NHL games in English for the next two seasons. The deal was the NHL’s first exclusive national broadcast package with a digital-only streaming service in Canada.

This report by The Canadian Press was first published Sept. 19, 2024.

Follow @GregoryStrongCP on X.

The Canadian Press. All rights reserved.



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‘Russians at War’ producers threaten legal action against TVO for pulling documentary

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Lawyers representing the producers of “Russians at War” say they may pursue legal action against Ontario’s public broadcaster for pulling support for the controversial documentary amid outcry from the Ukrainian community and some Canadian politicians.

A letter addressed to TVO’s board and management demands that the network immediately reinstate its commitment to air “Russians at War,” or allow the filmmakers to license the film to another broadcaster or streaming platform.

The letter says that if the matter can’t be resolved, the film’s producers will be left with “no choice but to pursue all legal remedies,” including claims for breach of contract, defamation, and damages associated with any loss of funding for the project.

“We trust that the board will recognize the gravity of this situation and act swiftly to rectify it,” lawyer Danny Webber of Hall Webber LLP wrote in the letter sent Thursday, adding that the law firm expects a response from TVO within 10 business days.

TVO board chair Chris Day told The Canadian Press that the broadcaster won’t publicly comment on legal matters.

The film by Russian-Canadian director Anastasia Trofimova — which captures the experiences of Russian soldiers on the front lines of the war in Ukraine — has sparked considerable backlash from Ukrainian officials and the Ukrainian Canadian Congress, who called it “Russian propaganda.”

The documentary was produced in partnership with TVO and financed in part by the broadcaster’s allocation of Canada Media Fund resources. Deputy Prime Minister Chrystia Freeland has denounced the use of public funds to help produce and screen “Russians at War,” saying she shares the Ukrainian community’s “grave concerns” about the film.

Last week, TVO’s board of directors cancelled plans to air the documentary in the coming months, citing feedback it had received. That announcement came just days after the network defended the film as “antiwar” at its core

The letter from the film producers’ legal team called the decision “a clear violation of the filmmakers’ rights,” noting that TVO’s programming department approved every stage of the documentary’s production, “reviewing each cut of the film.”

The board’s decision also has “potentially catastrophic financial implications,” the letter says, because money secured from the Canada Media Fund is contingent on the documentary having a broadcast licence.

“By cancelling the broadcast commitment, TVO has placed the entire project’s financing in jeopardy, exposing the filmmakers to potential financial ruin,” it claims.

“Russians at War” was set to have its North American premiere during the Toronto International Film Festival, but screenings had to be postponed to Tuesday due to threats of violence against TIFF staff and operations, organizers said.

The film’s director, producers and TIFF organizers have all rejected claims that the documentary promotes Russian propaganda, saying it was filmed without the knowledge of the Russian government and without any kind of financing from Russia.

This report by The Canadian Press was first published Sept. 19, 2024.

The Canadian Press. All rights reserved.



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