As a tree grows, its trunk gets wider and longer. Chuck Larson’s interest and energy in wood craft has grown over time as well but is now narrower and more focused. Now that he is retired, he is spending time spinning his wood lathe making beautiful bowls, vases, and candleholders day and night.
While growing up, Chuck worked with his father using woodworking tools to make a wide variety of functional items, large and small. Over the past 15 years through YouTube videos and other media, along with his own experimentation, he has focused on the challenging craft of creating wood products using a lathe. He notes, “It is fun to be creative. It’s why I do this, and I take pride in what I do.”
Chuck’s wood passion took over his garage. He bolted his lathe—a motorized piece of heavy mechanical equipment for turning wood—to the floor and now heads to the garage to work on his creations whenever he feels like it throughout any given day. He can start and stop at will, leave the work as is, and pick up exactly where he left off without a lot of extra putting away and cleaning up.
What is woodturning? It is the process where raw, dried wood is placed and secured on a lathe. Then the lathe spins the wood at high speed, and an operator presses the edge of a metal gouge—a chisel with a shaped cutting edge— into the spinning wood which carves out portions of the wood to create symmetrical shapes. A common example of an item created on a lathe is a decorative table leg. But turning the wood is just one of the middle stages in Chuck’s overall process to complete a new wood craft.
His first step is to procure wood. He might find a fallen log near his home. He paints a waxy substance on the ends of the log to protect the open surface and sets them in his yard to dry for a few years. Chuck buys other wood pieces from a lumber company that specializes in global hardwoods. His favorite wood to use is walnut, but he has developed “a real fondness” for cherry. Oak is another wood he often uses, prized for its rough and sturdy nature.
When he chooses a fallen log for a project, it is usually in “terrible shape.” He typically must round it off a bit with a saw before it is put on the lathe. The danger of splintering wood is ever present when shaping wood, so a face shield is a must. Once on the lathe, it will stay there until the entire lathe operation is complete. As a result, Chuck only completes one piece at a time.
If he starts with purchased wood, he will cut flat layers and shapes of different woods and glue them together into patterns, like checkerboard, before he puts it on the lathe.
Whether a single, dried piece or a piece made up of glued layers, once it is on the lathe, Chuck turns the piece to make it smooth. His pieces are up to 12 inches wide which is the size limit of his lathe. It is only at this point, after smoothing the item down, that he decides what he will make based on the unique features of the wood that are revealed. If the wood is long, it may be a vase. If squat, a bowl. Using a variety of gouges, he shapes the wood inside and out as it turns on the lathe.
The next stage is to sand the item with an increasingly fine grit sandpaper while still on the lathe. Then, it is polished with a paste that has grit in it to make it ready for a finish. Chuck does not stain the wood so the natural colors will glow through the finished piece. He creates a hard finish with two to three coats of a wax emulsion with drying time between each coat. Finally, Chuck removes the piece from the lathe. It is complete and ready to add a little beauty and utility to someone’s home.
When you purchase any of Chuck’s wood craft products, you know it has received his undivided attention as he makes just one at a time with each unique in style and wood features.
If one were to look around his studio right now, you would see items in several different stages of the process. He has some new wood that he is prepping for vases and bowls for upcoming art fairs and Etsy. While some items take longer to create, he can usually complete one item a day in a good week. And if one were to look in Chuck’s kitchen, you would see his wood bowls being using functionally, not simply sitting on a shelf.
If you are interested in wood craft by Chuck Larson, look for him at woodcraftbychuck.com.
This article first appeared on the Evanston Made website.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.