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Collaborative art exhibition explores grief at GV – Grand Valley Lanthorn – Grand Valley Lanthorn

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The Grand Valley State University Art Gallery hosted a brand new exhibition Thursday with “Sorrow/Fullness: A Reflection on Mourning.” This is a metalsmithing showcase that takes a look at grief and loss through the lens of reflection and celebration. The exhibition was a collaboration between three metalsmith artists, including Sue Amendolara, Adrienne M. Grafton and GVSU professor Renee Zettle-Sterling. 

Amendolara and Grafton were unable to attend but it was ultimately a success, with an extremely positive reception from those who attended. 

I just wish that Sue and Adrienne could have been there with me,” Zettle-Sterling said. “I felt that people were receptive to the work and the ideas surrounding the show.  I received a lot of questions and interest seemed to be positive.”

The showing was a big deal for the artists, as it saw them return to a world where their work could be viewed by spectators in person. Zettle-Sterling said that the energy that surrounds a live show just does not compare to online showings. 

“I am feeling very lucky that the show is able to be seen in a live setting,” Zettle-Sterling said. “I have been in several shows that have been forced to be online exhibitions and it’s just not the same. It reminds me of teaching online versus teaching in person; it’s just not the same and lacks soul.”

Grafton was happy to return to showing in person as well, as the coming together of artists to show and discuss efforts was her favorite aspect of pre-COVID exhibitions. She was also grateful for the precautions and actions taken by GVSU in order to best showcase the project. 

“It was truly wonderful to be with friends and family again at our opening back in October at the Erie Art Museum,” Grafton said. “When the pandemic hit, one of the things I missed the most was art openings and museums. I absolutely love gathering with artists and looking at and discussing work. With the latest rise in COVID-19, it again feels intimidating to get together, but, I’m very pleased with the online presence GVSU has created to showcase this exhibition.”

“Sorrow/Fullness” explores the realm of grief and loss, with a special focus on celebrating the lives of lost loved ones and the experiences shared with them. The art pieces have a very personal connection to the artists, as they were inspired by the lost loved ones in their own lives. 

Grafton’s work was inspired by her mother, who passed away in 2014. The event was something that touched her deeply, ultimately inspiring the pieces shown in “Sorrow/Fullness.”

“A few years after her passing I began using the grief as a source of inspiration for the body of work in the show,” Grafton said. “The work for me is about the passing of time and memories. I use recognizable imagery to tell stories about my emotions and experiences. In my piece titled “Residue,” I’ve taken my mom’s old used makeup and dipped it in plaster. The fragile shell encases the things she touched every day that were an important part of her daily routine.” 

Amendolara’s work for the project was also inspired by the loss of her parents. She said that her focus was to celebrate the experiences she had with them and to continue them with surviving family members. 

As a child, I spent a lot of time in my parent’s interior design studio looking at fabrics, wallpapers, antiques, etc.,” Amendolara said. “I loved talking with my father about projects he was working on, and it was these experiences that led me to become a craftsperson.”

Working with different materials led Amendolara to create the piece she made for this exhibit. She took pieces that were personal to her and her loved ones to turn it into something else.

“I made a pair of upholstery scissors using cast flowers from my mother’s funeral bouquet,” Amendolara said. “The scissors are deconstructed,  suggesting lingering grief or the inability to heal.  The scissors rest on a small quilt made from silk from my wedding dress; a reference to family.” 

Coming together to work through grief collectively is a powerful and healing concept that really flourished with “Sorrow/Fullness.” It brought people from all over to experience the grief of the artists as a way to get through their own. Each of the artists hopes all who come to view their work are helping to use it to cope with their personal situations and hopefully broaden the conversation surrounding grief and loss. 

The exhibition will be on display at the Haas Center for Performing Arts Gallery until April 1, 2022. For more information on the project and each of the artists, visit the GVSU Art Gallery website here

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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