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What sound does a mushroom make?
What sound does a mushroom make?
A New Adventures in Sound Art (NAISA) exhibit in Sound River has the answer.
The Mycorrhizal Rhythm Machine is a hollow sphere about eight feet high people can walk into and listen to the sounds plants make.
Artist Tosca Teran of Toronto created the display which has plants and fungi, like oyster mushrooms, sitting on shelves in the sphere.
The interior is large enough to accommodate four to five people at a time sitting on benches.
Teran achieves the sound aspect by attaching electrodes to the roots which are connected to other units and ultimately to a synthesizer which gives a musical sound to what the plant or mushroom is experiencing.
The sounds people hear occur in real time.
And if a person touches a mushroom for example, Teran says the nature of the sound changes.
“There are also changes to the sounds throughout the day even when no one is around and nothing is going on,” Teran said.
The sound artist says the plants and mushrooms produce different sounds and she’s learned that mushrooms of the same species can emit different sounds.
“I have found that there are differences and that’s bizarre,” she said.
“They have different patterns and energy. Also the oyster mushrooms have lots of patterns compared to other mushrooms.”
Perhaps an analogy to this is to consider that people are all human but as humans we have different sounding voices even though we belong to the same species.
Teran plans to record the sounds because she “wants to research further what’s going on” in the plants and mushrooms.
But Teran’s initial takeaway from what the plants and fungi emit is something like a life force or heartbeat.
“Also the sound changes when the mushrooms are not looked after or enough changes have taken place in the surrounding conditions,” Teran said.
She knows this through a personal experience when she first began experimenting with sounds from fungi.
Teran says she normally cleans the electrodes before attaching them to the plant or fungi and uses a solution to rid the electrodes of foreign substances.
In this instance she was trying to remove slime mould but didn’t get it all before attaching the electrode to the fungi.
“The next day the fungi had a dry mould around it and the sound was entirely different,” Teran said.
“I interpreted that the (fungi) was freaked out and stressed out because it was being eaten by this other organism.”
Since that incident, Teran has been using new electrodes on a regular basis.
On another occasion during Teran’s earlier days experimenting with sound from plants, she was at the University of Toronto which featured a plant exhibit and a young child was hitting one of the plants.
Teran said the hits produced “a horrible sound” from the plant and when the youngster asked what the sound was, Teran told him “the plant was responding to the hits.
“So there is some kind of life force at work here,” she told the Nugget.
Teran got into sound art when she was growing mushrooms and began wondering if they emitted sounds.
By acquiring the proper equipment she was able to hear the plant sounds.
“I was blown away from the different sounds,” she said.
“It was a mind-blowing moment and I wanted to learn more.”
Teran’s work led to the development of the sphere now at NAISA.
Originally, the exhibit was to have gone up last year but the COVID-related lockdowns nixed those plans.
Despite the one-year delay, this is the first time Teran’s Mycorrhizal Rhythm Machine is on public display.
It takes almost three days to set up.
When she was in South River putting up the exhibit earlier this month people coming into NAISA were definitely curious about the eight foot high hollow sphere.
Since opening day, quite a few South River and area residents have seen the sound-making machine and Darren Copeland, NAISA’s artistic director, said he gets asked a lot of questions about it.
Copeland and other NAISA staff look after the plants and Teran says they have flourished in their environment.
Because the sphere can be taken apart, Teran is hoping to take it on the road to other communities after Sept. 20 when the exhibit leaves South River so other people can experience the sounds plants and fungi emit.
Rocco Frangione is a Local Journalism Initiative reporter who works out of the North Bay Nugget. The Local Journalism Initiative is funded by the Government of Canada.
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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
The Canadian Press. All rights reserved.
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