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Richmond senior home gets new recycled art installation – Richmond News

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Plastic bags often go into the dump or are occasionally used to hold other garbage, but a Metro Vancouver artist is using them as material to create a three-dimensional art piece in Richmond.

As his biggest installation yet, Burnaby artist Rober Brenninkmeyer has created a 12 feet tall by 16 feet wide wisteria tree, which now reside at Richmond’s Wisteria Place senior’s home.

The art piece is comprised of 126 panels of approximately 18,000 plastic bags, which took five months of planning and physical work to complete.

“It was exhilarating when I finished the piece and it was finally installed at Wisteria,” said Brenninkmeyer, who is also the founder and creative director of Plastic Essence Collaborative (PECO). “It was an absolute bunch of streams coming together as a whole and a conflict of emotions.

Brenninkmeyer told the Richmond News that each leaf represented a member of the community.

“It was like a mosaic coming together in a single tree. A community is only a community when you have a bunch of individuals come together,” he said.

“It even became a collaborative project because about 8,000 of the 18,000 plastic bags used in the project came from the residents themselves.”

The idea behind the wisteria tree came from Art Works, a commercial framing and art organization, which was curating artwork for Wisteria Place. The organization then commissioned Brenninkmeyer to create the work.

Deanna Geisheimer, Art Works president and director, said in a video documentary that the wisteria tree represents a “long life.” The theme of the work is about living a life “to be loved and in harmony.”

The piece will be displayed on a large wall near the building’s entrance.

Brenninkmeyer started his high school’s first recycling club in the late 1980s and while he spent several decades working in a branding industry, he said he had his “Jerry Macguire moment” where he became environmentally-conscious.

 “I’ve had this conscientiousness of participating (in the) for-profit economy, and not feeling all that good about this issue of making money at the cost of our environment. It just didn’t sit well,” said Brenninkmeyer.

“PECO exists to be a model for our ability to have a circular economy.”

PECO has been taking plastic, specifically polyethylene and polypropylene, and recycling them into three-dimensional art pieces, while raising awareness about the damage plastic has on the environment.

Brenninkmeyer said PECO has big goals for the future including more collaborative projects where people send in their own plastic and PECO will create an artwork using that plastic to emphasize that a person’s “trash can become something beautiful.”

PECO is also partnering with Ocean Legacy to work on turning ocean plastic, like old fishing nets, into larger-scaled art.

“It’s a step towards a circular economy and the key is to create an economy where everyone can make a living in balance with our environment.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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