Architects from around the world are being invited to participate in an international design competition for a new, $100-million provincial art gallery in Nova Scotia.
The gallery is being moved about two blocks from its present location on Hollis Street to the waterfront in Halifax and will be a centre point for an arts district.
“This project is part of Nova Scotia’s vision for strengthening its culture sector by helping position Nova Scotia as a world leader in the visual arts, enhancing tourism, and creating a new public space to celebrate and showcase art and culture,” says Nancy Noble, director and CEO of the Art Gallery of Nova Scotia.
“Going the route of a design competition provides more information regarding the design capabilities of the short-listed firms and better demonstrates their understanding of the project requirements. A design competition also stands to bring new and unique perspectives to the design and will garner local, national, and international attention to what will become a new sense of pride for Nova Scotia.”
Noble says the gallery is seeking an exceptional team of architects and designers to realize the ambitions of the art gallery and the dream of creating an inclusive world-class centre for art.
A design competition is the best way to capture a global perspective on how a gallery can best serve a community, explains Noble, while also ensuring the architecture helps the art gallery achieve its vision of being an inclusive public gathering place that connects all people with art.
“The Art Gallery of Nova Scotia believes in being welcoming, contemporary, challenging, and ambitious and we are looking for a team that can bring these beliefs to life.”
The competition, which is the first of its magnitude for the province, is expected to last six months and will take place in two stages. The competition will be open to local, national and international teams and architects.
Stage one is a call for qualifications and interviews with the top qualified candidates. Stage two is the formal design competition where shortlisted firms will create conceptual designs for the art gallery and surrounding space. Architects who are shortlisted will have six months to submit their designs.
The conceptual designs of all finalists will be on public display for feedback which will be provided to the winning design team. The final design team will be chosen by a qualified jury of professionals, including architects and museum professionals.
The winning team will assist the province by leading the continued engagement process once a contract is awarded. There will be intensive period for broad engagement of the public and key interest groups at the start of the consultant’s work.
The province has stated that it wants to develop an iconic art gallery and public space to promote art, culture, world-class exhibitions, events and programming for all Nova Scotians and visitors to the province.
“We are embarking on an exciting phase of the project to build Nova Scotia’s new waterfront art gallery and public space,” Communities, Culture and Heritage Minister Leo Glavine said in a statement. “Our commitment speaks to the important contributions the arts make to our communities and to our economy.”
Trevor Murphy, chair of the Creative Nova Scotia Leadership Council, says maintaining a vibrant arts scene is integral to the vitality of the province and to the wellbeing of those who live there.
“The new Art Gallery of Nova Scotia and arts district will enliven creativity throughout the cultural sector, encourage economic growth and offer the opportunity to Nova Scotians and its visitors to experience a rich, ever-expanding tapestry of storytelling, talent and meaning.”
Jennifer Angel, CEO of Develop Nova Scotia, a provincial crown corporation that works with communities and partners to build on the assets of the province, says the gallery will be part of an arts district that will be a welcoming place for people from all communities to access art and experience cultural activities on their waterfront.
“Art and culture are important contributors to quality of life — both to the social fabric of a community and to our economy,” she notes. “We want to create a place that is truly inclusive, where art is accessible to everyone.”
In terms of economic impact, Angel says the new destination will contribute to the magnetism of Halifax and Nova Scotia as a place to visit and to live, as well as support the cultural sector which employs almost 14,000 Nova Scotians, and in 2017 contributed $929 million to the provincial economy.
“The arts district is more than just a relocation of an art gallery on the Halifax waterfront. It’s a project that’s about creating a place, including a substantial public space with year-round activity and opportunities for art-related business and programming, where everyone can access art.
“It also makes a statement about the value Nova Scotia places on art and culture with this location on the Halifax waterfront, our most visited destination.”
Angel says the arts district and gallery will be a place where all Nova Scotians feel they can belong.
“Although the arts district will be the physical hub, it will connect to art and cultural experiences around the province, providing opportunities for all Nova Scotians to experience and engage with the arts and with each other, no matter where they live.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
