Toronto, Ontario, March 10, 2023 (GLOBE NEWSWIRE) — On Saturday, March 25, 2023, TVO Today Live will visit the Kitchener Public Library to host an on-stage debate about a timely and critical question: Is social media undermining democracy? Four esteemed debaters will join Steve Paikin of TVO Today’s The Agenda for a lively and thoughtful exchange of ideas. Eventbrite registration for this event has already sold out.
Media
Is social media undermining democracy?
“It wasn’t long ago that social media was heralded as a tool that could level the field between the grassroots and the most powerful figures and institutions in our society,” says John Ferri, VP of Programming and Content at TVO. “But in light of the growing threats to democracy from online sources, all of us must grapple with how social platforms may be impacting the health of our democratic institutions.”
Arguing “yes”
- Samantha Bradshaw, Assistant Professor in New Technology and Security at American University’s School of International Service and Fellow at the Centre for International Governance in Kitchener-Waterloo
- Ann Fitz-Gerald, Director of the Balsillie School of International Affairs and Professor of Political Science at Wilfred Laurier University
Arguing “no”
- Jeff Jarvis, Director of the Tow-Knight Center for Entrepreneurial Journalism at City University of New York’s Craig Newmark Graduate School of Journalism, and author of Public Parts: How Sharing in the Digital Age Improves the Way We Work and Live and the upcoming The Gutenberg Parenthesis: The Age of Print and Its Lessons for the Age of the Internet
- Robby Soave, Senior Editor at Reason magazine, Hill.TV host and author of Tech Panic: Why We Shouldn’t Fear Facebook and the Future
The debate will be recorded and made available for streaming on TVO Today and YouTube on Wednesday, March 29 before being broadcast on TVO on Thursday, March 30 at 9 pm ET. Visit the TVO Today Live series page to get the latest information and sign up for email updates.
The TVO Today Live series is made possible through generous support from The Wilson Foundation, whose mission is to strengthen and enrich Canada in education leadership, community, history and heritage, and public service. Events take place in communities across the province and feature conversations with community leaders and experts to inspire civic engagement.
TVO Today Live: Is social media undermining democracy?
Saturday, March 25, 2023
Doors: 7:30 pm
Event starts: 8 pm
Kitchener Public Library, Central Library
Kitchener, Ontario
RSVP: Eventbrite (sold out)
Media registration: pginis@tvo.org
In advance of TVO Today Live, the Kitchener Public Library will be hosting a full day of family-friendly events on March 25, 2023. Learn more in this press release.
– 30 –
ABOUT TVO MEDIA EDUCATION GROUP
TVO Media Education Group inspires learning that changes lives and enriches communities. Founded in 1970, we are a globally recognized digital learning organization that engages Ontarians of all ages with inclusive experiences and diverse perspectives. Through video, audio, games, courses, newsletters and articles, we’re investing in the transformative potential of education for everyone. Funded primarily by the Province of Ontario, TVO is a registered charity supported by thousands of sponsors and donors. For more information, visit TVO.me, TVO.org and TVOkids.com.
Stream TVO on your favourite device.
Sign up to receive TVO media releases by email.
Media contact:
Paul Ginis, TVO
pginis@tvo.org
Social:
Twitter: @TheAgenda
Facebook: @TheAgenda
Instagram: @TheAgendaTVO
YouTube: /TheAgenda
Media
Bayo Onanuga battles yet another media – Punch Newspapers
[unable to retrieve full-text content]
Bayo Onanuga battles yet another media Punch Newspapers
Source link
Media
Blood In The Snow Film Festival Celebrates 13 Years!
|
|
|
|
Media
It’s time for a Halloween movie marathon. 10 iconic horror films
Sometimes, you just have to return to the classics.
That’s especially true as Halloween approaches. While you queue up your spooky movie marathon, here are 10 iconic horror movies from the past 70 years for inspiration, and what AP writers had to say about them when they were first released.
We resurrected excerpts from these reviews, edited for clarity, from the dead — did they stand the test of time?
“Rear Window” (1954)
“Rear Window” is a wonderful trick pulled off by Alfred Hitchcock. He breaks his hero’s leg, sets him up at an apartment window where he can observe, among other things, a murder across the court. The panorama of other people’s lives is laid out before you, as seen through the eyes of a Peeping Tom.
James Stewart, Grace Kelly, Thelma Ritter and others make it good fun.
— Bob Thomas
“Halloween” (1978)
At 19, Jamie Lee Curtis is starring in a creepy little thriller film called “Halloween.”
Until now, Jamie’s main achievement has been as a regular on the “Operation Petticoat” TV series. Jamie is much prouder of “Halloween,” though it is obviously an exploitation picture aimed at the thrill market.
The idea for “Halloween” sprang from independent producer-distributor Irwin Yablans, who wanted a terror-tale involving a babysitter. John Carpenter and Debra Hill fashioned a script about a madman who kills his sister, escapes from an asylum and returns to his hometown intending to murder his sister’s friends.
— Bob Thomas
“The Silence of the Lambs” (1991)
“The Silence of the Lambs” moves from one nail-biting sequence to another. Jonathan Demme spares the audience nothing, including closeups of skinned corpses. The squeamish had best stay home and watch “The Cosby Show.”
Ted Tally adapted the Thomas Harris novel with great skill, and Demme twists the suspense almost to the breaking point. The climactic confrontation between Clarice Starling and Buffalo Bill (Ted Levine) is carried a tad too far, though it is undeniably exciting with well-edited sequences.
Such a tale as “The Silence of the Lambs” requires accomplished actors to pull it off. Jodie Foster and Anthony Hopkins are highly qualified. She provides steely intelligence, with enough vulnerability to sustain the suspense. He delivers a classic portrayal of pure, brilliant evil.
— Bob Thomas
“Scream” (1996)
In this smart, witty homage to the genre, students at a suburban California high school are being killed in the same gruesome fashion as the victims in the slasher films they know by heart.
If it sounds like the script of every other horror movie to come and go at the local movie theater, it’s not.
By turns terrifying and funny, “Scream” — written by newcomer David Williamson — is as taut as a thriller, intelligent without being self-congratulatory, and generous in its references to Wes Craven’s competitors in gore.
— Ned Kilkelly
“The Blair Witch Project” (1999)
Imaginative, intense and stunning are a few words that come to mind with “The Blair Witch Project.”
“Blair Witch” is the supposed footage found after three student filmmakers disappear in the woods of western Maryland while shooting a documentary about a legendary witch.
The filmmakers want us to believe the footage is real, the story is real, that three young people died and we are witnessing the final days of their lives. It isn’t. It’s all fiction.
But Eduardo Sanchez and Dan Myrick, who co-wrote and co-directed the film, take us to the edge of belief, squirming in our seats the whole way. It’s an ambitious and well-executed concept.
— Christy Lemire
“Saw” (2004)
The fright flick “Saw” is consistent, if nothing else.
This serial-killer tale is inanely plotted, badly written, poorly acted, coarsely directed, hideously photographed and clumsily edited, all these ingredients leading to a yawner of a surprise ending. To top it off, the music’s bad, too.
You could forgive all (well, not all, or even, fractionally, much) of the movie’s flaws if there were any chills or scares to this sordid little horror affair.
But “Saw” director James Wan and screenwriter Leigh Whannell, who developed the story together, have come up with nothing more than an exercise in unpleasantry and ugliness.
— David Germain
Germain gave “Saw” one star out of four.
“Paranormal Activity” (2009)
The no-budget ghost story “Paranormal Activity” arrives 10 years after “The Blair Witch Project,” and the two horror movies share more than a clever construct and shaky, handheld camerawork.
The entire film takes place at the couple’s cookie-cutter dwelling, its layout and furnishings indistinguishable from just about any other readymade home constructed in the past 20 years. Its ordinariness makes the eerie, nocturnal activities all the more terrifying, as does the anonymity of the actors adequately playing the leads.
The thinness of the premise is laid bare toward the end, but not enough to erase the horror of those silent, nighttime images seen through Micah’s bedroom camera. “Paranormal Activity” owns a raw, primal potency, proving again that, to the mind, suggestion has as much power as a sledgehammer to the skull.
— Glenn Whipp
Whipp gave “Paranormal Activity” three stars out of four.
“The Conjuring” (2013)
As sympathetic, methodical ghostbusters Lorraine and Ed Warren, Vera Farmiga and Patrick Wilson make the old-fashioned haunted-house horror film “The Conjuring” something more than your average fright fest.
“The Conjuring,” which boasts incredulously of being their most fearsome, previously unknown case, is built very in the ’70s-style mold of “Amityville” and, if one is kind, “The Exorcist.” The film opens with a majestic, foreboding title card that announces its aspirations to such a lineage.
But as effectively crafted as “The Conjuring” is, it’s lacking the raw, haunting power of the models it falls shy of. “The Exorcist” is a high standard, though; “The Conjuring” is an unusually sturdy piece of haunted-house genre filmmaking.
— Jake Coyle
Coyle gave “The Conjuring” two and half stars out of four.
“Get Out” (2017)
Fifty years after Sidney Poitier upended the latent racial prejudices of his white date’s liberal family in “Guess Who’s Coming to Dinner,” writer-director Jordan Peele has crafted a similar confrontation with altogether more combustible results in “Get Out.”
In Peele’s directorial debut, the former “Key and Peele” star has — as he often did on that satirical sketch series — turned inside out even supposedly progressive assumptions about race. But Peele has largely left comedy behind in a more chilling portrait of the racism that lurks beneath smiling white faces and defensive, paper-thin protestations like, “But I voted for Obama!” and “Isn’t Tiger Woods amazing?”
It’s long been a lamentable joke that in horror films — never the most inclusive of genres — the Black dude is always the first to go. In this way, “Get Out” is radical and refreshing in its perspective.
— Jake Coyle
Coyle gave “Get Out” three stars out of four.
“Hereditary” (2018)
In Ari Aster’s intensely nightmarish feature-film debut “Hereditary,” when Annie (Toni Collette), an artist and mother of two teenagers, sneaks out to a grief-support group following the death of her mother, she lies to her husband Steve (Gabriel Byrne) that she’s “going to the movies.”
A night out with “Hereditary” is many things, but you won’t confuse it for an evening of healing and therapy. It’s more like the opposite.
Aster’s film, relentlessly unsettling and pitilessly gripping, has carried with it an ominous air of danger and dread: a movie so horrifying and good that you have to see it, even if you shouldn’t want to, even if you might never sleep peacefully again.
The hype is mostly justified.
— Jake Coyle
Coyle gave “Hereditary” three stars out of four.
Read the full review here. ___
Researcher Rhonda Shafner contributed from New York.
-
News17 hours ago
Freeland says she’s ready to deal with Trump |
-
News17 hours ago
NASA astronauts won’t say which one of them got sick after almost eight months in space
-
News17 hours ago
43 monkeys remain on the run from South Carolina lab. CEO thinks they’re having an adventure
-
News18 hours ago
Freeland rallies a united front ahead of Trump’s return to White House
-
News18 hours ago
Deputy minister appointed interim CEO of AIMCo after Alberta government fires board
-
News18 hours ago
Montreal says Quebec-Canada dispute stalling much-needed funding to help homeless
-
News18 hours ago
S&P/TSX composite index down Friday, Wall St. extends post-election gains
-
News17 hours ago
Mitch Marner powers Matthews-less Maple Leafs over Red Wings