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What is happening with memorial at Vancouver Art Gallery?

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City of Vancouver staff arrived at the Vancouver Art Gallery Friday morning (May 19) to begin the removal of the residential school memorial that volunteers have been standing vigil over on the south side steps for almost two years.

The City announced plans to dismantle the 215 shoes representing the unmarked graves of children found at the Kamloops Indian Residential School placed by Haida artist Tamara Bell, plus stuffed animals, flags, and signs from other volunteers, back in March and doubled down earlier this week.

But according to a City of Vancouver representative, “staff arrived on site this morning to begin this work to find the majority of the memorial items had been removed overnight.”

Pre-emptive removal of items an ‘unexpected development’ says City

The spokesperson told Glacier Media in an email: “Volunteers on the site have since confirmed they have removed the items, and transported them to an undisclosed location, and are not following through with the agreed-upon process.”

The City’s original plan was to “respectfully” bring the memorial to a close today ahead of the two-year memorial anniversary on May 28, following dialogue with the artist, volunteers, and The Host Nations. “This process was to involve removing the items from the steps of the Vancouver Art Gallery today, followed by a burning ceremony in a few days’ time, and would be private, as per guidance provided by the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nations,” says the spokesperson.

The City calls the preemptive removal an “unexpected development” and says they are working with their partners at the Host Nations to bring the matter to a close “in a good way.”

The intention is to follow the teachings of xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and səlilwətaɬ Nations and to perform a private burning ceremony “in hopes to nourish those children, help them find peace, and continue their journey to join their ancestors,” explains the City.

Vigil keeper: memorial ‘has become fertile ground for racism and oppression’

However, a press release from Bell and Head Vigil Keeper Desiree Simeon offers a different perspective.

“The proposed closing of the vigil at the Vancouver Art Gallery, which was meant to be enshrined in ceremony has become fertile ground for racism and oppression by the City of Vancouver towards vigil keepers,” reads the statement.

Simeon and Bell say that the press release issued by the City on March 31 announcing the removal of the memorial prompted aggression, abuse, and anti-Indigenous vitriol directed at the Vigil Keepers who have “heroically maintained the site.”

Simeon was reportedly working with the City until May 18 when staff “became threatening, aggressive and oppressive,” according to the statement and Simeon asks, “How can a goal of reconciliation be reached when the City of Vancouver is being culturally insensitive?”

The pair claim that “the disregard and disrespect diminish the sensitivity of the vigil and its purpose. While the City of Vancouver abusively pushes forward to
remove the items, it appears to be tantamount to theft.”

What happens now?

Bell and Simeon did not mention removing the items from the memorial themselves and there seems to be some confusion about who took them.

On Friday in an online media availability, Michelle Bryant-Gravelle, Senior Director of Indigenous Relations for the City of Vancouver addressed the suggestion that Simeon had no knowledge of who removed the memorial. However, the City insists that staff who arrived on-site at 5 a.m. this morning spoke to volunteers who confirmed they took it away.

Bryant-Gravelle also said that the City was “disappointed to hear” about any instances of anti-Indigenous racism directed at Bell and the volunteers. She maintains that all communication between the City and Vigil Keepers was “always respectful and culturally appropriate.”

“Sometimes, especially around this topic, it’s hard to hear that the space is coming to a close. Especially when all of the grave sites surrounding the residential schools have not been explored and there are still children to be found, located, and identified,” Bryant-Gravelle said. “These spaces are of the utmost importance to Indigenous people and we understand that it’s hard to hear that we’re bringing such a prominent space to a close.”

Later on Friday, it was revealed that some of the items, mostly stuffed animals and shoes, that comprised the memorial had been placed at spots throughout the city.

The City released another statement saying, “Out of respect for the spiritual processes that have started well before today around bringing the memorial to a close in a good way this weekend, we ask that anyone who encounters these items to please not engage with them. ”

A burning ceremony will be taking place on May 21 regardless of whether or not the City is able to retrieve the items. Bryant-Gravelle explained that part of the ceremony involves preparing food and burning it to send to the children and that is a portion that will move forward.

Note: The federal government has set up the National Indian Residential School Crisis Line, which provides 24-hour support to former residential school students and their families. The toll-free number is 1-866-925-4419.

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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