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Biden’s Low-Key Media Strategy Draws Allies’ Concern – The New York Times

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So far in his tenure, the president has given far fewer one-on-one interviews than his two predecessors. Some Democrats are asking if he could be making better use of his White House pulpit.

As president, Donald J. Trump was a media maximalist whose unavoidable-for-comment style helped generate saturation news coverage, for better or worse.

President Biden has taken a stingier approach to his dealings with the press — and not all his allies believe it’s working out.

After nine months in office, Mr. Biden has conducted roughly a dozen one-on-one interviews with major print and television news outlets. That compares with more than 50 for Mr. Trump, and more than 100 for Barack Obama, in the same period, according to West Wing record keepers.

If the pulpit is one of a president’s most powerful tools of communication, Mr. Biden has opted to rely more heavily on fleeting, impromptu exchanges with White House reporters, often taking a few shouted questions as he boards a helicopter or exits a photo-op. He has not sat for interviews with The Associated Press, The New York Times, Reuters, The Washington Post, The Wall Street Journal or USA Today. Even friendly venues like “The Late Show With Stephen Colbert” have gone unvisited.

It’s a Rose Garden strategy in decidedly un-rosy times. As Mr. Biden’s approval ratings have sagged in recent weeks, and his party confronts a tough outlook for next year’s midterm elections, some Democrats have asked if the president has yielded too much control of the public narrative of his administration to others.

“What I believe in is sell, sell, sell,” James Carville, the veteran Democratic strategist, said in an interview. “What they’re missing is salesmanship. Everybody wants to be a policy maven, and no one wants to go door to door and sell pots and pans.”

Mr. Carville expressed concern about a poll last month showing roughly 7 in 10 Americans knew “just some or little to nothing” about the president’s signature domestic policy plans. The leader of the House Democrats’ campaign arm, Representative Sean Patrick Maloney of New York, recently criticized the White House for “not getting the job done on messaging.”

Luke Sharrett/The New York Times

Free Joe Biden,” Mr. Maloney said, urging the president “to get himself out there.”

White House aides reject the idea that Mr. Biden is avoiding the spotlight. Jen Psaki, Mr. Biden’s press secretary, noted that on a day-to-day basis, the president has entertained informal questions from White House reporters more often than either Mr. Trump or Mr. Obama in their early tenures (although these exchanges, and his answers, tend to be brief).

“Taking 30 questions from the national press in a week, or over the course of 10 days or two weeks, is an opportunity for the national press corps to ask him tough questions and do follow-ups,” Ms. Psaki said in an interview. “He fully expects it and he engages in it.”

And after months of negotiations in Congress leading up to passage of the newly signed public works bill, Ms. Psaki said the president was now “in the early stages of a massive selling plan across the country.” Last week, he visited a General Motors plant in Detroit, where he zipped around in an electric S.U.V. — “That Hummer is one hell of a vehicle, man,” the president remarked — and toured a dilapidated bridge in Woodstock, N.H. On Monday last week, he presided over a pomp-filled signing ceremony on the White House lawn that was carried live on national TV.

Whether these efforts are coming too late is an open question. One recent poll showed a declining number of Democrats with favorable views of Mr. Biden’s job performance. The president’s social safety net and climate bill passed the House, but now faces an arduous path in the Senate. The danger, journalists and media strategists say, is that Mr. Biden has allowed his opponents too much room to set the terms of debate.

“The first impression of these packages was framed already by the Republicans,” said Kurt Bardella, an adviser to the Democratic Party. “Now that we see more activity from the White House, they’re coming up against a narrative that was painted by other people, and it becomes a little bit more challenging to stem that tide.”

Doug Mills/The New York Times

Scott McClellan, who served as press secretary to former President George W. Bush, said that presidents “can be overly cautious to your own detriment at times.”

“There are risks, and certainly Biden has a history of sometimes going off-script and off-the-cuff, and message discipline is really critical at a time like this,” Mr. McClellan said. “But those high-profile interviews give you the opportunity to really get across key points that you want to make, that are important in building public support.”

Ms. Psaki said concerns that Democrats have already lost the framing battle “sounds awfully defeatist to me,” pointing to polls showing that the underlying policies of Mr. Biden’s legislative agenda remain broadly popular.

Mr. Biden’s messaging team also prides itself on adapting the traditional White House media playbook to a new age of microscopic attention spans and 24/7 social media, where politicians are as likely to shape public perception with a TikTok video than a sit-down with a baritone-voiced news anchor. The Biden digital campaign has featured cameos from YouTube stars and celebrities like Olivia Rodrigo and Ciara. “We want to meet people where they are in 2021,” Ms. Psaki said.

Still, there are moments where Mr. Biden seems to have set aside some of the unique advantages of his office.

Last week’s bill-signing ceremony at the White House began at 3 p.m., a contrast from Mr. Trump’s inclination to hold major events, like the naming of a Supreme Court nominee, in the evening to capture prime-time levels of viewership. Those events were criticized as reality-show-style stunts, but they usually proved effective in dictating the national news cycle.

“Every network would give him time if he asked for it,” Mr. Bardella said, speaking of Mr. Biden. “He needs to use the trappings of the presidency.”

The president has sat for a few major televised interviews with anchors from CBS, NBC, and ABC (twice). He also enjoys venues where he can answer questions from voters rather than reporters, appearing on three prime-time town halls on CNN. But his most recent CNN appearance, with Anderson Cooper in October, required some cleanup: His remarks suggesting muscular American support of Taiwan against a Chinese attack had to be clarified later by his press team.

The viewership for the October town hall on CNN also left something to be desired — a point in favor of the White House’s argument that traditional media simply matters less these days. The 90-minute event attracted fewer viewers than simultaneous programming on MSNBC, and Fox News’s hosts Tucker Carlson and Sean Hannity were seen by more than double Mr. Biden’s audience that night.

Stephen Crowley/The New York Times

“I suspect that they are of the understandable view of, ‘What difference does it make?’” Mr. Carville said of the Biden team’s cautious approach. “‘Why do I have to sit there and be interrogated for 20 minutes when all I can do is make a mistake, and I can’t move a Popsicle in terms of poll numbers?’”

How a president meets the media is just as often determined by personality as politics.

Mr. Obama was less enthused about facing gaggles of reporters, preferring one-on-ones where he could sidestep “topic of the day” lightning rounds and delve into a subject of his choice. Mr. Trump relished his jousts with journalists, even as he vilified the news media in increasingly menacing ways.

There is little doubt that Mr. Biden takes a brighter view than his predecessor of the news media and its role in the democratic process. Mr. Trump revoked White House press passes, labeled the media as the “enemy of the people” and increasingly restricted his appearances to Fox News opinion shows and other sympathetic stages. His administration also withheld press briefings for months on end. By contrast, Ms. Psaki holds extensive briefings nearly every day.

Still, Mr. Biden — who built his appeal on a colloquial, off-the-cuff style that leaves him vulnerable to gaffes — has never been especially chatty with reporters. One of his key advisers, Anita Dunn, was opposed to Mr. Biden regularly opening himself up to queries, an exercise that Ms. Dunn believed offered little upside and lots of downside.

Mr. Biden’s reluctant media habits set off a minor revolt from his press corps last week: After he broke precedent by skipping a news conference with the leaders of Canada and Mexico, the White House Correspondents’ Association formally complained. “Is the worry that you don’t want the president taking questions?” one reporter asked a Biden press aide. (Reply: “The president often takes questions throughout the course of the day.”)

“A calculation is made about the risk versus benefits of talking extemporaneously,” said Jonathan Lemire, the host of “Way Too Early” on MSNBC and Politico’s White House bureau chief. “But you sacrifice part of the megaphone by not having the president do these interviews.”

Mr. McClellan, of the Bush White House, cautioned that Mr. Biden’s advisers should work to avoid letting the perception of a disengaged Mr. Biden become ingrained in the public imagination.

“They may have been waiting until they’d gotten the legislation passed,” he said, referring to the infrastructure law. “I’m not sure, given where things are right now in his presidency and given the outcome of the November elections — and looking ahead to where the midterms are trending — that they can wait too much longer.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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