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Australian media maintains an unconscionable blackout on the case of Julian Assange

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By
James Cogan

17 February 2020

In one week, on February 24, Australian citizen and WikiLeaks publisher Julian Assange faces the beginning of extradition hearings in London that will decide whether he is rendered to the United States to stand trial on multiple charges of espionage.

The significance and historic implications of the Assange case are undeniable. The charges levelled against him all stem from the publication of whistleblower leaks in 2010–2011 which exposed that American and allied forces in Iraq and Afghanistan carried out the indiscriminate murder of civilians, as well as torture and other human rights abuses. Other leaked information revealed numerous diplomatic intrigues by American embassies to prop up or install pro-US regimes.

The document were not only published by WikiLeaks, but by some of the major newspapers around the world, which openly advertised that they were its “partners” in ensuring that the damning exposures of great power war crimes and conspiracies reached the largest global audience.

WikiLeaks founder Julian Assange [Credit: AP Photo/Matt Dunham]

In other words, if Assange is extradited and convicted in the US for espionage, it will establish an ominous precedent that could be used to prosecute the editors and journalists of publications ranging from the Guardian, to Le Monde and Der Spiegel, to the Sydney Morning Herald. Going forward, it would set a precedent for the prosecution of the staff of any media organisation that publishes leaked classified American government documents and applications for their extradition to the US from whatever country they live and hold citizenship.

Within the media profession, these facts are well-known and have been widely discussed. After Assange was dragged from the Ecuadorian embassy in April 2019—in violation of his rights of political asylum—and charged by the Trump administration, editorials and comments were published internationally expressing concern and acknowledging that his case has ominous implications for journalism and freedom of speech.

It is unconscionable that what can only be described as an almost total media blackout is taking place on the Assange case on the eve of the extradition hearings. Developments that are inherently in the public interest are being flagrantly censored.

The Australian media is a particularly graphic example of this censorship, as Assange is an Australian citizen, a member of the Media Entertainment and Arts Alliance, and, in 2011, WikiLeaks was bestowed the profession’s Walkley Award for “Most Outstanding Contribution to Journalism.”

Listed below are just some of the developments over the last several weeks that have not been reported in any serious fashion—let alone made the subject of probing commentary and investigation—by the print, radio and television media in Australia, including both corporate-owned media and the state-owned Australian Broadcasting Corporation (ABC) and Special Broadcasting Service (SBS).

· The US Department of Justice has asserted in court filing that because Assange is an Australian citizen, he cannot raise as a defence for WikiLeaks’ publication of leaks the US Constitution’s first amendment protection of freedom of speech.

· Other US court documents indicate that Assange will be detained under “ Special Administrative Measures ” if he is extradited. Designed to “break” alleged terrorists so they plead guilty, SAMs prisoners are held in virtual total isolation in high security facilities ahead of their trials. They are denied access to news or communication with anyone but lawyers and vetted visitors. All communication, including with lawyers, is monitored. His legal representatives would be banned from relaying anything said by Assange, or even talking about the conditions he faces. The treatment was described in a 2017 report as “the darkest corner of the US federal prison system.”

· Nils Melzer, the United Nations Special Rapporteur on Torture, gave an extended interview to the Swiss publication Republik, published on January 31. Melzer systematically reviewed the false allegations that Assange had committed sexual offences in Sweden, the way in which he had been psychologically tortured and the significance of the US extradition. Melzer was not interviewed by Australia media or his Republik interview republished in any publication.

· On January 31, a group of German parliamentarians nominated Assange, along with whistleblowers’ Chelsea Manning and Edward Snowden, for the 2020 Nobel Peace Prize. The nomination letter stated: “We feel that Assange, Manning and Snowden have to be recognized for their ‘unprecedented contributions to the pursuit of peace and their immense personal sacrifices to promote peace for all.’ With the unveiling of US war crimes in Afghanistan and Iraq and the global surveillance program of the US secret services, the three have ‘exposed the architecture of war and strengthened the architecture of peace.’”

· Last week, a petition signed by close to 300,000 people calling on the Australian government to intervene on Assange’s behalf was tabled in the lower of parliament. Prime Minister Scott Morrison and opposition Labor Party leader Anthony Albanese were not questioned by the media over their position on Assange’s extradition trial, the conditions under which he is held in London’s Belmarsh Prison or the broad implications for the media and free speech.

Other newsworthy issues could be cited that are being subjected to media censorship, not least the fact that demonstrations have been called in Australian cities and towns over the coming week to condemn the extradition trial and demand Assange’s freedom.

There is no innocent explanation for the silence. The obvious conclusion is that a decision has been taken by the management and editorial boards of various media organisations that the Assange case will not be reported. There is every reason to believe that such a decision has been taken in consultation with the Morrison government and various intelligence and police agencies.

Everything is being done to 1) prevent public support for Assange; and 2) protect the political establishment from public scrutiny and outrage over its collaboration with the US administration in the persecution of an Australian citizen and courageous publisher.

Many journalists and media professionals are deeply alarmed about the prosecution of Assange and the sweeping assault on freedom of speech that it constitutes. It is well past time for them to take matters into their own hands and act.

Media professionals should be at the forefront of fighting for a broad political movement demanding the rejection of the US extradition and the immediate and unconditional freedom of Assange, Manning and all other persecuted journalists and whistleblowers. They know what is at stake. The Assange precedent has already been brought to Australia in the form of police raids on ABC offices in Sydney last year and the threatened prosecution of ABC journalists over the publication of whistleblower leaks exposing Australian military atrocities in Afghanistan.

Meetings should be convened by the staff of every media organisation and resolutions adopted opposing Assange’s extradition—as teachers have done —and insisting that his case is accurately and honestly reported. The US charges against him are unacceptable and a threat to fundamental democratic rights.

Journalists often talk of their professional commitment to “speak truth to power.” The Coalition and Labor parties must be held to account for aiding and abetting the vendetta against one of their colleagues.

We urge journalists and media staff to take part in the rallies that have been called by Socialist Equality Party in Sydney on February 22, Melbourne on February 23 and Brisbane on February 29, and the other protest actions taking place around the country.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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