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Woodstock Art Gallery launches new exhibits – Woodstock Sentinel Review

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Three new exhibits will be on display at the Woodstock Art Gallery starting this weekend.

Carolyn Hickey, left, and Connor MacKinnon display one of three new exhibits – Given Her Due: Oxford County Women Artists 1880 to 1980 – in Woodstock, Ont. on Thursday February 13, 2020. (Greg Colgan/Woodstock Sentinel-Review)

Three new exhibits will be on display at the Woodstock Art Gallery starting this weekend.

The gallery will host a free reception from 2 p.m. to 4 p.m. on Saturday to launch the new showings.

The main floor will feature Dance Me to the End of Love, inspired by the Leonard Cohen song of the same name and put together by well-known Ontario curator Linda Jansma.

The works come from the gallery’s own collection and focus on the mysteries of life, such as the search of beauty, love, longing and loss.

“There’s a lightheartedness to the exhibition with some beautiful pieces that lift your spirits and others that tug on more sombre emotions people can have,” Woodstock gallery director and curator Mary Reid said.

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Jansma first started looking at the gallery’s collection and, while she was putting it together, was listening to Cohen. Dance Me to the End of Love began playing – a song that looks at moments in a person’s life – and Jansma saw a powerful thread that related to the exhibit, Reid said.

The lyrics and, in turn, the works on display, show a sequence of a person’s moments in life.

Jansma will also be giving a walk and talk at 3 p.m. Saturday on the exhibit.

The gallery’s second floor will highlight art from local women in Given Her Due: Oxford County Women Artists 1880 to 1980. The works will examine the region’s female artists, including Eva Bradshaw, Better McArthur, Jaquie Poole, Fryke Oostenbrug, Blanche Longworth, Violet Erie (Smiley) Edwards and several others.

Reid said the exhibit gradually came together as people in the community would reach out with past works from female family members.


Historic artist Eva Bradshaw is one of the women whose work will be featured in Given Her Due: Oxford County Women Artists 1880 to 1980 at the Woodstock Art Gallery. (Robert McNair/Special to the Sentinel-Review)

As more people came forward, connections were made between the artists knowing one another or learning from the same people.

“With the works we have (in our collection) and the private collectors, we’ve created a survey of about hundred years of women artists in our community that have never really been given their due. It highlights their extraordinary amount of creativity.”

Connor MacKinnon, the assistant curator of education, will also debut his first exhibit as a curator. The Plates of Printers will feature original printing plates and their corresponding prints. The exhibit takes an educational look at the process of printmaking, highlighting printing plates as art objects.

Reid said the planning for the exhibits takes about a year but, with MacKinnon starting his internship in September, it came together in about four months.


An etching on paper and zinc plate from 1997 by London artist Antje Laidler is part of the Plates of Printers exhibit at the Woodstock Art Gallery. (Connor MacKinnon/Special to the Sentinel-Review)

The Plates of Printers will run until the end of March, while the works of local female artists goes until June. The Dance Me to the End of Love exhibit will run for a full year.

The works will also allow the museum to “extend the engagement with our local schools,” Reid said, with the gallery a popular spot for day camps and class trips.

Reid added the three exhibits will give people an experience of local history.

“It’ll help enlighten a piece of history in Oxford County, particularly one Woodstock people may not know about and give a new appreciation,” she said. “The Plates of Printers will give a new appreciation with the technical aspect that goes into a print.

“I see Dance Me to the End of Love as a chance you could keep coming back and it still keeps speaking to you and someone’s appreciation can deepen. If you spend time with his lyrics and poetry, that’s very powerful.”


Maya Akulukjuk’s Untitled (Dancing) is the foundation of the Woodstock Art Gallery’s upcoming exhibition, Dance Me to the End of Love. Guest curator Linda Jansma was inspired by the Leonard Cohen song of the same name as she chose works from the WAG’s permanent collection. (Robert McNair/Special to the Sentinel-Review)

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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