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Q&A style: Duende offers up fine-art prints from coveted creators – County Weekly News

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Sarah Delaney, Rubeena Ratcliffe and Brit Gill are among the initial group of artists on offer

It’s not uncommon for Vancouver-based artist Sarah Delaney‘s collections to sell out in minutes.

The original artworks, which have garnered Delaney an ever-growing online following, are coveted by art lovers, locally and beyond, which means getting ones’ hands on one of her unique creations can be tricky.

Rachel Harrison and Jennifer Scott, the duo behind the new Vancouver-based company Duende, are looking to ease the struggle of snagging one of Delaney’s — as well as a handful of other creatives including fine artists and photographers — pieces by offering limited-edition fine art prints of varying prices and sizes.


A limited-edition fine art print of a work by Vancouver artist Sarah Delaney available via Duende.

Handout/Duende

Their aim, they say, is to, “mingle impactful art with the public, allowing the everyday collector to build their gallery based on a connection with each piece.” We caught up with Harrison and Scott to learn more.


Q. For those who aren’t familiar, what is Duende?

A. Duende is a curated online gallery founded on the belief that choosing art should be based on the connection we feel to it and the power of certain pieces to really resonate with us.

Our vision is to define a place where an entire space can be curated with meaningful art of mixed mediums, created by a variety of artists, while establishing a cohesive relationship between the pieces. By offering limited-edition collections, our customers are gaining the value and exclusivity that comes with small runs, yet working with prints allows flexibility for making art more approachable.

Q. Is there a story behind the name? 

A. Duende is a Spanish word with a wide variety of definitions; the meaning we identify with for our business is “the mysterious power of art to deeply move a person.”

Q. Who is the target customer? 

A. We were inspired to create this type of boutique-style online gallery platform from the perspective of designers, as both of us have established our careers as interior designers and stylists within Vancouver; we feel that we will see much of our traffic come from other designers, decorators, developers and commercial art buyers who face the same challenges we did of sourcing impactful, exclusive art at an approachable level. However, Duende really is for the everyday collector. For the people that have a love for art, want pieces to tell a story within their home and want to know that even a collection of mixed mediums and artists can create a cohesive, personal gallery.

Q. And how did you choose the artists to collaborate with?

A. Our initial gathering of art and artists was curated to work together as a full collection; we have such a strong passion for art, so the process of narrowing down who we wanted to collaborate with for this first season was hard. Ultimately, we identified what we wanted the vibe of this premier collection to feel like, and reached out to some of our favourite artists — both local and from around the world — to  create this current roster. We definitely have a growing group of incredible talent that we have our eye on for the next season, which will take on a tone of its own. For us, it’s all about curating what we see as relevant in the moment and how each piece interacts with the next within the entire collection … each piece within any given season has been carefully selected to work beautifully with any other piece in the same season.

Q. How often will the artist selection change?

A. Our gathering of artists and chosen works are featured for a season of six months, after which time a new season of art and artists is introduced; by rotating our offerings after each season, we are able to continuously bring fresh content and talent to our community.


Jennifer Scott (left) and Rachel Harrison are the duo behind the new Vancouver-based company Duende.

Duende

Q. What’s one thing you wish more people knew about fine art prints? 

A. Working with limited-edition fine art prints is such a ‘sweet spot’ for building your own art collection. Many people aren’t in a position to jump into the realm of purchasing original works, but likewise don’t want to fall back into mass-produced art as an alternative; with limited edition prints comes the ability to purchase high-impact art that offers exclusivity and large format options, without the financial commitment of original art.

Q. What is the price for Duende pieces?

A. Duende is based on a universal pricing platform. What that means is, each piece is offered at three set sizes — determined by the aspect ratio of the original work — and every piece in our gallery at that same size is offered at the same price. Essentially, there are three set sizes and three correlating set prices for every piece.

Q. Lastly, where can people check them out?

A. To check out our incredible roster of artists and each of their full collaborative collections with us, people can visit our online gallery at duendecuration.com. We also use Instagram (@duendecuration) to share our artists pieces, alongside some of the inspirations behind the works, as well as giveaways and other behind-the-scene fun.

Aharris@postmedia.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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