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The Forced “Gen-Zification” of Media – The McGill Daily – The McGill Daily

Published

2 years ago

October 3, 2022

Many movies and TV shows released in the past years have tried to capture the intricacies of the Gen Z high school dynamic. Euphoria (2019–) and Booksmart (2019) are two of the most famous examples of this phenomenon. In Do Revenge, which premiered on Netflix on September 16, Drea (Camila Mendes) teams up with Eleanor (Maya Hawke) in order to “do each other’s revenge” after both are betrayed by their closest friends. As is the case with the two examples mentioned above, most of the cast of Do Revenge is in their mid-to-late twenties, and its director, Jennifer Kaytin Robinson, is in her late thirties. Why is it, then, that movies are obsessed with representing Gen Z, especially when the creative teams of these projects rarely belong to this generation?

Do Revenge is peculiarly structured, which is the best thing about it in my opinion. The movie shatters the expectations of the viewer with every turn. Its interesting narrative structure and its creative plot will keep you on your toes throughout the movie. The movie also has strong performances from the main cast and a delightful supporting role for Sarah Michelle Gellar as the headmaster. All of this results in an entertaining story, but Do Revenge does not offer much else.

In terms of plot, there is no apparent reason why Do Revenge had to take place in a high school setting. The movie’s instigating action is the release of Drea’s sex tape. Drea confronts her boyfriend Max (Austin Abrams) and accuses him of releasing the tape. Max denies the allegation and faces no consequences. Drea then meets Eleanor, who was also betrayed by a trusted friend. This story could have taken place in a university setting or even in a work environment – a choice that would have made sense given the ages of the actors involved. Camilla Mendes, Maya Hawke, and Austin Abrams are 28, 24, and 26 years old respectively. There must be a thematic reason for the
story’s setting.

Euphoria’s creators wanted to address the struggle of teenagers’ dependence on sex and drugs. Booksmart was a commentary on the pressures that teenagers feel toward the end of their high school years. Do Revenge, for its part, is a commentary on the way status and identity shape the lives of teenagers. Looking at these stories thematically rather than narratively, it starts to make sense why the artists behind them have chosen high school as their setting. Do Revenge, however, fails to contribute a meaningful insight to the subject it attempts to address. It is instead an entertaining yet hollow teen-friendship movie that serves more as an homage to the ’90s classics of the genre than as a standalone piece of art.

Do Revenge doesn’t shy away from comparisons with other teen-friendship classics. In fact, it encourages them. Watching the movie, you may notice references to classic ’90s movies and tropes – the school uniforms inspired by Clueless (1995), the makeover montage and the newcomer being introduced to the high school cliques on a first-day tour. The movie also mentions “Glennergy”— a reference to Glenn Close’s role in Fatal Attraction (1987). The self-referential aura that surrounds the movie creates a disconnect between the viewer and the story. It doesn’t feel like you are watching teenagers face the challenges that the plot dictates for them, but rather adults role-playing as teenagers. The characters speak in the way adults think teenagers speak, but this is not how they actually talk to each other. In other words, the movie is a fantasy.

These elements might have been Jennifer Kaytin Robinson’s artistic choice. She might have had no intention of creating a “realistic” portrayal of Gen Z but rather wanted to answer the question: what if one of those classic ’90s movies took place in the 2020s? Regardless of intention, however, I believe that Robinson still has to answer for the strange choices she makes as a co-screenwriter and as a director.

Drea is a woman of colour raised by a single parent. She goes to Rosehill, a renowned private high school, on an academic scholarship and has been struggling to fit in there her entire life. Her socioeconomic background affects many of her choices throughout the movie. Class struggle is therefore a focal point of the movie. Namely, the movie is responsible for examining and addressing the reasons Drea’s background affect her actions. This was addressed ineffectively in the movie.

For example, one scene at the beginning of the movie shows Max, the senior class president, giving a speech to the students and announcing the creation of the “Cis Hetero Men Championing Female-Identifying Students League.” The camera then pans to the crowd, who seems to support the idea. The camera then finds Drea, who gives a disbelieving and mocking look. The irony in this scene is clear, and the movie wants it to be clear. It wants the audience to say: “this could never happen in real life; no one could be this oblivious.” This type of irony is used throughout the movie. It is the movie’s main tool for critiquing the social dynamics of high school. The problem with this technique, however, is that it does not achieve what the writers intend for it to achieve.

In his essay, E Unibus Pluram: Television and U.S. Fiction, David Foster Wallace states that “irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks.” This is exactly what happens in Do Revenge. Irony and nonchalance are used to mock and downplay many of the issues that this generation faces, but the film never offers a solution or a suggestion on how to overcome these issues. The movie is pointing a finger towards problems that we already know exist. Do Revenge has strong performances all around, especially from Maya Hawke, and features a creative structure and an entertaining plot. Unfortunately, it is another inauthentic representation of Gen Z that focuses more on mimicking the vocabulary and wardrobe of “Gen Z-ers” than on portraying the complex emotions that come with being a member of this generation.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

3 days ago

September 13, 2024

Anne Joseph

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

— Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

— AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

— AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

— Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

— Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

— Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

4 weeks ago

August 23, 2024

Harry Miller

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

Published

4 weeks ago

August 23, 2024

Harry Miller

Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.