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See the art inspired by the Wabanaki creation story

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The art may display a stillness, but Spasaqsit Possesom, also known as Ron Tremblay, said everything that went into the work is very much alive.

That includes some of his own work, on display at the George Fry Gallery on Queen Street in Fredericton as part of an exhibit produced by Indigenous students, alumni and faculty from the New Brunswick College of Craft and Design.

The exhibit, ‘It started with a thought,’ is a reference to how all creation stories start with a thought, said artist Lisa-Maude Aubin-Bérubé.

“This is us making our own creation stories about our mediums,” she said.

Wabanaki artworks on display at Fredericton’s George Fry Gallery

 

‘This is us making our own creation stories’: Students at New Brunswick College of Craft and Design showcase their work.

According to the exhibition’s website, Wabanaki oral tradition holds that the world was created with a single thought from a mystical being.

The exhibit, on display until March 28, features both the traditional and the modern, such as painting, photography, quillwork, wood carving, beadwork and digital illustration.

Artists used everyday objects and materials from nature, such ash and sweetgrass, to create their pieces.

Scroll through CBC contributor Ann Paul’s photos and watch CBC videojournalist Aniekan Etuhube’s video above to learn more about the art.

A woman with long, brown hair wearing a black sweater stands next to an illustration of a woman making a basket.
Emma Hassencahl-Perley, who’s also the exhibit curator, created this digital illustration called Breadwinner for the exhibition. (Ann Paul/CBC)
A wooden paddle with painted blue flowers on it rests on a pile of pine branches.
The George Fry Gallery, located at 408 Queen Street, is open Monday to Friday from 10 a.m. to 4 p.m. (Ann Paul/CBC)
Eyewear carved from wood rests on white fabric.
Rob Johnston made this piece, called Annguak (Present), using butternut, tung oil, leather, seal skin and glass beads. (Ann Paul/CBC)
A long, white strip of fabric with an embroidered deer and deer tracks rests on a deer antler.
This piece by Lisa-Maude Aubin-Bérubé, called Nutaptuwet, is about tracking a deer. It’s a Wampum using materials sinew, deer antler and leather. (Ann Paul/CBC)
A woman with long black hair stands next to a piece of art made using birch bark.
Natasha Sacobie used porcupine quills and birch bark to create this piece called Strength in Sadness. (Ann Paul/CBC)
Blue beadwork with green leaves on it sits on the left. A red hat with blue trim is on the right.
The Wabanaki art exhibit will be on display until March 28. (Ann Paul/CBC)
A man stands between a blue acrylic drawing and a photo of the moon.
Spasaqsit Possesom’s exhibition pieces include Possesomuwin (left), an acrylic on canvas, and Hunter’s Moon Rising, a digital photograph. (Ann Paul/CBC)

Ann’s Eye

Photographer Ann Paul brings an Indigenous lens to stories from First Nations communities across New Brunswick. Click here or on the image below to see more of her work.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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