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Cultural Representation: The Importance of Positive Portrayals of Black Canadians

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Cultural representation is an essential part of character and cultural reconciliation. Nonetheless, Black Canadians frequently face an absence of positive representation in media and cultural establishments. At the point when they are addressed, it is as often as possible through cliché or negative depictions. This article investigates the meaning of positive representation, the present status of Black Canadian representation, and the means expected to cultivate more comprehensive and exact depictions.

The Power of Representation

Representation in media and cultural organizations significantly affects how people and networks see themselves and are seen by others. Positive representation can enable minimized gatherings, cultivating a feeling of satisfaction and having a place.

The Impact of Stereotypes

Stereotypical depictions of Black Canadians can propagate unsafe fantasies and inclinations. These generalizations frequently decrease people to one-layered characters, disregarding the wealth and variety of their encounters. As per a recent report by the Canadian Broadcasting Corporation (CBC), Black Canadians are frequently portrayed as crooks, competitors, or performers, building up restricted and negative stereotypes.

The Importance of Positive Representation

Positive representation, then again, can challenge these generalizations and present a more nuanced and far reaching perspective on Black Canadians. A 2020 report by the Canadian Race Relations Foundation found that positive media depictions fundamentally work on open perceptions and improve social union. At the point when Black Canadians see themselves reflected emphatically in media, it improves their confidence and local area pride.

Current State of Black Canadian Representation

Underrepresentation in Media

Black Canadians are underrepresented in different media structures, including TV, film, and reporting. A 2018 report by the Canadian Media Guild uncovered that Black Canadians make up just 2.9% of the Canadian media labour force, despite addressing 3.5% of the general populace. This uniqueness brings about an absence of different points of view and stories in traditional press.

Negative Portrayals in Media

Black Canadians are frequently depicted in media in a negative light. For instance, a study conducted in 2019 by MediaSmarts found that Black characters in Canadian television shows are more likely than white characters to be involved in crime or violence. These negative depictions can build up racial inclinations and add to the underestimation of African American populations.

Cultural Institutions and Representation

Inclusion in Museums and Galleries

It is the duty of museums and galleries to reflect Canada’s diverse cultures and histories. Nonetheless, a 2020 review by the Canadian Museums Association viewed that just 12% of galleries had long-lasting shows committed to Dark Canadian history. Black Canadians’ contributions may be lost as a result of this lack of representation, perpetuating a narrow view of Canadian history.

Theatre and Performance Arts

Theatre and cultural expression can be effectively conveyed through theatre and performance arts. However, Black writers and entertainers frequently battle to track down open doors in these fields. As per a 2019 report by the Playwrights Guild of Canada, just 5% of plays delivered in significant Canadian venues were composed by Dark writers. This underrepresentation restricts the variety of stories told in front of an audience and limits open doors for Dark specialists.

Steps Toward Inclusive Representation

Supporting Black Creators

Supporting Black makers is fundamental for encouraging assorted and true narrating. Drives, for example, subsidizing awards, mentorship programs, and systems administration open doors can assist with blacking specialists gain permeability and assets. A 2021 report by the Canada Council for the Arts featured the progress of designated financing programs in expanding the quantity of Black-drove projects in human expression.

Promoting Diverse Hiring Practices

Advancing different employing rehearses inside media and social establishments is essential for guaranteeing a scope of points of view and voices. Executing variety and incorporation preparing, setting recruiting targets, and establishing steady work environment conditions can assist with accomplishing this objective. The Canadian Broadcasting Corporation (CBC)  has focused on guaranteeing that somewhere around 30% of its fresh recruits are from underrepresented gatherings, including Black Canadians, by 2025.

Educating Audiences

Educating crowds about the significance of different representations can likewise drive change. Public mindfulness crusades, local area studios, and school projects can assist with cultivating a more comprehensive mentality. A 2020 review by the Ontario Human Rights Commission saw that 70% of respondents accepted that expanded representation of Black Canadians in media would emphatically affect cultural mentalities towards racial variety.

The Role of Policy and Regulation

Strategy and guidelines can play a critical part in advancing comprehensive representation. States and administrative bodies ought to execute and authorize arrangements that support variety in media and social organizations.

Regulatory Standards

Setting administrative norms for variety in media creation can guarantee that a large number of voices and viewpoints are represented. The Canadian Radio-television and Telecommunications Commission (CRTC) has acquainted rules with advanced variety in communicating, including motivations for networks that meet variety targets.

Funding and Support

Government financing and backing for drives that advance Black representation in media and social foundations are pivotal. Projects, for example, the Canada Media Fund offer monetary help for different substance creation, assisting with enhancing Black voices in different media structures.

The Impact of Positive Representation

Positive representation of Black Canadians in media and social establishments can transformative affect people and society. It encourages deep satisfaction and having a place among Black Canadians, challenges generalizations, and advances social union.

Empowering Individuals

Seeing positive depictions of oneself in media and social spaces can unquestionably engage. It approves the encounters and characters of Black Canadians, adding to higher confidence and mental prosperity. As indicated by a recent report by the University of Toronto, positive media representation is connected to expanded versatility and lower levels of pressure among Black youth.

Conclusion

In conclusion, accomplishing positive and comprehensive representation of Black Canadians in media and social organizations is fundamental for encouraging a more equitable and firm society. By testing generalizations, praising accomplishments, and enhancing different voices, we can engage Black Canadians and advance a more extensive comprehension of their commitments to Canadian culture. Through cooperative endeavours in strategy, training, and local area commitment, we can make a social scene that reflects and regards the extravagance of Black Canadian encounters.

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Decorated Canadian para surfer Victoria Feige lobbying for inclusion in L.A. 2028

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PARIS – Surfing is California’s official state sport and Canadian para surfer Victoria Feige wants Los Angeles to live up to that pledge in 2028.

The five-time women’s world champion from Vancouver is at the forefront of a lobby to get L.A. to introduce para surfing to the Paralympic Games.

L.A.’s organizing committee stated in June it would not propose para surfing for inclusion as a new sport in 2028. “Cost and complexity” of the Summer Games was the stated rationale for para surfing’s omission.

That dumbfounded Feige. California has hosted every world para surfing championship since the first in 2015.

“I was devastated,” Feige said. “I have been hearing about the movement toward the Paralympics for para surfing since 2018.

“I won my first world title and I was urine-tested right after according to WADA anti-doping regulations. It felt important, progressive and we had this momentum.”

There are nine para surf classifications encompassing missing limbs, prosthetics, paralysis and visual impairment.

Feige, 39, competes in the women’s kneeling classification. She mistimed a jump while snowboarding in Colorado at age 18. She fractured vertebrae in her spine and was paralyzed below the waist.

“I have been so lucky and grateful to be able to surf again and find a community and compete for my country and reach the highest levels and push my sport forward in ways I never considered,” Feige said.

“While I am in still sort of the prime of my life, I would like to help my sport reach this global stage and I would love to compete for Canada and win the gold for Canada.”

The International Surfing Association has turned its attention to Brisbane in 2032, but Feige isn’t giving up on 2028.

A “Save Paralympic Surfing L.A. 2028” petition started by para surfer Jack Bogle has almost 27,000 signatures.

Feige has appeared in videos with surfing star Kelly Slater and musician Jack Johnson, who have endorsed para surfing for Paralympic inclusion.

She’s planning a California outdoor wave pool event following November’s world championship “as a proof of concept to show that para surfing can be held in L.A. in 2028,” Feige said.

“It’s like a football field and a big hydraulic press that creates a surfable wave on demand,” Feige explained. “It’s standardized and they’ve had surfing pro level competitions there before. I’m wondering if it’s an option to make it more cost-effective and logistically easy to incorporate it into the Games.”

The first world championship in 2015 had 69 competitors from 18 countries.

Each country can enter up to two surfers per classification. The 2023 world championship in Huntington Beach, Calif., had 180 athletes from 27 countries. The number of competitive para surfers internationally is estimated at just under 500, according to Bogle’s petition.

Canada has roughly 25 para surfers classified in seven of the nine divisions, said Surf Canada director Pascale Martineau, who co-founded the organization’s adaptive surfing committee and has been the team’s manager at world championships.

“Worldwide, I feel we did so much work. We have an amazing team working on classification with the ISA,” Martineau said.

“When the news came that the L.A. 2028 organizing committee did not go through with para surfing for the Paralympics because of cost and complexity, it was a big shock. All adaptive sports come with cost and complexity.”

Canadian wheelchair rugby co-captain Trevor Hirschfield, who competed in his fifth Paralympic Games in Paris, gave para surfing a try in 2020 because he wanted an outdoor sport to pursue during the COVID-19 pandemic.

A year later, he was on a board at the world championship in Pismo Beach, Calif., in the prone 2 division, in which athletes require assistance to catch a wave and get on a board safely.

“I’ve been to Paralympics and world championships before and I thought the world para surf championships were amazing,” Hirschfield said. “It was very professional and world-class and I was kind of blown away by it.

“California, L.A. hosting the Games and not picking up para surfing is a big miss on their part.”

Aquatic beach chairs can help surfers with mobility issues get into the water.

“I just crawl,” Feige said. “I push my board beside me. It looks a bit crazy, but it means I can go surfing independently.

“Once I’m in the water, I’m such a good swimmer and paddler, and I taught myself how to duck dive, I’m just as good as anybody else in the water who is able-bodied.”

Feige acknowledged the clock is ticking on her Paralympic dreams, but she wants people with disabilities to see that surfing is possible.

“I really care about bringing more people into the sport, not just for the Paralympics, but it gives so much to be able to access the environment and feel alive,” she explained.

“One of the things I really like about para surfing is there’s no tokenism in the ocean. There’s no special treatment. If you catch a good wave and you surf it well, you did that. It’s very liberating and empowering that way.”

This report by The Canadian Press was first published Sept. 6, 2024.

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Jacob Hoggard seeking leave to appeal sex assault conviction to Canada’s top court

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Canadian musician Jacob Hoggard is seeking leave to appeal his sexual assault conviction before Canada’s top court.

The Supreme Court of Canada website shows Hoggard filed a notice of application for leave to appeal earlier this week.

Meanwhile, the Court of Appeal for Ontario says the Hedley frontman will be seeking bail at a hearing on Tuesday.

The Appeal Court last month upheld Hoggard’s conviction despite finding his trial should not have heard the evidence of a psychologist who testified on the neurobiology of trauma.

In its ruling, the court found the trial judge erred in admitting the expert’s evidence but corrected any potential misuse in speaking to the jury, and as such, no “substantial wrong or miscarriage of justice” occurred.

Hoggard was found guilty in June 2022 of sexual assault causing bodily harm against an Ottawa woman.

He was also found not guilty of the same charge and of sexual interference, a charge that refers to the sexual touching of someone under 16, in relation to a teenage fan.

He was later sentenced to five years behind bars, but was released on bail hours later.

Hoggard began serving his sentence when his appeal was dismissed.

This report by The Canadian Press was first published Sept. 6, 2024.

The Canadian Press. All rights reserved.



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Japanese owner of 7-Eleven Seven & i Holdings rejects Couche-Tard takeover offer

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MONTREAL – The Japanese owner of 7-Eleven has rejected a takeover offer from Quebec-based Alimentation Couche-Tard Inc.

Seven & i Holdings Co. Ltd. said the proposal by the Canadian convenience store operator “grossly undervalues” the company.

In a letter to Couche-Tard, Seven & i called its offer of US$14.86 per share in cash “opportunistically timed” and said the proposal was not in the best interest of its shareholders and other stakeholders.

“We are open to engaging in sincere discussions should you put forth a proposal that fully recognizes our stand-alone intrinsic value and addresses our concerns regarding certainty of closing in the current regulatory environment,” wrote Stephen Dacus, chair of the special committee formed to review the offer.

“However, we do not believe, for several critical reasons, that the proposal you have put forward provides a basis for us to engage in substantive discussions regarding a potential transaction.”

The Japanese company said the Couche-Tard bid did not adequately acknowledge the multiple and significant challenges such a transaction would face from U.S. competition regulators.

In addition to global convenience store chain 7-Eleven, Seven & i owns supermarkets, food producers, household goods retailers and financial services companies.

On Thursday, before Seven & i published its rejection, Couche-Tard said it was confident in its ability to finance and complete the proposed deal.

Analysts have cast doubt on whether the two companies can reach a deal because they believe satisfying Japanese regulators will be onerous and could force Couche-Tard to let go of some of its assets.

Couche-Tard has operations across 31 countries and more than 16,800 stores. If it manages to wrangle Seven & i, that deal would add 85,800 stores to its empire.

This report by The Canadian Press was first published Sept. 6, 2024.

Companies in this story: (TSX:ATD)

The Canadian Press. All rights reserved.

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