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Calling all artists: Deadline is March 18 for juried exhibit at Art Gallery of Sudbury – Sudbury.com

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The Art Gallery of Sudbury is looking for artists to submit work they created during the pandemic for a chance to have it as a part of a new juried exhibition.

Emerging or established artists in Ontario are invited to be a part of the multimedia exhibition at the gallery under the theme of ‘Is this real life?’. 

The gallery came to the decision of the theme after taking inspiration from the rock band Queen and the COVID-19 pandemic. 

“In Bohemian Rhapsody (1975), the rock band Queen posed the question: ‘Is this the real life?’ Two years into a global pandemic, what was a metaphysical question now inspires us to invite artists to submit artwork that riff off the theme, ‘Is this real life’,” a statement on the Art Gallery of Sudbury website reads.

Sudbury.com spoke with Demetra Christakos, the director of the Art Gallery of Sudbury, who said she is excited for the new project. 

“For two years,we really missed that connection with the artist community. And this is a really exciting process,” Christakos said. 

“Submissions should be original works of art created during the pandemic period, that is, in the past two years (after Jan. 1, 2020),” the website wrote. 

The art can be 2D, 3D, video or digital media. The submissions will then be juried by Anik Glaude, curator at the Varley Art Gallery of Markham, Deanna Nebenionquit, and independent artist, and Aidan Ware, director and chief curator at the Tom Thomson Art Gallery – who will decide which pieces will be a part of the exhibition. 

While there are no submission fees, artists whose work is selected will have to take on the costs that are normally associated with exhibiting art at a public venue. This may include framing, displaying and/or shipping the piece of work. However, selected artists will be paid an artist fee for their work displayed in the gallery. The works of art will not be for sale.

For those interested, the deadline to submit art is this March 18 (Friday) at 5 p.m. Alongside the piece of work, the artist should also include a short resume of of art-related activities, and artist’s statement (no more than 100 words) on how the art work addresses the exhibition’s theme, a good quality image of the artist’s complete art piece (up to three file images are allowed). 

The Art Gallery of Sudbury is also located in the Bell Mansion. To preserve the historic building and to accommodate physical accessibility, there are a few size limitations to the artwork that is submitted. 

The maximum physical size of an art work for this exhibition is 183 cm high x 183 cm wide x 76 cm deep (single object approximately 6 ft. high x 6 ft. wide x 30 in. deep). Maximum weight of artwork: 23 kg (50 lbs), information provided by the gallery states. Soil, potted plants and art pieces with fire elements are not allowed. Pieces with electrical components should be certified. On the other hand, the gallery supports time-based work that includes a digital projector and a digital projection screen, smart TV, or tablet. 

Jury results will come out on March 30 and the delivery of selected works will be on May 11, 9 a.m. to 5 p.m. Pick up of exhibited work will be on June 28, 9 a.m. to 5 p.m. 

For complete exhibit rules, click here. To submit art, please visit this weblink here. For more information, visit the Art Gallery of Sudbury website.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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