adplus-dvertising
Connect with us

Art

Zurich Art Week Will Be All About A.I., With Tech-Centered Art Shows, Talks, and Events Across the City. Here Are Our Top Picks – artnet News

Published

 on


By now, stopping off at Zurich Art Weekend en route to Art Basel has become an essential art world ritual. Across 73 venues, the city is hosting more than 100 free events, all packed into just one weekend and, this year, there is a special focus on art and tech.

Even in Switzerland, home to the “Crypto Valley,” as the nearby city of Zug has been dubbed, NFT-mania is on the way out. Last year, interest was slowly fading but at this year’s sixth edition of Zurich Art Weekend (June 9-11), there can be no doubt that A.I. is the new acronym on everyone’s lips.

If there is a city that is capable of leading this conversation, it’s surely Zurich. On top of being Switzerland’s financial center with attractive tax relief for residents—and so, naturally, an enclave for high-net-worth collectors—it boasts world-class research labs and a roster of Big Tech companies like Google, Apple and IBM.

300x250x1

Nonetheless, it can still be tricky to successfully bridge the art and tech worlds, with their vastly different customs and cultures. That mission has been at the heart of Zurich Art Weekend’s interdisciplinary programming since its inception in 2018.

“We wanted to start a conversation between artists and scientists,” the event’s founding director Charlotte von Stotzinger told Artnet News. “We thought two years ago with NFTs that the two worlds could merge, but now we are seeing that the split is still there. The art world hasn’t changed much from a structural point of view. The old patterns are back.”

How best, then, to introduce this uncertain audience to the innovations that the tech world has to offer? Zurich Art Weekend has concocted a compelling mix of impressive, large-scale exhibitions and more intimate panels that draw from the city’s wide pool of expertise. “We try to transform the whole of Zurich into a platform for exchange, not only between the speakers on stage but to also trigger new ideas and debates among the public,” said von Stotzinger.

Here’s your guide to what not to miss. 

EXHIBITIONS

Liat Grayver & Marcus Nebe, Blue Transmutations (2023) will be part of ETH Zurich’s “Data Alchemy” exhibition from June 9-24, 2023. Photo :© VG-Bildkunst / Liat Grayver.

“Data Alchemy: Observing Patterns From Galileo to Artificial Intelligence”

ETH Zürich 

June 9–24, 2023

“ETH is like the MIT of Europe,” von Stotzingen said. The research university’s impressive A.I. Center has hired a small team of curators to help organize public programming around the new technology’s creative potential.

A.I. is powerful because it can execute fast-paced and efficient pattern recognition, but historically, we have happily relied on the human brain to observe our surroundings and make our own inferences and predictions. This latest exhibition compares the history of cosmology, religion, mysticism and other esoteric belief systems with the present-day enigma of the “black box” machine learning algorithm. Are we circling back towards a less rational, pre-Enlightenment way of understanding the world?

Two special talks organized around the show are taking place at the ETH’s Collegium Helveticum Meridian Saal. These are a conversation between artist Liat Segal and research scientist Jennifer Wadsworth at 8pm on June 8 and another between the artist Rohini Devasher and the historian of science Omar W. Nasim at 3pm on June 11. More details here.

reconFIGURE concept sketch. Image: © Chris Elvis Leisi / Immersive Arts Space.

“reconFIGURE”

Immersive Arts Space, ZHdK

June 9–11

The Immersive Arts Space at Zurich’s leading arts university ZHdK is headed up by Christopher Salter, an artist and expert in the field of technology-enabled digitally immersive and mixed-reality experiences. “It’s great luck to have him in Zurich all year round,” von Stotzinger said.

This latest project, still a work-in-progress, is sure to excite and surprise. The idea is to explore how human bodies and experiences can be captured, represented and re-configured thanks to emerging technologies. As visitors enter the exhibition, their body is scanned so that a moving silhouette, or true-to-life avatar, can appear and move independently around the room, even merging with others.

Christopher Kulendran Thomas, The Finesse (2022) in collaboration with Annika Kuhlmann. Photo courtesy of the artist.

“For Real” by Christopher Kulendran Thomas 

Kunsthalle Zürich at 270 Limmatstrasse, 8005, Zürich

Opens June 9 at 6pm

Arriving to Zurich off the back of highly successful solo show at the ICA London, Christopher Kulendran Thomas is gaining attention for a widely varied practice that incorporates A.I. generative tools. For example, in The Finesse, a film exploring the Tamil community’s independence movement and acts of artistic resistance, archival footage is mixed up with A.I.-generated avatars. The exhibition also includes new paintings whose compositions were created by an algorithm that had been trained on a variety of Western and non-Western art historical influences and motifs.

A guided tour and conversation between the artist and the museum’s director Daniel Baumann will take place at 3pm on June 11th. More details here.

TALKS AND CONFERENCES

“Gold or Lead? The Alchemy of Crypto Art & Its Markets”

UZH Blockchain Center & Art Market Studies

June 8 at 1:15pm

For those who just can’t wait for the weekend’s excitements, the UZH Blockchain Center has planned a whole conference on crypto art to take place on Thursday, June 8. A long list of speakers are taking part in this packed program, including the center’s director Claudio Tessone. The topic is all things NFTs, but ranges from “Crypto Art: Exploitation” to “The Story Told by Data: A Forensics Approach to Crypto Art” and the big panel discussion: “Crypto Art Markets: Gold or Lead?” More details here.

“How technology is impacting power dynamics in the art world”, a panel by Arcual

Schwarzescafé at Luma Westbau, 270 Limmatstrasse, 8005, Zürich

June 9 at 4pm

Arcual, which bills itself as the first blockchain ecosystem built by the art community for the art community, is an official partner of Zurich Art Weekend. Their panel examines if and how emerging technologies are empowering previously marginalized members of the art world ecosystem and how this tech has changed the relationship between artists and their galleries. Moderated by Arcual’s CEO, Bernadine Bröcker Wieder, audiences can hear the perspectives of auctioneer Simon de Pury, art tech expert Nina Roerhs and artist Gretchen Andrew. More details here.

“Machine Imperfections: Error, Noise and Mistakes in the Arts and Sciences of Artificial Intelligence”, panel discussion

Luma Westbau

June 10 at 2pm

Not much has yet been revealed about this mysterious panel, but von Stotzingen is keen to emphasize the distinction of its participants. Christopher Salter, the mind behind the Immersive Arts Space at ZHdK and its concurrent “reconFIGURE” exhibition (see above), will be joined by Sabine Himmelsbach from the Basel’s House of Electronic Arts (HEK)—”she is recognized as one of the leading specialists on art and tech and exhibitions involving digital arts,” said von Stotzingen—and Dr Claudio J. Tessone, notable for founding the local UZH Blockchain Center. More details here.

“Talk with the artist James Bridle and curator Mirjam Varadinis”

Kunsthaus Zürich

June 10 at 2pm

Following a recent expansion, the Kunsthaus is now the biggest museum in Switzerland. This weekend, it welcomes writer and artist James Bridle, a long-time skeptic of technology, surveillance and data who, in 2019, distilled his views into the book “New Dark Age: Technology and the End of the Future.” To celebrate The Distractor, his new installation in the Kunsthaus Digilab, which looks at the role of algorithms in the attention economy, Bridle will be in conversation with Kunsthaus curator Mirjam Varadinis about different forms of intelligence that might be more beneficial than A.I. More details here.

“The Web3 Art Conference”

NFT Art Day ZRH at Kunsthaus Zürich

June 11 at 1:30pm

Over the weekend, yet another crypto conference is coming to town. NFT ART DAY ZRH is back this year for its second edition. Following a few educational workshops on Saturday, the main event kicks off on Sunday with a robust program of panels on topics like the NFT art market, how Web3 has influenced collecting behaviour, and the the impact of accelerated technologies on art. Additionally, artist IX Shells will be in conversation with Hans Ulrich Obrist. More details here.

More Trending Stories:  

A British Couple Actually Paid Nearly $250,000 to Remove a Banksy Mural From Their Building Due to the ‘Extremely Stressful’ Upkeep 

Archaeologists in Hungary Have Uncovered the Remains of an Ancient Roman Doctor Alongside His Surgical Toolkit 

The World’s First A.I.-Generated Statue, Cobbling Together the Styles of Five Celebrated Sculptors, Has Landed in a Swedish Museum 

Meet the Young Collectors Calling the Shots at the Guggenheim, a Highly Placed Art Worlder’s Anti-Woke Tweets, and More Art World Gossip 

An Extraordinary Wristwatch Belonging to the Last Emperor of China Just Sold for $6.2 Million, Setting Multiple Auction Records 

A Sculpture Depicting King Tut as a Black Man Is Sparking International Outrage 

Archaeologists Have Found a 3,000-Year-Old Bakery in Armenia, After Realizing a Layer of Ash Was Actually Wheat Flour 

Why the Supreme Court’s Decision in the Andy Warhol Copyright Case Shows the Dangers of a Sympathy Vote 

An Exhibition of Taylor Swift’s Stuff Has Just Opened at the Museum of Arts and Design. Here Are 5 Must-See Displays, Swifties 

Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Art

Unique art collection on display – CTV News Vancouver

Published

 on


[unable to retrieve full-text content]

Unique art collection on display  CTV News Vancouver

728x90x4

Source link

Continue Reading

Art

This N.B. artist joined an online movement. Now her art is being shown across the world. – CBC.ca

Published

 on


Since joining a community that dreams of an internet free from giant corporations that can exploit users’ time and data, Victoria West’s digital artwork has been exhibited across the globe.

West, a photographer and digital artist based in Burton, 30 kilometres southeast of Fredericton, has had her work shown in Paris, Rome, Barcelona, Townsville in northeastern Australia, Miami, New York City, and even a museum in Albuquerque, N.M., — all through connections she’s made in Web3.

West warned it was a “rabbit hole,” but what she found in wonderland she doesn’t believe she’d find anywhere else.

300x250x1

Web3 is a future version of the internet. 

WATCH | Step inside Eden’s Dye, Victoria West’s NYC exhibit:

N.B. photographer explains how AI has freed her art from constraints

3 days ago

Duration 2:23

The work of Victoria West, a photographer and digital artist based in Burton, was recently showcased at an immersive exhibit in the Big Apple.

Web1, West said, was the first version of the internet, in which users passively consumed information.

As the 2000s dawned, Web2 emerged, and users could now post their own content — think Twitter, blogs, YouTube. People are now creating more and more in digital spaces, but the downside of Web2 is that corporations are technically still the owners of all that creation, and they could take your data and potentially do with it as they please.

Enter Web3, which still exists more in theory: nobody and everybody owns the internet. This version aims to be decentralized. It doesn’t eradicate the distrust some people have in mega companies like Google and Meta — it just removes the need for it, because no one person or organization can own the blockchain Web3 operates on. 

West said within Web3 there’s an art movement, with artists working together and taking control of their work. Imagine if Leonardo da Vinci had an internet connection, as well as Raphael, Michelangelo and Donatello. It’s the renaissance all over again, West said, except it’s happening with digital art.

“And it’s happening online on a much bigger scale.”

Before learning about W3 in 2021, West said she was in a photography bubble.

A floor lights up with a digital winding path and flowers. The walls are artistic images of women with flowers blossoming from their faces.
Victoria West designed this whole exhibit, including the floor. Working with a coder friend and two well-known actors and poets, Vincent D’Onofrio and Laurence Fuller, Eden’s Dye became a multi-media experience. (Victoria West)

Photography isn’t the art form West imagined herself pursuing when she was younger. But when she bought a camera after the first commercial digital models arrived on the market in the mid-2000s, she was hooked.

“I was bothering everybody around me to take their portrait,” she said.

She built up her portraiture business, becoming involved with the Professional Photographers of Canada and competing in photography contests. Still, West didn’t want to just capture moments — she wanted to make them. 

A piece of art shows a naked man curled up in the palm of a giant, stone-like hand. The world appears a wasteland in ashes behind them.
Victoria West created this piece of digital art, which was exhibited at The Crypt Gallery, another gallery in New York City. (Submitted by Victoria West)

That’s when artificial intelligence came on the scene. 

West was using Midjourney, a generative AI program, when it was still in beta testing. Around the same time she became involved with Web3, she experimented with blending AI-produced textures into her photography. In her business, AI quickened her workflow and allowed her to change backdrops and furniture. 

While creating a piece in 2023 called When I Die, West wanted to design a man underground with roots blossoming into a tree. Well, there aren’t any blossoming trees in Canada in February, West joked — so she made the tree using AI.

“I feel like someone took handcuffs off me, and I’m free,” she said.

A woman with long, wavy hair in balayage blonde colouring stands in a photography studio.
West says technology will progress and the internet will change, but what she really wanted was for people to walk into Eden’s Dye and be amazed by the experience. (Shane Fowler/CBC)

Lauren Cruikshank, an associate professor in culture and media studies at the University of New Brunswick, has spoken about the use of AI in universities, but she also thinks about it through an artistic lens.

From the camera to spell check, Cruikshank said the same discussion happens with each new medium: how much of the artistry belongs to the artist, how much to the tools they’re using?

“For some people where it gets uncomfortable is where the role of the human is minimal compared to how much the AI tool is creating or having creative influence,” she said.

With AI, Cruikshank agreed there are degrees — there’s a difference between prompting an AI to generate an image of a beautiful sunset and claiming it as your artwork and what West is doing, combining AI with her own artistry. 

“That sounds really compelling to me,” Cruikshank said.

A smiling woman with wavy blonde hair and wearing a charcoal turtleneck stands in front of a bookshelf.
Lauren Cruikshank is a professor in the media studies department at the University of New Brunswick. (Submitted by Lauren Cruikshank)

When West first saw Lume Studios on Broadway in lower Manhattan, the place she’d eventually display Eden’s Dye, her immersive art exhibit, she knew she wanted it immediately.

She collaborated on the exhibit with some of her Web3 friends. Los Angeles actors and poets Laurence Fuller and Vincent D’Onofrio wrote poetry to accompany each piece of art, which West created using both photography and AI. A coder friend joined the crew, and the result was a floor-to-ceiling immersive exhibit. West’s collaborators also choreographed performances to complement the art, using music produced by AI.

“Why wouldn’t I do that if I can?” West asked. “It’s freeing, I think, and lets you push the boundaries of photography and what you can do with it.”

While the exhibit leaned heavily on romantic, classical themes and Baroque aesthetics, Eden’s Dye is almost a premonition: minted, digital artwork taking up entire walls in people’s homes, flowers growing from code, experiencing art in virtual realms.

Demand will only grow, West said. Technology will progress and the internet will change. But what she really wanted was for people to walk into Eden’s Dye and be amazed by the art they were experiencing.

“They came because of the art, and they were there enjoying the art. You don’t really need to understand anything beyond that.”

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Art

Niagara quilt expo to explore history of modern art form – Welland Tribune

Published

 on


/* OOVVUU Targeting */
const path = ‘/things-to-do’;
const siteName = ‘wellandtribune.ca’;
let domain = ‘thestar.com’;
if (siteName === ‘thestar.com’)
domain = ‘thestar.com’;
else if (siteName === ‘niagarafallsreview.ca’)
domain = ‘niagara_falls_review’;
else if (siteName === ‘stcatharinesstandard.ca’)
domain = ‘st_catharines_standard’;
else if (siteName === ‘thepeterboroughexaminer.com’)
domain = ‘the_peterborough_examiner’;
else if (siteName === ‘therecord.com’)
domain = ‘the_record’;
else if (siteName === ‘thespec.com’)
domain = ‘the_spec’;
else if (siteName === ‘wellandtribune.ca’)
domain = ‘welland_tribune’;
else if (siteName === ‘bramptonguardian.com’)
domain = ‘brampton_guardian’;
else if (siteName === ‘caledonenterprise.com’)
domain = ‘caledon_enterprise’;
else if (siteName === ‘cambridgetimes.ca’)
domain = ‘cambridge_times’;
else if (siteName === ‘durhamregion.com’)
domain = ‘durham_region’;
else if (siteName === ‘guelphmercury.com’)
domain = ‘guelph_mercury’;
else if (siteName === ‘insidehalton.com’)
domain = ‘inside_halton’;
else if (siteName === ‘insideottawavalley.com’)
domain = ‘inside_ottawa_valley’;
else if (siteName === ‘mississauga.com’)
domain = ‘mississauga’;
else if (siteName === ‘muskokaregion.com’)
domain = ‘muskoka_region’;
else if (siteName === ‘newhamburgindependent.ca’)
domain = ‘new_hamburg_independent’;
else if (siteName === ‘niagarathisweek.com’)
domain = ‘niagara_this_week’;
else if (siteName === ‘northbaynipissing.com’)
domain = ‘north_bay_nipissing’;
else if (siteName === ‘northumberlandnews.com’)
domain = ‘northumberland_news’;
else if (siteName === ‘orangeville.com’)
domain = ‘orangeville’;
else if (siteName === ‘ourwindsor.ca’)
domain = ‘our_windsor’;
else if (siteName === ‘parrysound.com’)
domain = ‘parrysound’;
else if (siteName === ‘simcoe.com’)
domain = ‘simcoe’;
else if (siteName === ‘theifp.ca’)
domain = ‘the_ifp’;
else if (siteName === ‘waterloochronicle.ca’)
domain = ‘waterloo_chronicle’;
else if (siteName === ‘yorkregion.com’)
domain = ‘york_region’;

let sectionTag = ”;
try
if (domain === ‘thestar.com’ && path.indexOf(‘wires/’) = 0)
sectionTag = ‘/business’;
else if (path.indexOf(‘/autos’) >= 0)
sectionTag = ‘/autos’;
else if (path.indexOf(‘/entertainment’) >= 0)
sectionTag = ‘/entertainment’;
else if (path.indexOf(‘/life’) >= 0)
sectionTag = ‘/life’;
else if (path.indexOf(‘/news’) >= 0)
sectionTag = ‘/news’;
else if (path.indexOf(‘/politics’) >= 0)
sectionTag = ‘/politics’;
else if (path.indexOf(‘/sports’) >= 0)
sectionTag = ‘/sports’;
else if (path.indexOf(‘/opinion’) >= 0)
sectionTag = ‘/opinion’;

} catch (ex)
const descriptionUrl = ‘window.location.href’;
const vid = ‘mediainfo.reference_id’;
const cmsId = ‘2665777’;
let url = `https://pubads.g.doubleclick.net/gampad/ads?iu=/58580620/$domain/video/oovvuu$sectionTag&description_url=$descriptionUrl&vid=$vid&cmsid=$cmsId&tfcd=0&npa=0&sz=640×480&ad_rule=0&gdfp_req=1&output=vast&unviewed_position_start=1&env=vp&impl=s&correlator=`;
url = url.split(‘ ‘).join(”);
window.oovvuuReplacementAdServerURL = url;

300x250x1

These aren’t your grandma’s quilts.

Being a grandmother herself, Lorna Costantini said she’s not a huge fan of the above phrase, but she can’t help but use it to describe modern quilting.

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Trending