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Young love can be hell. ‘Tell Me Lies’ showrunner Meaghan Oppenheimer wants to write it that way

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Dramatizing toxic relationships can be tricky, just ask the filmmakers and cast of “It Ends With Us.” While the movie about a woman who falls in love with a man who abuses her has been a box office success, it prompted discourse about whether it glorified domestic violence.

The Hulu series “Tell Me Lies,” now streaming its second season, is about an on again-off again relationship between Lucy and Stephen (Grace Van Patten and Jackson White). Their relationship isn’t physically abusive, but it is unhealthy.

Meaghan Oppenheimer, executive producer and showrunner, says she’s very mindful of respecting the weight of early relationships on a person’s life. She says at that age “you’re learning how to love and what love is.”

“This age is so important, and I think most people when they write about YA, they don’t take it seriously,” said Oppenheimer. “There’s sort of a flippant aspect to some of it.”

In “Tell Me Lies,” she also wanted to tap into how people sometimes romanticize unhealthy relationships with the justification that the harder they are to maintain, the stronger the connection.

“As you mature, hopefully you realize that happiness is the most exciting thing. The back-and-forth relationships, the on and off, they’re actually really boring because they follow the same cycle, and there’s never any actual growth,” she said.

We’ve all known someone like Lucy, have been Lucy, or even Stephen, says Oppenheimer.

“We’ve all had that friend, and a lot of us have been that friend. It’s wild what we do to ourselves in pursuit of love and sex. We accept behavior and treatment that we would never accept in any other part of our life, and we can be the most hurtful.”

Van Patten says she “can totally relate” to Lucy’s clouded judgement when it comes to Stephen.

“I definitely relate to being really young and not knowing who I am and grasping and pretending I knew who I was and losing myself in certain situations that I thought were priorities at that time.”

This season, Lucy and Stephen spend a lot of energy trying to make the other miserable. Van Patten and White are dating in real life, and Van Patten says the shift to their on-screen personas “was really fun.”

“(Lucy’s) anger is still a need to connect with him. It’s a way to still have Stephen in her life without being with him. I found it really interesting to act with (White) in those situations because there’s so much beyond what we had to say. It was almost kind of more how we were looking at each other and what we were saying in our heads as opposed to the lines that were written.”

Van Patten says they would apologize after a particularly cruel take.

“Before a scene we would be like, ‘People do this? This is crazy.’ And then we both have to, like, get into it and justify our actions and do it. And then it’s like, ‘My God. I’m so sorry I had to just do that to you.’”

White says he and Van Patten “could just kind of flip whenever we needed to,” but don’t share as many scenes in season two.

The new season introduces another unhealthy relationship — Lucy’s friend Bree (Catherine Missal) and the husband of a professor, played by Tom Ellis (“Lucifer”). Ellis is married to Oppenheimer.

“Someone pitched the idea of Tom, and I was like, ‘That’s crazy.’ Then I couldn’t get it out of my head. So I just asked him,” said Oppenheimer. “He was a little nervous but really excited. It’s darker territory than he’s played in before. I think by the end, it felt really heavy for him. It was hard for him to play a character that he couldn’t really forgive. I kept having to be like, ‘Be colder. Don’t smile so much.’”

Ellis says the role took its toll, but the couple’s baby daughter, Dolly, helped pull him out.

“There was no familiarity there for me at all. It left me feeling quite dark, actually, at the end of it,” he said. “I was really thankful for Dolly who was sort of an instant kind of release from the story that we were telling.”

When it comes to the characters, it’s more difficult to write Lucy than Stephen, said Oppenheimer.

“Stephen is obviously very complicated, but he moves in a straight line. He is completely focused on what he wants and everything he does serves a purpose to get that. Lucy doesn’t know what she wants.”

Lucy “doesn’t have the same set of tools that Stephen has. It’s harder to write a character who is doing things, and you don’t know why they’re doing them, because she doesn’t know why she’s doing them.”

It would be “wonderful” to see Lucy “come full circle” but not yet. “I think she has a long way to go, but it would be great to see her get it right,” Oppenheimer says.

Besides, Oppenheimer enjoys writing about the messiness in relationships.

“There’s so much progress we’ve made as a human race, but we haven’t figured out how to stop breaking each other’s hearts. If you read a love story from 100 years ago, the feelings are all the same. I think there’s something so strange about that.”

Oppenheimer is writing “Second Wife,” a more uplifting show for Ellis where he will star opposite Emma Roberts, who is an executive producer on “Tell Me Lies.”

Roberts will play a second wife to a Brit, living in London. Oppenheimer says the show is “funnier” than “Tell Me Lies” “with more heart.”

“I think people will assume it’s autobiographical. It’s really not except for the fact that I’m an American girl who married a Brit, and I’m his second wife. I know that people will think that … So, just putting that out there.”

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‘Error in judgment’: Province probes school board’s $45k Italy trip for $100k of art

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TORONTO – Ontario’s education minister has asked officials to conduct a governance review of a Brantford-area Catholic school board after trustees spent $45,000 on a trip to Italy to buy $100,000 worth of art.

Trustees of the Brant Haldimand Norfolk Catholic District School Board promised to pay back the trip expenses, not long after they were reported by the Brantford Expositor, but Education Minister Jill Dunlop said more answers are necessary.

“While I acknowledge that the (board) is taking steps to fix their error in judgment, I remain concerned that accountability was only taken after my ministry and the public expressed clear concerns for the misuse of taxpayer dollars,” Dunlop wrote in a statement.

“With that in mind, I have asked my officials to start the process to conduct a governance review of the board.”

The Brantford Expositor reported that the art purchased in Italy included life-sized, hand-painted wooden statues of St. Padre Pio and the Virgin Mary, a large crucifix, sculptures depicting the 14 stations of the cross and a bust of Pope Francis.

Most of the art is destined for St. Padre Pio Catholic Secondary School, currently under construction, which the board wants to make a “flagship” school, the newspaper reported.

Board chair Rick Petrella initially told the Expositor that he and three other trustees travelled to Italy over the summer to meet artisans and commission the religious artwork.

“We looked at buying it off the shelf, but nothing stood out,” he told the newspaper.

But Petrella and the board of trustees now say in a subsequent statement that they regret the trip, and have promised to repay the expenses, as well as look at donations or other funding to offset the cost of the artwork to the board.

“We recognize that the optics and actions of this trip were not favorable, and although it was undertaken in good faith to promote our Catholic identity and to do something special for our two new schools, we acknowledge that it was not the best course of action,” they wrote.

The province is also conducting an audit of the Thames Valley District School Board in southwestern Ontario due to a staff retreat in Toronto that cost nearly $40,000, including a stay at the Rogers Centre hotel.

The ministry is also doing an expedited investigation of the Toronto District School Board after Premier Doug Ford raised concerns about a recent field trip, which saw students from 15 schools attend a protest on mercury contamination affecting a First Nation community in the north.

Videos of the protest on social media show some march participants chanting pro-Palestinian slogans, which prompted Ford to complain that teachers were trying to indoctrinate children.

This report by The Canadian Press was first published Oct. 18, 2024.

The Canadian Press. All rights reserved.



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Credit card fees for small businesses dipping lower as deal set to take effect

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TORONTO – Credit card fees for small and medium-sized businesses are starting to dip lower as a deal reached between the federal government and the two major card companies is set to take effect.

Mastercard and Visa are reducing interchange fees by up to 27 per cent in a move that Ottawa says will save businesses about $1 billion over five years.

Dan Kelly, president of the Canadian Federation of Independent Business thanked Finance Minister Chrystia Freeland for seeing the deal through. In a statement, he said qualifying businesses could expect about $350 savings per year for each $100,000 in Visa sales and about $200 in savings per year for each $100,000 in Mastercard sales.

To qualify, businesses’ sales volume can’t exceed $300,000 on Visa and $175,000 for Mastercard.

The change officially takes place Saturday, but some payment processors have already started to pass on the savings.

The small business group has, however, noted that not all processors have been clear that they’ll pass on the savings, pointing for example to Stripe where not all customers will see a change.

Kelly said Stripe’s decision means the company would keep the savings that were intended for small business customers.

“It’s extremely disappointing to see a big company take this approach,” he said.

Stripe says customers on its Interchange Plus plan, which sees costs vary by transaction type, will see the fee reductions passed through, just like other network cost and fee changes.

But those on its flat-rate plan won’t see a change, because the company says it has seen other costs and fees rise that add up to more than the reduction in interchange fees.

Other processors such as Moneris have said that qualifying businesses on both its interchange plus and flat rate model will see a reduction.

Finance Ministry spokeswoman Marie-France Faucher said the fee reduction should benefit about 90 per cent of businesses that accept credit card, and the department expects companies to pass on the savings.

“The federal government is closely monitoring the implementation of the credit card fees reduction, with the strong expectation that all payment processors like Stripe will pass the savings on to small businesses.”

She said the revised code of conduct for the industry has also given businesses more rights, including switching processors without penalty.

This report by The Canadian Press was first published Oct. 18, 2024.

The Canadian Press. All rights reserved.



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Quebec nurses union votes in favour of new collective agreement

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MONTREAL – Quebec’s largest nurses union has reached a deal with the provincial government more than a year and a half after their collective agreement expired in March 2023.

Fédération interprofessionnelle de la santé, known as the FIQ, announced Thursday evening that two-thirds of union members had voted to adopt a new collective agreement recommended by a conciliator.

The details of the deal were not disclosed, but a major sticking point had been the government’s push for nurses to be more flexible in moving between health-care facilities to address staffing needs.

The union rejected a deal in principle in April over concerns about transfers between health centres, but president Julie Bouchard says those requirements will now be better defined.

However, Bouchard is not declaring victory and says the union will continue to fight to improve difficult working conditions, which include mandatory overtime and staff shortages.

The union has 80,000 members, including the majority of Quebec nurses, and the new collective agreement covers the period from 2023 to 2028.

This report by The Canadian Press was first published Oct. 18, 2024.

The Canadian Press. All rights reserved.



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